Retro Rewind : Commando (1985)

There are always gems hidden away on Netflix, and browsing through it the other day, I came across one of my favourite movies from way back in the days! Commando was the very definition of prime Schwarzenegger!! The one man army, the puns, the cheesy dialogue, Commando had it all! At only 90 minutes, it’s a fun way to pass some time!

 

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This is how the film starts! 

The plot is so very simple. Retired special ops agent John Matrix (Arnold) is living the quite life out in the forests, with his daughter Jenny (A young Alyssa Milano!). The intro to the movie is a serene, joyful sequence, showing the loving father & daughter living the good life, spending quality family time together, having ice cream etc. Maybe this was done intentionally, as the rest of the film is anything but like this! It does raise a chuckle knowing what lies ahead! It’s not long until their cosy life is interrupted by a figure from Matrix’s’ past. It appears that all of his members from his old team are being murdered, and he is the last one left. Even with the warning, this doesn’t stop the villain, a ridiculously over the top, pantomime bad guy, Bennett from kidnapping Jenny, and blackmailing our hero to carry out an assassination mission for them. Matrix manages to escape the plane he is forced to board for his mission, and it’s a race against time to find his daughter before the plane arrives on the other side!

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Not the smartest of moves…….

So as mentioned earlier, this film is as ‘Arnold’ as you can get! This came out around the time he hit his box office prime, with successes such as The Running Man, Predator, Total Recall and of course, The Terminator. Commando is known for 2 things among its cult fan base. The one man army troupe and the one liner. So many one-liners!!

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You’re a funny guy Sully……….

The film is crammed full with memorable lines that fans still quote today! Where do you start? There’s the “Please don’t disturb my friend, he is dead tired’’ after nonchalantly snapping the neck of his guard on the plane. We can’t forget the infamous combo of “You’re a funny guy Sully, I like you, that’s why I’ll kill you last’’, followed later on with “Remember when I said I would kill you last? I lied” the deadpan delivery, with the fact he makes such remarks after killing someone is just comedic! And we cannot forget the final one-liner in the movie, after he inevitably wins at the end……..’’Let off some steam Bennett’, after casually impaling him with a pole in the boiler room! It’s all done tongue in cheek, so the lines never really ruin the movie, only adding to the spectacle!

Don’t be expecting any intricate story lines or stellar acting performances here! Cindy, our female accomplice for Matrix, is far too casual and mellow about being dragged into something as dangerous as this, and goes from ‘help, I’ve been kidnapped’ to ‘OK, I’ll help you take down a militia” rather too easily! Sully, the creepy & annoying henchmen is brilliantly irritating, and when you see his eventual demise, it’s great! As said, the acting is pretty much what you expect for an Arnold movie! In one scene, he crashes the car he is driving in pursuit of Sully into a tree. Literally right after the crash, he immediately checks on Cindy. There is literally no reaction from him to the crash at all! It’s so bad, it’s good! You would at least expect a brief moment of shock, but nope! Nothing here!

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The final 3rd of the movie is pretty much The Expendables, with one guy, though that guy is 1980s Schwarzenegger, so, more than enough firepower! In all reality, he wouldn’t even get past the first guards he encounters, but here, in Commando, he is taking an entire army, on his own, without a sweat! With any other actor, even back then, would seem improbable, but with Schwarzenegger, it feels perfect! This was his gimmick, a gimmick only he (and probably Stallone) could pull off flawlessly. There’s a video on Youtube that tallies up his kill count, and it’s defiantly worth a check! (102 kills, according to this!)

Nowadays, a film like this, would rarely succeed, though movies such as John Wick could compare well to this, one man, on a mission, kills EVERYONE! If you love a mindless action movie, with the star power of Arnold is his absolute peak then watch this! If you already have, watch it again! 😀 This is always one of those movies I could always go back to watching! I’ll be back, Bennett……………….

Podcast – Episode 14!

Here’s the podcast for the latest episode, you can listen to it on the player below. We hope to have this all up on iTunes soon as well! On the agenda this show, Fast 8 storms to the top, the controversial Ghost in the Shell, and another Disney behemoth, Beauty & The Beast.

Logan Reigns Supreme

 

There are some roles which are so perfect for an actor; they become synonymous with that persona. Think Robert Downey Jr. as Tony Stark, or Christopher Reeve as Superman. But there is no role as closely associated with actor & role than Hugh Jackman and Wolverine. Downey Jr. has been playing Stark for 9 years; Jackman has been reprising his role for 17 years! Reeve appeared as the Man of Steel on 4 occasions, for Jackman, he has 9 appearances under his belt. In what will most likely be his last act as Weapon X, he has saved the best, for last, as Logan hits the screens this month.

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The Wolverine trilogy hasn’t exactly been anything special. Origins was panned by critics and fans alike. The second movie The Wolverine was a far better movie, but the final act pretty much ruined what was a decent film. Logan though, finally gives our hero the movie he deserves, a dark, gritty and violent interpretation. Following on from the success of the Rated R mercenary, Deadpool. Logan also embraces the classification, and it works like a charm! This movie works more in the same vibe as Jessica Jones & Daredevil, than it does with the mainstream MCU movies.

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 Hugh Jackman stars as Logan/Wolverine in LOGAN. Photo Credit: Ben Rothstein.

The X-Men franchise is mighty complicated; the consequence of Days of Future Past resulted in the possibility of split timelines, so it can be hard to keep up with what’s occurring.  In this timeline, Logan (Jackman) has retreated over the Mexican border, caring for an elderly and senile Charles Xavier (Stewert), with the help of one of the last remaining mutants, Caliban (Merchant).  It’s the year 2029, and the numbers of mutants are down to near extinction, and the X-Men are all dead, barring our rugged anti-hero. A deteriorating Xavier now suffers seizures which cause mass chaos; Logan now runs errands to save up enough money to live out their lives in peace, on a luxury yacht, out in the isolation of the ocean. These plans are thrown out the window after the sudden appearance of Laura (Keen), a young mutant possessing a familiar set of abilities.

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The X-Men franchise has always been a bit timid when it comes to the violence on display, especially with a character like Logan. This film pretty much off the bat sets the tone for the movie, it’s violent, it’s bloody, and this is most certainly not a movie for the kids, maybe even some teens! Limbs go flying off; even the odd head gets decapitated. Though the violence isn’t done for the sake of the R rating, this is how Wolverine should be, considering his main weapons are a set of razor sharp claws! The fighting here is brutal, Logan isn’t in his peak, this isn’t the cocky, young Wolverine from X-2, and this is a beaten down, battle weary, alcoholic Logan. His healing factor isn’t working as efficiently as it used to, and his adamantium skeleton in having an adverse effect on his body. This gives Logan a far more vulnerable character, being invincible in his previous movies took away that drama, as you knew he would pretty much survive anything thrown at him. His mental and physical vulnerabilities gives us a far for interesting character to follow.

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The film’s 3 acts are pretty distinctive. The opening and closing act is all out action, swearing and gore. It’s the middle act where the film really develops its own personality. The focus of this film is on family. Logan is down to his last connection, Xavier. Everyone else is dead. Xavier isn’t the polished, well-spoken mastermind of previous films, he is sick and delirious. The father-son interactions between the two are insightful and beautiful. Both actors really impressing with their outstanding acting abilities. Logan also gets to develop a father-daughter bond that he never got to experience, with the introduction of Laura/X-23 into the fold. As the film progresses, their relationship blossoms, and finally gives Logan a true reason to live. That aside, they both make a kickass combination when they team up to attack!

Director James Mangold takes his inspiration from the Old Man Logan comic books, and manages to interpret it well onto the big screen, Mangold was in charge of The Wolverine too, whereas The Wolverine was a warm up, he most certainly goes the whole distance in Logan. Violence is a key element of the Wolverine character, and it’s implemented well here. The final scenes involving a pumped up Wolverine serves as a nice finale to his rage fueled chronicles, and one last time to see Jackson go all out attack!

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Where the film does drop a bit is in the predictability, all the major plot lines are pretty straight forward, and when they do happen, it’s as expected. It also leaves a few things open. Such as where is Magneto is all of this? Surely his too powerful to simply die of like the other X-Men, and with his great friend in such dire straits, it wouldn’t be a surprise to have him involved somehow. But I suppose they wanted to keep the movie all about the central 3, and it doesn’t really hurt the movie much, but it does make you wonder! Also, the main villains (Dr Zander Rice & Pierce), never provide much of a threat; essentially they are just there to give the plot some direction. The middle act can feel a bit dialogue intense, the action slows down to a walking pace, and it does add on a bit of filler on the already extended 2hr 20 running time.

Is it the best superhero movie ever? As some are claiming it to be? Well personally the film is abit to miserable for a superhero movie, personally I would put The Winter Soldier above it, but that’s just my opinion. It’s still a majestic piece of art, and you’ll for sure feel emotional at times, and valiant send off for this literation of Wolverine.

 

 

A Cure for Wellness, Something New!

Finding an original film nowadays can be quite a challenge, it seems most big releases are either a sequel or remake! A Cure for Wellness aims to be a fresh new spin on the horror genre.

Lockhart (Dane DeHaan) is your typical high rolling Wall Street banker, who has earned himself a place at the top table at his firm. His employers uncover the underhanded methods he was using to close his high profile cases, which if reported to the SEC, will most certainly lead him on the path to prison. But there is a way out, if he can retrieve the company’s CEO, Pembroke, from a retreat in Switzerland, they can pin the blame on him. Though Lockhart may not be clean,  his employers realise the potential for more money to be made, and in the process, get rid of the CEO who they believe has lost his mind.

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It’s at the Swiss retreat, where Lockhart suffers an accident, waking up to find himself with a broken leg, and having been admitted to the facility. The trailer for the movie gave off a definite Shutter Island vibe, and that can only be a good thing! The Spa retreat at the centre of the movie’s plot is magnificently eerie. From all the endless rooms, corridors and gardens, the Spa is a great setting for this film. It’s here where our protagonist encounters Dr Volmer (Jason Isaacs), the director of the Spa, and a mysterious young girl, Hannah (Mia Goth) who spends her time wondering the facility grounds.

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The film does wonders for Swiss tourism! As this has to be one of the most beautiful looking films I’ve seen. The castle is a spectacle, and some of the visuals that are obtained with the stunning Alpine backdrop is divine. One scene is which Lockhart & Hannah are talking by a water fountain, with the Alps reflecting off the waters surface is one of the many wonderfully shot scenes spread throughout. The cinematography here is outstanding. Director Gore Verbinski has executed a visual treat for movie goers!

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The first two acts of the movie are pretty well done, DeHaan does a fine job as the unlikable money hungry executive,  though he does a few things out of character during the film. Would someone as meticulous as him, just randomly sign a document without reading it through? As impatient as he may have been, it seemed strange to just sign something off, though I suppose, plot development! The entire Spa has a creepy vibe to it, all the patients here, seem to be more than happy to be here, a bit too happy! and its not long before Lockhart eventually discovers the hidden secrets behind everything. The movie does good to avoid relying on too many jump scares, preferring to slowly build up to the reveals, though at times, it feels like it’s dragging on. The film is pretty graphic, warranting it the 18 certificate. If your not a fan of the dentist chair, you may want to look away during one specific scene!

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It’s at the end, where the film totally goes off the rails, and almost feels like a parody. Whereas the everything before the finale, was a wonderfully shot, enticing horror. The inevitable plot twist, is the twist that anyone paying any attention during the film would have called. The fact this is pretty much spoiled to us in a scene earlier on in the film makes it just that much more annoying.It’s disappointing that there wasn’t a swerve, and they went with what everyone thought they were going to go with this. From a macabre mystery, the film turns into an all out action finale, including the final showdown in the backdrop of flames! It feels very much out of place in a movie which spent so much time building things up.

Speaking of time, Wellness is full of filler. A run time of over 2 hr is certainly excessive, and the film could have been cut by 30 minutes easily. One scene spends about 5 minutes, in which Lockhart stumbles into a dark room and discovers what resides in there. There’s building suspense, but then there are scenes that could have easily been reduced significantly.

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The ending aside, Wellness is still one of the better movies out this year, and you have to give the director credit for trying something new and original. Personally, the final act of the movie did taint it somewhat, but that’s all down to personal opinion. If your looking for something different to watch, and don’t mind being freaked out, by all means, give this a try!

 

 

I’M (LEGO) BATMAN!!!

The Lego Movie proved to be one of the biggest hits of 2014, what could have been a shameless cash grab, like Minions, was actually one of the wittiest films to hit the big screen. Now we have the follow up, in which Lego Batman, a supporting character from the last film, has his very own adventure!

The Lego Batman Movie (TLBM) stars our favourite brooding superhero, as we follow him constantly saving Gotham city, duelling with arch nemesis The Joker, and yet at the same time, struggling with his inner demons. Something that was done surprisingly well, considering the cosmetics of the movie!

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Simply put, TLBM is one of the funniest movies in recent times! It’s very rare to see a film that makes the audience consistently laugh throughout an entire film, but Lego Batman delivers with aplomb. The movie is very tongue in cheek, with a variety of issues being made fun off!  Whatever it is the previous Bat movies,  fellow DC heroes (Yes, Bane’s voice is horribly over the top!), or even cheeky digs at rivals Marvel (Batman v Ironman surely confirmed?!), the film doesn’t hold back! ”Using villains to fight villains?……..what a stupid idea!”

Will Arnett voices the caped crusader, and captures the current comedic iteration of our hero superbly, and although Mark Hamill wasn’t providing his iconic Joker cackle, Zack Galifinakis delivers a fine performance as the Clown Prince of Crime. Supported by the vocal talents of stars such as Ralph Feines (as loyal butler, Alfred), Micheal Cera (adopted son and Robin!) & Rosoria Dawson ( Voicing Barbara Gordon, The new chief of police), to name but a few, the film is full of famous names.

lego-batman-21-1500x844Yes the humour is spot on, and the film is knocking off one liner after one liner, but TLBM does a wonderful job in looking into the inner turmoil of our hero. Batman may be a multi-talented, bulked up crime fighter, but at the end of the day, he goes back to his mansion, alone. Since the loss of his parents, Batman fears losing anymore loved ones, which has lead him to following a life of isolation and loneliness. Where this film really excels is bringing in supporting characters like Robin, Alfred & Barbara (graduate from Harvard for Police!), and helping our hero escape his brooding ways! The film could have dropped them to the sidelines, and used some of the other well know heroes they could have used, but it was nice to see them stick with these ‘normal’ 3, throughout the films climax.

58988ce2dd0895fb718b4921-2000The cameos in the movie are a joy! You of course have the Justice League involved at some point,  with Bats continuing his long standing rivalry with Superman, the film even referencing BvS from last year! Warner Bros. also dig into their own movie archives, with surprise villains dropping by from other WB properties!

There really isn’t much to say against this movie, if you go in knowing what you will get, then you will have rip roaring time, especially if your watching with friends! The movie is utterly charming, full of fantastic humour and uses the Batman licence to a great extent! It’s a film for children and adults alike. You’ll enjoy it even if you aren’t a die hard DC fan, its appealing to both the hardcore and casual fans!  A superb movie, and already one of the films of the year!

 

Episode 11 is up!

Hey everyone!

It’s time for another episode of the Silver Screen Show! Almost an hour long, it’s a bumper show.

We discuss The Oscars, our picks for the new 007 and what films we’re looking forward to in the Summer.

La La Land, Split & Return of Xander Cage make up our reviews.

Enjoy 🙂

 

 

Ringzzzzzzz

It was back in Summer, I noticed a poster for Rings while at the cinema. Even back then, I was sceptical if this was even worth making, for a franchise that’s been dead in the water for years. My doubts were proved right, as Rings has to be one of the dullest horror movies I’ve seen for a very long time!

Rings is a reboot of the original 2002 release The Ring, the successful American remake of the cult Japanese horror Ringu. For anyone not familiar with the lore, The Ring revolves around a mysterious videotape, anyone who happens to watch the tape receives a phone call soon after, a voice telling them that they will die in 7 days’ time. The film is iconic for the vengeful spirit Sadako/Samara (depending on the region of the movie!) emerging from within the TV screen of the victim. The latest release aims to bring the movie into the current generation, a decision that takes the edge off what made the original so great.

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Matilda Lutz as Julia and Johnny Galecki as Gabriel in the film, RINGS by Paramount Pictures

So the plot, our main character, Julia, sees her boyfriend Holt, move to college. After losing touch with him after a couple of days, she decides to go to the college he attends to see what’s going down (instead of simply calling the college and finding out what has happened!). It is never explained why his mates are angry at her, but they are! For some reason. It’s here she discovers a morbid experiment that is being run on campus by one of the Science professors in secrecy, and Holt has been dragged into it. After Julia ends up watching the tape too, it’s a race against time to save herself before the 7 days are up!

For anyone who hasn’t watched the previous films, the only way to avoid your inevitable death, is to pass the curse on to someone else, by making a copy of the tape and making someone else view it, a selfish move, but one you make out of desperation. This concept plays a central role to the film, and while it’s a nice twist, it just feels abit rushed. We start off by seeing the Professor discovering the tape, and the next time we see him, not only has he converted the VHS to digital media, but he has uncovered the trick to getting past it, how exactly did he know this? We don’t know, it’s never explained!

The second half of the movie is incredibly dull & sluggish, as it becomes a mystery movie, we follow our couple to a town in the outskirts, as they dig up clues to unveil the truth. It’s here where the film just goes into 2nd gear and cruises along, the characters are just not charismatic enough for us to be bothered about their journey, and it’s a lot of talking, with random lazy jump scares thrown in every now and again.

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The switch to modern media has definitely hurt the franchise. There is just something incredibly eerie when it comes to VHS, with its static and poor audio & image quality; it simply gives off a far creepier vibe than a high def movie file on a laptop!  The CGI in this movie is another downer, it’s shockingly bad. It’s so overdone, that Samara loses her aura, and looks like a character from a PS3 game! When she first appears out of a plasma TV, it’s so poor, you will end up laughing at how this quality was deemed OK for a big Hollywood release!  The abundance of CGI across the entire movie looks cheesy, and ruins the atmosphere.

The characters are utterly forgettable, Julia goes from ‘you’re so stupid for getting involved in this mess’ to ‘risking her life for this guy’ in one night! We don’t even know how long they have been together! The boyfriend is entirely useless in the movie; Julia does all the work. He hardly contributes anything, and even in the final showdown, he gets knocked out and plays no part whatsoever!  Johnny Galecki aka Leonard from Big Bang Theory seems miscast as the devious professor, and you just can’t take him seriously!  Vincent D’Onofrio does what he does, and is probably the best character in the movie; at least he got some backstory to his role!

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Though it may not be intentional, the move does rip off a scene from Don’t Breathe, which reminds you off a far superior horror film! The plot is predictable, you know when there will be a jump scare, and the choice of music is a curious one. A good score can make a good film great, but here, the soundtrack is overdone. It feels more like a video game than a horror movie. The opening scene on the plane is pretty hilarious, which sets the tone for the film! It would have done better to have more scenes with Samara, and less time seeing our couple wonder around digging up clues.

One other flaw is the blatant sequel baiting at the end, the film could have ended without it, and to end it with a nod to more potential films is poor form, considering how disappointing this film is. The ending is also shown in the trailers, which was a strange decision. So if anyone watched the trailer, they would know what scene is yet to come, another damaging hit to the films credentials. The trailer is also misleading in how the film is portrayed. We don’t see her suffer through 7 days as the curse develops, instead, she seems fine as she goes carries on with her mystery adventure, with no idea how many days have passed.

Rings is by far one of the worst horror films to come out in recent years, even beating The Forest from last year! Even The Forest had an original concept to play with; Rings had some great source material to work with, which is what makes it so crushing to see the movie stumble around.

Split Shines

Directed by M. Night Shyamalan” is a phrase that’s been associated with several cinematic disasters. The less said about the likes of Avatar, The Happening, After Earth and The Lady in the Water have all been savaged by the critics & fans alike. A roll of dishonour! It wasn’t until The Visit (2015) that his slow climb back up to redemption started. Split is the latest release by the eccentric director, will this movie prove that Shyamalan has still got it, or if The Visit was just a one off?

Split, as the name suggests, is about Kevin (James McAvoy), a person with split personalities, 23 of them to be exact! Kevin abducts 3 girls, and it’s via his interactions with his therapist, that we come to find out the sinister workings of our conflicted figure.

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McAvoy is by far the strongest aspect of the film, and does an outstanding job in portraying his various alter egos. Obviously the movie doesn’t show all 23 egos in the film, but the ones that do get screen time are wonderfully unique in their own way. We have ‘Dennis’, the intimidating alpha male, ‘Ms Patricia’, the caring mother, ‘Hedwig’, the immature 9 year old boy & ‘Barry’, the colourful fashion designer. It’s not just the simple costume changes that convey each character, but the body language and mannerisms that McAvoy manages to assign each persona. It’s a great shame the film missed out on the Oscar nominations for this year.

The supporting cast is a mixed bag, Casey (Anya Taylor-Joy) our main protagonist, and the wisest of the three kidnapped girls, does a solid job as the calm, collected, yet emotionally scarred heroine. As her past is slowly revealed, you do feel for her, and care for her survival. Her other two friends though, feel disposable, and their lack of smarts pretty much makes them forgettable. Betty Buckley as Dr Fletcher makes a challenging foil to Kevin, it’s her interactions with our psychotic kidnapper that really opens up the clashes within his mind.

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The film is essentially told in 3 segments. Kevin, Dr Fletcher and the girls.  The scenes with Kevin & Dr Fletcher are the most intriguing, and provide the best parts of the movie. It’s the scenes featuring the trapped girls, where the film tends to fall into the horror cliches. It’s pretty predictable what will happen to them in their scenes, and slows the movie down a lot.

Split is by far the best movie that Shyamalan has released in well over a decade, after a string of disasters; it’s relieving to see a throwback to his earlier movies, such as Signs, Unbreakable & The 6th Sense, when his directing was more visionary than sporadic. Split builds up the suspense in is tremendous ways, and this is mostly due to the charisma of McAvoy, the plot does well to weave in the multiple personalities, but the ending is quite hit & miss. It’s not as dramatic as The 6th Sense, the finale is a lot more subtle. I can see viewers either loving the ending, or being disappointed by it. Long term fans of Shyamalan will be delighted by the cameo at the end, so stay seated after the final scenes!

January hasn’t been a stellar month for releases over here in the UK, and Split isn’t the perfect movie, but it is by far the best film to hit our shores at the start of this year!

Xander Cage…Stupidly Fun

Director : D.J.Caruso

Starring: Vin Diesel, Donnie Yen, Deepika Padukone, Ruby Rose, Nina Dobrev


Return of Xander Cage is the 3rd in the series of xXx movies, starring Vin Diesel as the titular character. It’s been 12 years since the last instalment, State of the Union, which was pretty forgettable; can the latest release bring the franchise back to the forefront?

xXx, for those not aware, is a spy organisation, with the aim of recruiting extreme athletes for the purposes of espionage. This film picks up following the apparent death of the legendary Xander Cage (Vin Diesel), who decides to return back into the game following the death of a close friend.

We follow Xander Cage, as he attempts to retrieve Pandoras Box, a device that can control and drop satellites from the sky at will. The device is stolen by a group of mercenaries from the hands of the government, and it’s a race against time before the device ends up in the wrong hands.

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The story is very generic, and there isn’t anything mind-blowing. There is the usual McGuffin that is the goal of the film. In this case, Pandoras Box. The item itself has very little storyline, who created it? Why does it exist? It just does, for the sake of the film. The eventual betrayal in the film is shockingly predictable, and you can see it coming quite early on in the film. The  villain isn’t very threatening either, it’s just a random character in the background, who gets like 10 minutes screen time the entire film! They don’t really explain a motive behind why they are doing it, apart from, because they are! Is it for money? for power? for justice? Who knows….

This film is attempting the copy the highly successful template that the Fast films have deployed, using a diverse cast of characters, high octane stunts and  a total lack of logic when it comes it any resemblance of a story line! The movie itself is pretty safely nestled under ‘dumb action movie’, if you don’t take the film seriously at all, then you will enjoy it, try to analyse it, and you’ll be left dumbfounded!

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The main strengths of the movie is in the characters themselves, especially the scheming Xiang (Donnie Yen), who brings his vast charisma and action to the role, his character is by far the best, and probably even outshines the main star! The rest of the cast are big hitters too, but it’s a mixed bag regarding their characters. Xiang’s team is supported by Serena ,played by Bollywood superstar, Deepika Padukone, making a solid debut in Hollywood and legendary fighter Tony Jaa. But unfortunately Jaa is reduced to very little screen time, and portrayed as comic relief, a waste, considering the potential action scenes with him & Yen.

On the side of Xander Cage, are a bunch of ragtag rebels, but it does feel like most of them could have been cut out form the film. Ruby Rose is wonderful as sharpshooter Adele Wolff. Who is both witty, and highly useful in combat!  The other two, ‘getaway drive’ Tennyson (McCann) & DJ Nicks (Wu) feel pretty redundant, and only there to even up the so called teams. With the likes of Samuel L Jackson, Nina Dobrev & footballing superstar Neymar on board, the big doesn’t lack in big names!

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If the plot is nonsensical, the action is even more outrageous. If someone isn’t jumping across skyscrapers, and shattering thick glass ceilings, their upper cutting soldiers with a motorbike. If they’re not skating on the side of a bus, their exploding satellites with a plane!  It reaches a level where you just know no one will die, they even have the action cliché of two people standing back to back, shooting at all the enemy soldiers that have them surrounded. It’s utterly pointless, but it looks awfully slick. The film is very tongue in cheek, and even demeans itself by referring to the fact one of their new recruits for xXx thought he was joining the Avengers!

The film has the habit of trying to force us to believe the Xander Cage character is wanted by every women that sees him, the opening third shows him with several women, and it does feel like they are trying a bit too hard to make him look so desirable. They also really try to force on the one-liners, which just don’t work with this character. There’s one line that the film pretty much sets up at the start of the film, and when the moments arrives near the climax to use it, it just falls flat.

Overall, the film is nothing special, but it does have several moments that will probably make you laugh out loud, simply due to the sheer audacity of some of the stunts they pull off! With films like this, you tend to overlook the plot & character development, in exchange for the mindless action, and it’s here that it delivers. If you go watch this, knowing what you will expect, than its just harmless cinema fodder, that will pass a couple hours in the dreary January chill!

 

 

 

Episode 10 is Out!

New year, new set! First show of 2017, and we have a lot to catch up on! This show, we go all the way back to the start of December with Moana, Rogue One & Passengers.

We also have a recap of 2016, what impressed us, what disappointed us, what surprised us?!

Enjoy 🙂

Your Name, Simply Amazing

Whenever there’s a western release of a Japanese feature length animation, they tend to be big news. Unless it’s certain to be a huge hit, not many are seen over on these shores on the big screen. Your Name is the latest blockbuster from the East to arrive here. The film has been a monumental success in Japan, where it’s already 4th in the list of all time highest grossing movies. Only Spirited Away, Titanic & Frozen  has taken in more, and out of those, only Spirited Away was made in Japan. I missed the original release here in the UK as I was away on holiday, but luckily Odeon were still showing limited screenings of the movie. So I managed to get an opportunity to watch it as it should be!

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The central plot to this movie is a body swapping concept revolving around two teenagers. One, a girl called Mitsuha, living out in rural Japan, bored of her life in the sticks and craving the life in the bright lights of Tokyo. The other, Taki, is a boy living the city life in the capital. A strange turn of events sees them switch with each other, living the life of one another. We follow their journey to find out who they are, and their search for each other.

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One trap the film could have easily fallen into would have been the very idea of body swapping. This is usually seen as more of a comedic gimmick, rather than one of love & drama. What director Makoto Shinkai manages to do, is carefully balance the story between comedy and drama. The first half of the movie is very down to earth and humorous.  As we see their initial reactions to the swapping, and how it effects each of their social lives. Taki managing to win the affections of a colleague with the help of Mitsuha, whereas Mitsuha has a surge in popularity at her school, with the assistance of Taki! The movie then effectively shifts into a vastly more dramatic & emotional film during the latter half, where the characters and story are very enticing, and the final few acts are filled with palpable tension. Whereas the first act helps us get to know our two protagonists, it’s the second half that makes us truly care for them.

This is where the magic happens; it’s a difficult move to transition between two genres during a movie. The movie could have stayed with its comedic tones of the opening half, but it does incredible well to actually shift away from that without ruining the flow of the story. The plot may become tangled as everything comes together, but if you consider all the points afterwards, it’s all the more rewarding once you do put it all together.

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With the advances in CGI, we have been spoilt with incredibly detailed CGI animation. But gone are the days of hand drawn animation, it’s something we rarely ever see nowadays, especially in Western cinema. The visuals in this film are drop dead gorgeous, be it the lush, vibrant forests tucked away in the countryside or the bustling, vivid metropolitan of Tokyo. From a production point of view, the work here is absolutely spot on. Some of the scenery is near photo realistic, to show the level of commitment which went into everything.

The film does have moments of humour which may throw off some westerners, but anyone familiar with anime will understand how their humour can differ us what we would show here, there are obvious cultural difference to consider! But aside from that, they aren’t much to say against ‘Your Name’. The story is magical, the characters enticing, the animation stunning.

Assassin’s Creed……Needs more Assassins!

Assassin’s Creed marks the latest Hollywood foray into the world of Video Games. A genre that has long been much maligned with dire releases, but with a powerful cast including the likes of Michael Fassbender & Marion Cotillard, can this movie finally break the mold?

 Though I am a fan of video games, I haven’t played the Assassin’s Creed series, so I’m not entirely familiar with this franchise, but I shall review it as a standalone movie, rather than simply comparing it to the source!

 The film revolves around Callum Lynch (Fassbender), a prisoner who is saved from execution by the Abstergo Foundation, a group claiming to have links to the Templers. Their goal is to retrieve the mythical ‘Apple of Eden’, an item which is said to possess the genetic code for free will, and vital in their mission to eradicate violence from society. The key to their mission is Callum, who by using their Animus Machine can use his genetic memories to relieve the events of his ancestor, Aguilar de Nerha, to hunt down clues to the location of the apple.

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 The films main strengths lie in all the scenes taking place during the flashbacks, which occur during The Spanish Inquisition in 15th century Andalucía. These are the scenes that fans were looking forward too, and it’s here that the film delivers. The intensity in there scenes is fantastic, and the action is relentless. You also get a Game of Thrones vibe from here, which is always a promising sign! The rooftop chases are a series trademark, and they are executed with great precision, even featuring the infamous ‘Leap of Faith’.

 Sadly, this is the highlight of the movie, and for some reason, the Assassin scenes are very limited, on my count, there were 3 scenes in the Iberian. The film mostly focuses on the present day, and the events that take place at Abstergo. How Abstergo are under pressure from above to fulfill their mission, to a messy story line regarding Callum’s father. This is where the film slows down to a horrible crawl, the scenes are too long, and very dialogue heavy.

The supporting cast is supremely talented, Cotillard as the head scientist at Abstergo. Jeremy Irons as the chief of the foundation, and Micheal K Williams as one of the fellow assassins held captive. But they don’t really add anything, none of the characters are charismatic, nor do you really care about them. If anything, the film should have been set in the 15th century, with occasional cuts to present day. Of course you require some back story, but it shouldn’t be taking precedence over the action in such a film! The final act of the movie takes place in modern London, where an epic Assassin showdown would have been more climatic and fitting.

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The violence was also toned down, with rarely any bloodshed, the games are targeted towards mature fans, but it’s obvious to see that the film was toned down for a more lucrative 12A rating. Considering the nature of the fights, the scenes are rather tame. You can’t help but feel that the rating was one of the key reasons why the action scenes are so infrequent and lacking any real brutality.

 Overall, the film isn’t in the same league of Street Fighter or Doom, in regards to disappointing video game adaptations. It’s still an adequate movie, but with the cast on hand, and a compelling source material, it’s a shame they couldn’t produce a film to rival the games. In this regards, definitely needed less talk, more action!

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