Sure it’s based on a true story which sets some limits, but a change of pace here and there would have been much appreciated.
This is the story of Barry Seal (played by Tom Cruise), a tired TWA pilot recruited by CIA agent ‘Schafer’ (Domhnall Gleeson) to run reconnaissance flights in Central and South America. Over the course of the movie Seal evolves into gun runner, drug smuggler for the Medellin cartel, and informant for the DEA. Through all this Barry and his wife Lucy (Sarah Wright) raise a family and contribute to their community. As you can imagine, juggling so many jobs, things start to fall apart.
Approached
Bought
Caught
You’d hope that a film starring Tom Cruise and directed by Doug Liman (responsible for such action-packed flicks like The Bourne Identity, Mr. & Mrs. Smith, Jumper, Fair Game, and Edge of Tomorrow) would have some excitement and good action. Especially if that movie is about a guy simultaneously working for the CIA, DEA and Escobar. Unfortunately, in my opinion, there was a lot lacking in terms of pace, excitement and much emotion of any kind. I left the cinema not really filming anything, but not quite feeling like it had been a waste of time.
Domhnall (Left) and Cruise (Right)
Cruise (Left) and Wright (Right)
The story is an interesting one and the actors play the characters well, there’s even a few decent laughs thrown in; but the film itself had no dynamics, it seemed to sit at the same level throughout. I can’t fault the actors for their portrayal, they were smart and most importantly believable; especially Sarah Wright as the wife, she was often skeptical of her husbands behaviour and was pretty vocal about it until he told her the truth.
More than likely it’s the script that has no flavour and lacks the changes in pace to make this film a little more intriguing. Unfortunately, in this case the story of Barry Seal has been narrated, but not really told.
Atomic Blonde has the espionage of Bond and the action of John Wick; with Charlize Theron portraying the stone cold, cool-as-ice, and stunningly sexy agent Lorraine Broughton.
Set during the fall of the Berlin War in 1989, though not related to this historic event whatsoever, we follow MI6 Agent Lorraine Broughton in her journey to Berlin to investigate the murder of fellow agent James Gasciogne (Sam Hargrave) and to locate “The List”. As in many Cold War spy thrillers, “The List” is a piece of microfilm containing the names of all allied field agents active in the Soviet Union and, in true Bond style, the microfilm is hidden in a wristwatch. Unfortunately, things start going wrong for Lorraine as soon as the her killer heels touch the ground, but people soon find out she is a force to be reckoned with. Lorraine’s contact in Berlin is MI6 agent and station chief David Percival (James McAvoy) who seems to have adapted to his environment a little too well, being described in the film as “feral”, and has his own rules and motives.
Friend or foe?
The narrative is a re-telling of the events that took place in Berlin by Lorraine in an debriefing led by MI6 executive Eric Gray (Toby Jones) and CIA agent Emmett Kurzfeld (John Goodman). Throughout the film we are thrown, both seamlessly and abruptly, between Berlin and the London interrogation room, the questions posed to Lorraine driving the story forward and building doubt and suspicion regarding everyone’s intentions.
In stark contrast to the seriousness of other cold war and general spy thrillers, and even the background and plot of this film, David Leitch has used a combination of very stylistic components to create an entertaining, anarchistic and glam rock atmosphere. The garish neon lights, spray paint screen annotations, breaking the fourth wall, a steamy lesbian affair, a new wave score, and bold outfits give a lighter edge to this violent and bloody thriller. This style is reminiscent of films made in the ’90s depicting anarchy, disregard for rules or an anti-establishment message.
The contrast extends down to the counterculture depicted on both sides of the Berlin wall. In the West, everyone is free to dress and drink as they please, whereas, in the East, we see youths being punished for partying, the inevitable rebellion and revolution. This is reflected in Lorraine’s image as well as the atmosphere; in the West her dress and make-up is bold, provocative and punk, in the East she switches the sheer blonde for brunette and dresses plainly with minimal make-up.
West is best
East is least
The soundtrack is as killer as Theron; tracks from the likes of David Bowie, Kanye West, The Clash, Queen, Public Enemy, Health and New Order give the film power and emotion. What is particularly interesting is the use of the original song, plus a reprisal using a cover in a later scene with a very different mood. At some points this reinforced the direction of the plot, descents into chaos, loss of control and stings of emotion. With the help of composer and music supervisor Tyler Bates (composer for John Wick), Leitch has put together a playlist that compliments the non-verbal storytelling occurring in much of the film and reflects the environment and rebellion of the period.
Yes, that’s a hose and a saucepan
As well as a killer soundtrack, this film has absolutely brutal action sequences. David Leitch’s stunt background explains the satisfaction I got from watching those scenes; he has been stunt man, double, coordinator and co-director for a number of action-heavy films (Fight Club, 300, Bourne films, Matrix films, John Wick, and the upcoming Deadpool 2). The realism Leitch has injected here is impressive and effective; Theron insisted that she do as many of the stunts as legally permitted, training for months on her strength, wrestling and Muay Thai, and even getting a couple of sparring sessions in with Keanu Reeves!! Her style is what you would expect for a woman fighting men two to three times her size, the participants get tired as you would expect when you’re getting your ass kicked that hard, and people get horrific injuries, including Lorraine. We even see her emerge from an ice bath, battered, bloody and bruised, and no make-up to hide the swollen, blackened eye she received during the course of her Berlin antics. These are the consequences of her profession and entering heavy hand-to-hand combat. One of these scenes is around 7 minutes long and actually shot in continuity, this means no time to alter make-up, re-adjust wigs, or apply any extra effects, which is why I expect the characters look so exhausted and a complete mess by the end; but all this just augments the realism of the scene.
David Percival (James McAvoy)
Delphine Lasalle (Sofia Boutella)
The supporting roles around Lorraine help to reveal distinct attributes of her character; with Gray, Kurzfeld and Percival she is cold and steely, she does not trust anyone and does not play nice. Even with the stasi officer, code name “Spyglass” (Eddie Marsan), Lorraine has to protect and escort out East Berlin, she remains icy and emotionless in order to properly do her job. Conversely, the young and innocent French intelligence agent Delphine Lasalle (Sofia Boutella) brings out a more honest vulnerable side to Lorraine. Originally, the french agent was male in the graphic novel “The Coldest City” that Atomic Blonde is based on, Leitch agreed that the gender flip was a good move and makes the story a little more provocative which he describes as integral for his vision for his solo directorial debut.
Still gorgeous
Overall this movie is a hit for me; with exciting action, bold fashion and music, great comedic timing and funny quips. It’s true that the storyline is a little generic and you do have to pay attention to make sure you understand what is going on and who’s betraying who, but it’s clear that Leitch’s focus was the style of the retelling. In his own words, he wanted to be fresh, provocative and reinvent the “stuffy” cold war spy movie. It sounds like Theron really enjoyed this role, saying that it was her perfect female protagonist, regardless of how many times she puked in training or how many teeth she cracked. She owned this part and I thoroughly enjoyed watching her kick-ass.
And as Theron’s costume designer Cindy Evans rightly said: “Yeah, because Bond could never do it—so you have to”.
Comedy is always subjective to the individual watching, so you can never really have a movie that is almost universally hilarious to everyone. For me though, The Other Guys, featuring Will Ferrell and Mark Wahlberg has to be one of the wittiest comedies around!
Right off the bat, the film starts off at 100%, with the high octane pursuits & action of Officers Highland & Danson, the wonderfully arrogant duo played by Samuel L Jack & Dwayne Johnson. They are the pride & joy of the department, solving crimes, winning accolades, getting all the money & women! But after their confidence gets the best of them (“Aim for the bushes”), the force is left with vast gap in their task-force. The perfect chance for some other guys to fill in that Alpha position. The other guys in this case, being disgraced cop Hoitz (Mark Wahlberg), who craves to get back into the big time after being demoted following a mishap, and his desk happy accountant partner, Gamble (Will Ferrell).
What make the film so amusing is the interactions between our two heroes. Most successful buddy cop movies require the partners to clash, be polar opposites, and it’s done perfectly here. Mark Wahlberg absolutely nails it as the constantly angry and frustrated cop, who would rather be out in the field, than stuck behind a computer. Gamble on the other hand, is more than happy to do paperwork and excel sheets, and as you can imagine, this does not go well his agitated colleague!
Some of the exchanges they have are comic genius! The ‘Lion v Tuna’ (“If I was a Lion, and you were a tuna, I would go outside my food chain to eat you!”) argument that they have will you in stitches, and of course, it ends with hot coffee being thrown, as Gamble systematically dismantles a frankly ridiculous argument of how a tuna would beat a lion in a fight! The general disdain Hoitz has for Gamble is plain to see, such as when he nonchalantly throws a gift out the car window, or his random insults like “The sound off your piss hitting the urinal……it sounds feminine!”
The supporting cast are also on form! Eva Mendes plays the role of Gamble’s surprisingly attractive wife, to the hilarious dismay of the jealous Hoitz. Not only is Gamble oblivious to the fact someone as uninteresting & dull as himself, has ended up with a stunning wife, but he also talks down to her constantly, making Marky Mark even more annoyed at the situation!
Micheal Keaton shines as the dreary precinct captain, having to hold down 2 jobs to make ends meet, his character is constantly dropping in TLC lyrics mid convo, to the amusement of the audience. The silent fight during the funeral is another gem of a scene, where out duo end up in a fist fight with a rival pair of cops, also aiming to take over as the other guys! The scene is just so stupid, but seems to work so well!! The cops even pause mid fight, as some grieving mourners walk past!
Steve Coogan features as the cowardly millionaire, who is clearly up to no good. The scene where he is consistently distracting our heroes with bribes is great, and eventually, no amount of free mineral water with cucumber can put our cops off the trial!!
The film simply has several moments that will stick to anyone who enjoys this movie. There’s the whole ‘GATOR!!!’ revelation, Gamble’s crazy hot Ex, the Toyota Pruis constantly getting roasted, the ‘desk-pop’ among other things!
The plot isn’t the most memorable or unique, cops who no one trusts or respects end up uncovering a hidden scam, end up the heroes. But it’s the presence of our two protagonists that make this such rollicking fun!
Silver Screen Show 