Midsommar ★★★☆☆

Following up from the critically acclaimed Hereditary last year, Ari Aster’s latest release sees a young couple join their friends on a summer retreat out in the Swedish countryside. The communal festivities seem jovial until things start to take a sinister turn……

Directed by Ari Aster

Starring Florence Pugh, Jack Reynor and Will Poulter


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Dirty God ★★★☆☆

Dirty God is a somber look at a young mother who has to suffer from the consequences of an acid attack on the streets of London. The lead, is played by a real life burns survivor, bringing an extra sense of realism to the film.

Directed by Sacha Polak

Starring Vicky Knight, Katherine Kelly


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Tolkien ★★½☆☆

Flying in under the radar, was this look back at the life of the legendary author, JRR Tolkien. Looking back at the events and experiences that shaped his life, which would go on to inspire his to write of books called Lord of the Rings………may sound familiar!

Directed by Dome Karukoski

Starring Nicholas Hoult, Lily Collins


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Rocketman ★★★★☆

Freddie Mercury got the big screen treatment last year, now it’s the turn for another musical icon to get on the silver screen. Can Rocketman hit the Oscar buzz? Taron Egerton takes up the role of the iconic Elton John in this flamboyant biopic!

Directed by Dexter Fletcher

Starring Taron Egerton, Richard Madden, Bryce Dallas Howard


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Review : Searching ★★★★

We’ve already seen the ‘on screen’ format recently with Unfriended :Dark Web, where the majority of the action takes place on the screen of a characters computer. It’s a unique way of telling a story, which works rather well with the society we live in now. Whereas Unfriended used this method to deploy cheap thrills and deliver an incoherent story, Searching manages to be surprisingly emotional and intense.

Following the disappearance of his young daughter, Margot (Michelle La) , David Kim (John Cho) uses all the methods at hand in order to track down what exactly happened. After tracking her Facebook, Tumblr and other social media activities, things start to turn down a sinister avenue.

Director Aneesh Chaganty manages to weave a captivating tale, even though we only see the drama take place in one place, the desktop of David. The film feels very current, and the tech used are the real programs, giving the film that much more realism.  John Cho puts in a fascinating performance,  he is pretty much in all the scenes, and really has to carry the movie. Though he is commonly known for his comedic talents, his role as a worried dad, willing to do anything to find out the truth is wonderful.

The film makes great use of the mother’s passing, to convey emotion. Especially when David logs into the account of someone who has passed away. It provides an eerie vibe, with small details like an inbox with thousands on unread emails. There are several other small details hidden in the background that makes things so effective.

The film manages to relate to several issues we have nowadays, especially the trend of people trying to bandwagon onto whatever the next trending news is, in order to get some more likes or retweets. How easy it is to talk trash/meme a stranger online. or how people act in real life, as opposed to their online persona. One particular scene is done extremely well, and makes want to yell at the character on screen!

On the negative side, there really isn’t too much to frown upon, the only issue I had was the fact the film’s promotional material, actively mentioned a big twist, which isn’t really that shocking. It was obvious the film would have a twist, and it felt strange that they felt like it needed to be mentioned, especially as the twist felt rather rushed. The film’s trailer also reveals far too much of the story, and would have preferred if they kept more of it a secret!

Searching is by far one of the best movies of the year so far, and is getting the critical praise it deserves (still at 92% on RT!), Cho really turns this film into what could have been a fairly average film, to a great one. It also contains probably one of the most emotional openings to a film since Up! And that’s saying something!

The Foreigner Does Enough

Jackie Chan is not usually seen in a serious tone in his movies over here in the West. Although he may be great as a comedic actor, he is also well known for his more dramatic roles back in the East. So fans were intrigued to see that the latest Chan movie to be released here, was a shift away from the norm here, and places him in a far more melancholic surrounding.

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The Foreigner directed by Martin Campbell, is a fairly typical revenge thriller. Quan (Chan) is a worker, living a simple life in London, but following an IRA terrorist bombing, he loses his teenage daughter (Katie Lueng). Using all his military expertise from days gone past, he sets out on a relentless pursuit for answers, and to find the people responsible. This leads him to the doorstep of the deputy minister for Northern Ireland, Liam Hennessy (Brosnan).

Taken, this isn’t, but The Foreigner is still an enjoyable movie to sit down and watch. It’s far more interesting to see Chan as the broken down father figure, rather than what he  is usually type cast as, and all his scenes carry great intensity. There are several action scenes that make use of Chan, but they are not as vibrant as they usually are, it’s far more visceral and calculated. Brosnan is excellent as the charming deputy minister, bringing a strong gravitas to a film that really isn’t flooded with big names. His witty exchanges with his fellow cabinet members and staff still exude that 007 aura he had, even down to getting his hands messy if needs must.  The cat & mouse interactions between Quan & Hennessy are by far the most fascinating parts of the movie, though Hennessy insists he was not involved, Quan is adamant he must have known something, considering his powerful political position.

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Where the film struggles is the overall story arc, the entire IRA subplot really does slow down the movie, and it gets drowned in a lot of dialogue and conversations.  The plot attempts to be far more intricate and layered than it really should have been. Any scene which does not involve Chan or Brosnan really feels like a drag.  The whole affair plot line has a resolution, but even then, it feels like it could have been written in a much more captivating manner.  Also, there could have been more scenes with Chan, as that really is the film’s strongest points.  Seeing Chan take out elite soldiers in the woods is far more interesting than political power plays. Quan is almost a secondary character compared to Hennessy. As good as Hennessy is, most people would be tuning into this for Chan, and they really didn’t make the most of that factor.

Overall, the movie does seem to drown itself with its plot at times, but the star power of Chan and the charm of Brosnan has enough to make The Foreigner worth a watch.

Molly’s Game Captivates

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Based on the novel of the same name, Molly’s Game is based on the rise and fall of Molly Bloom, who in her 20s, was hosting the world’s most exclusive Poker tournaments in both LA & NYC.  Attracting the biggest names in Hollywood, sports and business, her game was rolling in millions, before inevitably getting the unwanted attention of organised crime & the mafia.

Before taking up her place in law school, Molly Bloom (Chastain) decides to take a year out, taking up part time jobs to support herself. During this time, while working as an assistant, she gets introduced to the world of underground Poker, planning the logistics for her boss’s poker nights. It’s not before long, she uses her wits & smarts to get her foot into this lavish lifestyle, and has her own business running. But after falling foul to the law, she needs to rely on her charismatic defense attorney, Charlie Jaffey (Elba) in order to avoid the full brunt off the law.

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The film has been referred to in the same breath as The Wolf of Wall Street, and in a sense, it is a similar story, they both start from nothing, earning millions, before the collapse of a mighty empire. But unlike TWOWS, where all the activity was clearly illegal from the start, Molly does her best to keep things as legal as possible. Chastain is brilliant as Molly, bringing a certain likability and dynamism to the character. Though the business she takes partakes in, is morally askew, for most parts, she stays on the right side of things. Her monologues are full of wit and sarcasm, which makes her character thoroughly entertaining. Her interactions with Elba are also highly amusing, both characters are intelligent and charming, so their verbal sparring is great fun to watch.  Their characters also avoid the trap of falling into a clichéd romance, which was a nice change for once.

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Jessica Chastain in MOLLY’S GAME

The most captivating parts of the film are obviously all the Poker scenes, where they flashback to the events prior to her arrest. You don’t have to be an expert in Poker to know what is going on, as the movie explains everything in an engaging fashion. Not to mention, the real life addition of a big time Hollywood celebrity (whose identity can be easily found out with a quick search online!) adds an interesting dimension to the story. These are the parts of the movie you’ve come to see, and Chastain carries all of them with supreme grace.

Though most of the film is compelling to watch, the film really suffers in the final act. With her relationship with her father (Kevin Costner) playing a pivotal role. The film grinds to a halt, and adds an unnecessary 20 minutes to the entire movie.  That really is the only real flaw that could be said about a film that for most parts, it’s mighty enjoyable. Of course some liberties are taken from the source material, in order to make the film more enjoyable, but that’s to be expected for any book that is converted for the big screen.

Coming out of New Year, Molly’s Game is a perfect way to start the year at the cinema! Yes the finale is underwhelming, the majority of the movie is riveting.

The Disaster Artist – A Beautiful Disaster

The Room is widely recognized as one of the most bizarre films ever created.  With it’s eccentric acting,  plodding story line and bizarre script,  and funded by $6m of Tommy Wiseau’s mysterious fortune. The Room is shrouded in a cloak of mystery, which has earned it a cult following of fans online!

Tommy Wiseau is the star of The Room, directing, producing and writing this surreal piece of cinema. The Disaster Artist, starring James & Dave Franco, is based of the book written by Greg Sestero, who co-starred in the 2003 cult hit, and takes a look behind the story of how The Room came to be!

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The Disaster Artist follows Greg (Dave Franco) , as a young, aspiring actor struggling to find his feet in a competitive career. He meets the outlandish Tommy Wiseau (James Franco) at a local acting class, and they both decide to go all in, move to Hollywood, and make their dreams become reality.

Though the film does show some of the scenes that took place while filming the now infamous movie, The Disaster Artist is actually a movie that does surprisingly well to show us the trials and tribulations that Tommy especially went through, in order to create this. Greg was no where the finished deal, but he was still bagging minor roles in his life in L.A. Tommy on the other hand, was seen as an outcast, with not many big names in Tinseltown wanting to associate themselves with him. It was mainly this shunning, that lead him to produce something by himself.

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You don’t have to have watched The Room to enjoy this movie, but having prior knowledge of it will exponentially improve your enjoyment of this movie. The scenes on set are by far the stand out moments of the film, capturing the frankly surreal situation the cast & crew were put under. There are stand out guests stars, such as Seth Rogan, playing the exasperated script supervisor and Zac Efron has the insanely intense extra on set! There are several scenes that are paid homage too, but seeing the chaos behind the infamous ‘I did not hit her!’ dialogue is hysterical. Oh hi Mark….

James Franco does exceptionally well in capturing the unique mannerisms of our oddball Tommy. It’s just not the comedy he does well, but you can also see the anguish on display as he see’s the initial reaction at the premier of the movie in front of a packed theater. Dave Franco is fine as Greg, but it’s Tommy that really steals the show.

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There really isn’t too much to say in regards to negativity.  You are expected to know the story behind The Disaster Artist, so unless you have utterly no idea what to expect, you really won’t be left disappointed by this eye-opening story about frankly horribly made film!

Battle of the Sexes – An Ace For Fans

Starring Emma Stone & Steve Carell, Battle of the Sexes is the dramatization of the real life events in 1973 which lead to the creation of the WTA, the Women’s Tennis Association.

Battle of the Sexes takes a look back at the monumental clash between former men’s Number 1, Bobby Riggs (Carell), in the twilight on his career. Up against one of the top women’s players at the time, Billie Jean King (Stone) in an open challenge to the Women’s tour.  Back in the early 70s, the Women’s game was highly disregarded in the male dominated game, with far less pay and recognition than their male counterparts. So the consequences of this clash would go far beyond the court.

Though the subject of the movie may be Tennis, the film takes a greater look into the inner conflicts and demons that our two protagonists are facing. King is struggling to deal with her sexuality, and the pressures of being away on tour from her husband. Whereas Riggs is trying to balance the end of a career with his increasing gambling addiction, which is causing immence strain in his relationship with his wife.

Battle of the Sexes is a slow burner, as the first hour focuses mainly off the court, with both Stone & Carell excelling in their performances. Though the role is far more serious than what he usually does, Carell still brings his trademark flair to the role of Riggs, bringing sympathy to a character who revels playing the pantomine villain in this show.  

The struggles faced especially by King, against a system which simply does not treat her colleagues as a serious threat and the credibility they deserve provides the movie with an antagonist we can all get behind, the USLTA commsioner Jack Kramer (Bill Pullman). Sarah Silverman also shines bright as the resourceful & sassy manager of the breakaway LTA organisation.

Battle of the Sexes is a must watch for any fan of Tennis, as the influences of this event still reverberates today. It may feel like it does drag on at times, and the actual showdown isn’t as hyped up as it could have been, it feels like the drama on the court could have been built up far more greater. The 2 actors are not known for the physical roles, so it probably was expected to reduce the on court scenes in a minimum. However it’s the players personal battles off court, that soar above their battles on court. 

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