Spidey Spins A Web of Laughs

One of the surprises in Captain America: Civil War last year was the addition of Spiderman in the superhero melee, following the character being lost in the corporate purgatory between Sony and Marvel. Fans were finally treated to seeing the webslinger make his long awaited debut in the MCU, and now, we have his first solo MCU outing, Spiderman: Homecoming.

Spiderman has seen several reincarnations within the last decade or so! So comparisons will be made, will it live up to the charming Sam Raimi trilogy (well first two anyway, the less said about 3!) or will Homecoming be more like the divisive Amazing reboots of the early 2010’s?

As the title suggests, Homecoming is set during high school, and the run up to homecoming dance (spoiler alert!). There is no origin story in this film, which is great, every Spidey fan knows about that, and it would be wasted time. We really don’t need to see Uncle Ben die for a third time! The film picks up pretty much right after his antics in Civil War (with his own personal videos from his travels to Germany!), we follow Peter Parker, as he gets to grasp with his entire new found suit and his social struggles at home & school.

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Homecoming thankfully is another fine notch in the ever-growing MCU repertoire. Homecoming gives the audience a plucky young Peter to root for, supported by a mentoring Tony Stark (and Happy Hogan!), and for the first time in a long while, a villain which feels fleshed out and threatening. This makes a nice change from the villains who are bad because……….they are bad.

Tom Holland is excellent as Peter, as well as Tobey Maguire & Andrew Garfield were, they were both well into their 20s when playing the role. So it always felt a bit awkward seeing them play high schoolers. Holland is 21, so looks far more convincing as a young teen, and has the acting chops to pull it off too. The appearance of Ironman has been well publicized in this film, and Robert Downey Jr. is as always awesome in the scenes that he has. I was a bit worried beforehand that the film may have too much Ironman in it, taking away Spidey’s time to shine, but luckily it’s not overdone. The moments that he does appear, are pretty much already revealed in the trailers, which is a shame.

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The real stars of the supporting cast are Ned (Jacob Batalon), Parker’s best friend, the enthusiastic best man, who is more than happy to just be involved with Spiderman and be ‘the guy in the chair’, and Happy Hogan (Jon Favreau), the long standing right hand man of Tony Stark (his been there since the very start!) who has to reluctantly be the chaperone of the eager Parker. Both are always a welcoming presence to any scene they are in.

Michael Keaton as The Vulture is superb as a character, you understand his motivations for his actions, and he isn’t simply a maniacal villain. He is conflicted by his actions, but well aware he has to do it for personal reasons. He also has wonderfully intense scene with Peter in the final act, which was great to watch! It also has a nice tie in to the events following Avengers Assemble.

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The film is downright hilarious. Peter’s interactions with Ned & Happy always bring a few laughs. The fact the new Aunt May (Marisa Tomei) is attractive is mentioned on numerous occasions throughout the film.  Flash Thompson (Tony Revolori), Peter’s rival at school, who was the type cast cocky jock, is now more of a smug rich kid. His smugness while annoying, works well at gaining sympathy for Parker, while also having a chuckle on both their behalves!  Michelle (Zandaya), one of Peter’s reclusive and enigmatic classmates randomly pops up every now and again, to drop a sarcastic one liner, which could have been cheesy, but actually fits in rather well. There’s also an appearance from actor/rapper/funny guy Donald Glover, fans of his work will revel in his cameo! Peter also has some witty exchanges with his suits AI, who he names Karen. One of the jokes the film makes at itself is regarding what happens when there aren’t any high rises for Spidey to swing between? Well, he just has to run on foot!

The movie has it’s fair share of action set pieces. with the highlight being the ferry scene. This does though feel like a very poor imitation of the train scene in Spiderman 2, and just doesn’t feel as momentous. The scenes in the Washington Monument may be a little less chaotic, but feels far more fresh and original.

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What did let the film down for me was the frankly generic final showdown. It becomes somewhat of a CGI mess, involving a chaotic battle outside a plane, then a flaming beach. It feels somewhat numbing and just too much is happening to really take it in properly. It doesn’t help the scenes take place at night! The main love interest Liz (Laura Harrier), is also particularly bland, her only characteristic is being one of the popular girls at school and a plot device. Another bugbear in the run up to this movie was the sheer amount of material released in the trailers and other clips in the run up. I was already aware of several key scenes. A franchise like Spiderman doesn’t need to release so much material to get the anticipation up, just a personal annoyance, but that’s more to do with the marketing and studios, and not the movie itself!

Homecoming spins a web of fun, and if you’re a fan of the hero, or just enjoy an enjoyable superhero film, will love the characters, cast and humour.  Personally, I still believe Spiderman 2 is still the most best movie out of the collection, but Homecoming does a stellar job is reintroducing the character and getting him entwined in the Avengers saga! Though I still can’t forgive Marvel for that horrendous Homecoming poster with near every character thrown onto it! :/

 

 

”Transformers….Failure In Disguise!”

It’s been 10 years since the first Transformers movie came out. Although it wasn’t the perfect movie, it was a thoroughly entertaining summer blockbuster. Since then though, the franchise has become a parody of itself, regardless of how poorly each of the 3 subsequent movies were panned by critics and fans alike, for director Micheal Bay, it was a huge money maker, regardless of the stagnation. The Last Knight marks the 5th entry into the series, will it be more of the same Bay-isms….or something fresh?

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The plot, is the same as usual, we have our human lead looking for a random object (cube of something, the orb of whatever etc.) which is key to saving the world. In this case, it’s our hero from Age of Extinction,  Cade Yeager (Mark Wahlberg) who has to retrieve the Staff of Merlin, otherwise it’s all over (until the next film).

To be honest, we all know what to expect in these films, but you would think they would learn from their errors after all this time. The Fast franchise knew this, and gave itself a reboot at 5, to reinvigorate the series.  In a similar way, Ghost Protocol gave the Mission:Impossible franchise a breathe of fresh air. The trailers seemed like it may be going for a for ‘serious’ feel, but the movie reverts back to its comfort zone soon enough.

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The trailers prominently featured Izabella (Isabella Moner), a young orphan who has survived the harsh realities of the ongoing conflicts and wars. She is a different kind of character to the usual, especially when it comes to the female leads, and could have had an interesting Father-Daughter relationship with Cade, who himself, is also suffering from the fact he had to lose all contact with his own daughter following AoE. Instead, she disappears for a vast portion of the film, and the film goes back to its usual attractive yet dull leads. Viviane Wembly (Laura Haddock), the Oxford educated possessor, plays a far more important role, though her character was barely featured in all the build up. Though her character actually has a far more important role than previous characters.

Speaking of disappearing acts, the main attraction, Optimus Prime barely features,. His arc follows Prime being brainwashed by our main villain, Quintessa, to do her dirty deeds and work for the enemy. Prime as always, is by far the best part of these movies, and to have him barely feature is just dire. Yes, Bumblebee is still doing his stuff, and working in a few scenes to set up his own future solo adventure. But at the end of the day, Bee simply lacks the awe of Optimus.  Megatron is also barely featured, and when he does show up, he is more of a joke character now, rather than the equal of Prime.

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One of the common thread of criticisms in the entire series is the constant focus on the human characters.  Yes human characters are required, but they really should be the supporting cast, yet the entire middle chapter barely features any robot action,. Instead it tries to go into a overly complex, and frankly boring medieval history lessons on the background of the Cybertron with human history.  The film simply tries to weave an unnecessary lore into all this, the entire ‘Last Knight’ plot is dull, and you just want it to jump to the finale, where all the fun happens!

There is also too much happening in this movie, you have Cade, Izabella, Megatron, Vivian, The TFR (Transformers Reaction Force) lead by returning Lennox (Josh Duhamel),  Optimum Prime, The Autobots and even Simmons (John Tutturo) from previous movies, all having their own story lines to name a few! It seems like 5 different movies all happening at once, and the film has a tough time trying to blend it all together.

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Well it’s not all bad news. The reason we watch Transformers is for the Autobots v Deceptions chaos, and the finale is utterly bonkers! The Dinobots also make a return, even Dragonstorm, a 3 headed dragon bot joins in on the madness! It’s all ridiculously over the top, and that’s what Transformers is all about. In a film that clocks up at 2 hour 30 minutes, it really should be more of this, and less of the humans! Sir Edmund Burton, played by Anthony Hopkins, the eccentric British aristocrat is a joy. It’s absolutely clear that Hopkins is simply here to have a bit of fun (along with the paycheck!), and his exaggerated performance matches a movie which is exactly that! His robot butler also has a few moments of laughter,

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That’s about it though, as the majority of the movie is just frustrating.  We have an submarine journey that really could have been cut out, the aspect ratio is all over the place, flicking between IMAX and widescreen throughout the movie, even changing during the same conversation! You also still have the same problems of previous movies, although they have been tones down a lot. Vivian is portrayed as a smart, intelligent women, but she is randomly put in a tight dress with heels out of nowhere, just so the film can have a dig at her dress. It makes no sense for her to even be in that outfit, considering the situation they were in, and its clear it was all added in because Bay could use a stripper joke.  There’s also a random Suicide Squad like scene where we are introduced to random Decepeticons, why, no idea, but I supposed they saw Suicide Squad and thought, ”Yeah, that looks cool!!”.

Rumour has it that this will be the last movie directed by Micheal Bay,  hopefully he can call it a day, and let someone else take over the reign, someone who actually enjoys making these movies, rather than using it simply as a cash cow!

The Mummy, Should Have Stay Buried

The Dark Universe, which is looking to rely on Universal Studios back catalogue of classical Horror icons such as Frankenstein, Dracula & The Phantom of The Opera to name a few. In order for this to succeed, it is crucial that the first instalment entices the audience for future releases! In this case, it’s the freshly rebooted The Mummy, starring Tom Cruise, Sofia Boutella & Russell Crowe, which has been given the job of getting the franchise to hit the ground running.

So this time around, we have Nick Morton (Cruise), a US military officer who with his close friend Sergeant Chris Vail (Jake Johnson), use their military duties as a cover to ransack ancient temples in order to sell onto the black market. After one operation goes wrong in Iraq, they end up uncovering an Egyptian burial site, with the assistance of archaeologist Jennifer (Annabelle Wallace). Things quickly go downhill as they end up releasing vengeful soul of Princess Ahmanet (Boutella) into the modern world,

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If it was the role of The Mummy to get the audiences enticed, than unfortunately, it’s failed spectacularly. What we end up with a story, which is all over the place, where The Mummy ends up playing somewhat of a support role! Universal Studios seemed way too keen to start setting up its future movies during the entire middle 3rd of the film, with character reveals and plot details for the future. The film had a total of 6 different screenwriters that can explain the lack of cohesion in the plot. The Mummy opens pretty well, with the initial burial site discovery and the dramatic airplane crash scene, which featured prominently in the trailers, is by far the best scene in the entire movie.

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Ahmanet is set up as a menacing foe, with the power to revive the dead and literally suck the life from anyone it touches. The plot for Ahmanet also seems very archaic, after the inspiring Wonder Women, here, Ahmanet’s main goal, to find her chosen one. We end up with the Mummy playing second fiddle as the film decides to explain the appearance of other characters, and loads of dialogue. It’s here where the film sadly loses its momentum. If it had continued the action packed opening half hour, we could have ended up with an entertaining ride, but the film screeches to a halt, and never really picks up again.

The cast are a mixed bag. Tom Cruise is of course box office, but his character here is arrogant and unlikable, which isn’t a bad thing, but his character arc never goes anywhere, and pretty much stays the same throughout. His action scenes of as always, great, so it’s a shame the film really didn’t have more action packed set pieces. Although Cruise is a huge name, even then, it feels like the movie is so focused on him, it feels like Tom Cruise ft. The Mummy!

Jennifer is pretty much just there to get into trouble, and be the love interest for Nick. The problem is, the two never show any kind of interest in one another, nor do you ever really care what happens between them. You barely see them have any meaningful dialogue, bar a few scenes. A very forgettable & bland  persona.  Boutella is by far the best of the bunch, following her captivating roles in Star Trek & Kingsman, she is proving to be a well accomplished star. Russel Crowe’s character is purely there for the sake of future movies, and really could have been cut out entirely, or be reduced to a post credit scene if needs must.

The film does try to include a lot of comedy, mainly with the interactions between Nick & Chris. These scenes don’t ever feel comfortable here, as this movie is much darker than the 1999 version. It really felt like a move to follow the banter that Marvel movies seem to revel in.

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The scenes that show the full mercy of The Mummy across London, makes you expect an action packed finale across the London backdrop, but instead, it all concludes in a dark, underground cavern. Taking away the awe factor of what could have been a far more dramatic conclusion.

To sum it all up, The Mummy is simply boring. The sad thing is, the Egyptian lore and backstory has great material to work with, and if the film was solely about The Mummy v our hero for the entire runtime, that probably would have worked better. What we get is 3 stories attempting to be told at once, with The Mummy barely featuring in a turgid middle act, removing the most interesting part, in an effort to try and get us interested for what may come.

With big names like Johnny Depp & Javier Bardem already signed up for future Dark Universe movies, it is unlikely the franchise will be affected by the lukewarm reviews to The Mummy, but it has a lot of work to do in the run up to the next planned release in 2019, Bride of Frankenstein.

Review: Pirates of the Carribean – Dead men tell mediocre tales

If you haven’t watched a Pirates of the Carribean before, the film is about an alcoholic, homeless man named Jack Sparrow and his quest to run away from unpaid debt he owes to people. Dead Men Tell No Tales, the 5th in the series, is not much different. Claiming to “have not had a wash in years” Jack Sparrow drifts around – wholly indecisive about what he wants to do with his life, except for getting drunk. In a drunkard’s mind, the world probably revolves around him. So, it makes one wonder if all that happens in the story – him robbing a bank (literally pulling the entire building across town by a few horses), him fighting undead pirates (and water-skiing on the back of undead sharks), him being sought by every major and minor character in the story (along with the entire British empire) – is actually only taking place his mind…

But then again, perhaps that is exactly what the movie is going for. It doesn’t quite matter if anything makes sense as long as there are regularly intervaled “holy shit” moments. And there is certainly a crowd for that – the 5 film series has grossed over $4.24bn on total production budget of $1.27bn.

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“… and then the bank just came in and repossessed my house.”

As plots go, the narrative is convoluted and riddled with subplots (7 of them beyond the main plotline, I counted). As I understood it, Jack Sparrow is being hunted by some pirate sea police who is jelly because Jack gets to see more daylight (!?) than him, while Will Turner’s son teams up with a random chick because the plot required a bit of forced romance, and then Captain Barbossa is there as the token bad guy who turns good,  and in the middle of all this Jack’s compass has some secret agenda of its own…. wait what? There’s more story here than the entirety of The Hobbit trilogy. And the thrill of the ride comes only from the epilepsy-inducing pace at which the director shifts from one very convenient plot piece to another.

Having said that, the film offers some great-looking visual effects work. This also surely helps Johnny Depp successfully pull off some unusually athletic stunts – which all look quite unbelievable. But then again, this is a PG-13 film about pirates killing other pirates with never a witty remark missed, so it requires a bit of suspension of disbelief.

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“The dentist said I had a minor porblem with gum bleeding”

Should you see it?

Maybe. But maybe only if you fondly remember the genius of first Pirates film and have now become a bit clingy. Otherwise, if you must see something with pirates, maybe watch something like the real life story of piracy in the brilliant Captain Phillips – with Tom Hanks and sober Somali pirates.

Wonder Woman Works Wonders!

It’s fair to say that the DC Extended Universe (DCEU) has been disappointingly underwhelming so far. With their rivals Marvel seeming to roll off hit after hit, releases such as Suicide Squad, and more importantly, Dawn of Justice (DoJ) did not garner the attention they would have expected. While DoJ was frankly all over the place,  one of the brightest sparks in the film was the introduction of Wonder Women, who now has her own solo outing. Can this be the vital turning point for the future of the DCEU? Or will it once again fail to deliver?

While Wonder Women shone in DoJ, we knew very little about the character herself, apart from being mighty handy with a sword! Wonder Women follows the journey of Diana of Themyscira AKA Diana Price (Gal Gadot) growing up and training on the paradise island of Themyscira. But trouble soon hits the island after Steve Trevor (Chris Pine), a pilot for the British army crashes nearby, drawing the attention of the pursuing German army to the island. Diana soon takes it upon herself to leave the island, and rid the world of war.

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One of the most common criticisms of prior DC movies were the grim colour palette they adopted.  The dark filters all over the movies did not give the films much soul, even Superman’s costume is a dark navy! But here, the film is gorgeous,  the scenes especially on Themyscira are vivid and rich is colour. It may be a purely cosmetic aspect, but it makes the film just looks so much more appealing right away! Even Wonder Women’s armour in DoJ was a dull brown/bronze. Here, its back to the iconic blue & red!

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But what about movie, does it stand up to the pleasing aesthetic’s of the film?  It may have taken a long time, but it’s safe to say, that the DCEU finally has a bona fide smash hit! Patty Jenkins has managed to create a movie that manages to combine the charm of the comics with some exhilarating action set pieces.  Female superhero movies do not have the best of track records.  Catwomen (2004) & Elektra (2005) , the last two female heroes, were dire, and their effects probably explain the severe lack of movies with female heroes. Even Black Widow from Marvel still has no movie! WW does not fall into the same traps, and makes Diana look like a bigger threat to Superman than Batman!

You can probably describe the movie as a mash up of The First Avenger & Thor. With it’s setting during World War I and wartime London, along with the social fish out of water, who struggles to integrate into a new way of life! The film knows when it can afford to be funny, and not looked forced. Her interactions in London provide most of the comic relief, but the jokes work well. Whereas Suicide Squad underwent various cuts, to be more humorous to the audience!

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By far, the best parts of the film are the combat scenes. When she isn’t walking alone into No Man’s Land during intense gunfire, she pretty much knees a soldier through a building! All the combat sequences are choreographed well, in such a way, it doesn’t look ridiculous on why her hand to hand combat works effectively against an army of armed soldiers! The film also makes good use of her other weapons in her armory, such as the Lasso of Truth, which let’s be honest, could have looked very cheesy if done wrong! The film does well to not mention her gender constantly on the battle field. The soldiers are more impressed with her sheer bravery and power than the fact it’s a women out there.

Gal Gadot’s casting as Diana is pretty much spot on,  and it wouldn’t be surprising to see if this role is associated with her like Tony Stark & Robert Downey Jr. Chris Pine as Steve Trevor provides a great support character & love interest. But it never seems forced upon the audience, and Steve has a great character arc for himself. His charm brings a lot of likability to his character. His secretary, Etta Candy (Lucy Davies) may just be there for the humour, but she provides a jovial foil, to a movie that is about death and war.

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It’s not all good news though, and where the film does fall flat is with the antagonists. General Ludendorff (Danny Huston) & Doctor Poison (Elena Anaya) never feel like a serious threat during the entire movie. You just know WW could probably knee them through a building without a seconds thought (yes, that kneeing someone through a building scene is amazing!). But the villains do introduce the element of Magic into the DCEU, which should play a large role down the road.  Also, the final battle does seem to be a tad dull. It looks spectacular, but it just feels a bit rushed, just a head on fist fight,  and its done. Also the accents are never consistent, some characters speak with a strong British#German accent, whiles others do not, just a slight knit pick!

That being said, it should not detract from this being one of the biggest hits of the year. It is a shame that this film didn’t come of before DoJ, as it would have made sense to have her solo outing before the ensemble performance.  But the films splendid action, chemistry between our two leads, fantastic musical score and lore make Wonder Woman a great addition to the DCEU, and finally gives the big screen a strong powerful female superhero.

3 Word Review…..

About Time DC!

 

Sachin : A Billion Dreams

 

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In a country of almost 1.3 billion people, it could be difficult to stand out from the crowd in India! But there is one name that captivates them all, Sachin Tendulkar. In a county that has is overflowing with A-List Bollywood stars, there is still one name that transcends even the glitz & glamour of the red carpet, and that is Sachin.

Sachin : A Billion Dreams is the biography of one of the most dominant cricketers to have ever played the game, and follows the story of The Little Master from his humble childhood to becoming one of the greatest of all time. In a similar vein to the majestic Senna (2010), the movie gives a fantastic insight into the career of the great man, along with personal footage from behind the scenes, such as his home videos or personal interviews.

The movie is essentially split into 2 formats, you have the ‘factual’ side of the movie, which uses archived footage and interviews to tell the story of what’s happening. These scenes, provide a fascinating look into what happened behind the scenes, and the little anecdotes that are told throughout, that you may not be aware off!. All of this is narrated by the master himself! Which adds a greater gravitas to the film and gives the film that extra charisma & charm, that could not have been done if it was narrated by someone else..

These scenes are supplemented by acts that are recreated by other actors, to show us moments from his childhood & teenage years. There is only a certain amount of footage that they can have access too!  The flashbacks mainly focus of his pranksters years as a child and all the tough regimes he put himself through as he was growing up and balancing education with his obvious talent for cricket.  These parts are used mainly as a transition between scenes, and do not go on for too long. They do also manage to incorporate plenty of laughs with these sections, which was a nice bonus!

There are several famous cricketers from the past and present  also appear to give their tributes to Tendulkar.  MS Dhoni, Sehwag, Virat Kohli & Shane Warne are just a few who take time out to give their views on playing with and against Tendulkar. You also have Bollywood royalty, Amitabh Bachchan & Aamir Khan dropping in a few words here to mention their praises! Just to show how broad Tendulkar’s influence was! I wasn’t the biggest fan of cricket back in the 90s, nor can I remember much of what happened back then. So this was a great chance for me to see why he was so dominant during that time, and what made Tendulkar stand in a league of his own.

The film also documents the rise of cricket into the global force it is now, how the sport rose from the ashes of all the match fixing allegations in the late 90’s, to becoming the powerhouse it is now, with the IPL being the pioneers of its charge. Tendulkar played a pivotal role in convincing all the disillusioned fans to give the game another chance, if cricket lost India, than the sport may not have recovered.

As with any documentary/biopic, your enjoyment of this will be purely down to if you have any interest in the focus of the feature. If you love cricket, than this will entertain you through the somewhat dragging 2:20 run time! Following his journey from a teenage sensation debuting in a daunting away match in Pakistan, to the World Cup triumph on home soil in 2011. It seems fitting for the film to hit its crescendo with victory at his last chance at the big one! Even though I’m not Indian, watching it as a sports fan, the film absolutely captures what Sachin means to the nation, and the passion they have for the game.

Although some parts of the film are in Hindi (which are subtitled!) , the majority of the film is in English, so that shouldn’t put off anyone not from India to give it a go! Some parts of the movie may feel unnecessary, adding to an already bloated run time, but I suppose it must be an arduous job to fit the life story of someone who has achieved so much into one feature length movie, so I’m willing to cut it some slack in that regards!

Also, the film is scored by the legendary A. R. Rahman, so what’s not to love?!

The film may be on a limited release over here in the UK, but with the ICC Champions Trophy starting in a few days,  Sachin : A Billion Dreams is well worth the time for any fan of not just Tendulkar, but the game itself!

 

The Red Turtle, Silence is Golden

The Red Turtle comes with the pressure of having the name Studio Ghibli attached to its production, even if it’s only as a co-producer (Wild Bunch, being the other half). Director, Michaël Dudok de Wit, had the daunting task of working on a film that would validate the faith put on him to lead this motion picture.

Luckily I had the opportunity to watch a screening of The Red Turtle at the glamorous May Fair Hotel in London, a comfortable setting for a very charming movie.

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The most striking aspect of The Red Turtle is that the entire film has virtually no dialogue, barring some shouting or crying. The story is beautifully told simply via the animation and the musical score. So if that doesn’t sound appealing, than this film is not for you! The animation is also very European, so do not expect the usual Studio Ghibli presentation, even though their name is tagged on. This doesn’t mean that the animation is any less stunning. Considering the lack of any speech, it is critical that the visual aspect of the movie is on point, something that excels here. The island produces some gorgeous visuals, such as the bamboo groves frequently visited here! De Wit does a fantastic job in storytelling, in such a minimalistic method.

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So the story revolves around a nameless man, who is left stranded on a island following a shipwreck. After discovering that he is the solitary human on this tropical island, he survives on fresh fruit and water from the lake. But the constant loneliness drives our man to plan an escape, using the endless supply of bamboo at his disposal. His efforts are in vain, as his escapes are always wrecked by a wild red turtle. Without disclosing the entire plot, the movie follows the interaction between the man, and the turtle, and their interactions.

What we have a is wonderfully simplistic movie, which manages to go into some surprising meaningful  topics, the fact it is all done in visuals makes the movie even more enjoyable. The Oscar nomination it received for Best Animation was most certainly deserved. The movie even manages to fit in some humour, using the crabs living on the island, which form a bond with the man, to great comic use!

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Some may not enjoy the movie though, as the story line does drift off into a more fairy-tale like territory, after a more realistic opening third act. Also, the films locations do get repeated, a lot! It’s clear to see their production value was not huge, as we frequently go back to the bamboo grove, lake and beach a lot. This does not diminish the story, though it may fatigue some viewers in that regards.

If you’re a fan of prior Ghibli movies, and the themes they follow, than the The Red Turtle is another stellar addition to their portfolio. If you simply enjoy animation, and storytelling, The Red Turtle also delivers on that front. Although it’s on a very limited release, if you do happen to stumble across it somewhere, do take the time out to see it!

Covenant, Lacks Any Fear

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The 6th instalment of the iconic Alien franchise has landed in cinemas, Alien: Covenant. Picking up following the developments from 2012’s Prometheus, is Covenant a throwback to the original horror, or a follow on from the lore heavy Prometheus.

Covenant, is the story of the Covenant, a vessel travelling to a far flung planet, its mission, to find an alternate planet for colonisation. Each ship is overlooked by an android assistant, while the human crew are in deep sleep. The android maintaining the Covenant is Walter (Fassbender), but due to an emergency, the crew are forced to wake up. Following the loss of a fellow crew member, and with the reluctance to get back inside the pods, our team decide to respond to a distress call, from another potential viable planet for life, which is far more closer to get to then the remaining 7 years left to reach their original destination.

Upon landing on the new planet, things inevitable unravel and the blood starts flowing! You don’t really need to watch Prometheus to enjoy Covenant; the movie does refer back to the prequel, and does a good job in doing enough explanation to not leave anyone who hasn’t watched Prometheus, totally out of the loop.

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Director Ridley Scott has been accuse of losing his magic in recent times, but The Martian showed that he still has the ability to deliver great work.  Covanent follows that up with another strong showing here. By far the best aspect of the movie is the performance of Fassbender, who performs a dual role here. As already mentioned, he plays Walter, on board the Covenant, and also David, the older version of himself that was abroad the previous Prometheus mission. There are several scenes which involve both characters on screen at the same time, and he pulls it off with great intensity. He also plays the role of a synthetic being well enough to not sound completely wooden, which is a trap many who play robots fall into.

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The human crew on-board though, are a very mixed bag, and a majority of them come off as pretty unlikable. Katherine Waterston is Daniels AKA New Ripley, but she simply doesn’t have the presence to play a role such as this, she looks lost and confused for large parts of the movie, and being the supposed lead human, is overshadowed by Fassbender’s presence. The captain of the crew, Oram (Billy Crudup) is written to be somewhat antagonistic, and his traits are very dis-likeable, not even allowing his crew to mourn the loss of a colleague! It was strange to make him somewhat of a secondary antagonist, as the aliens are enough of a threat as it is. Everyone else of the team is largely bland or unremarkable, and make several stupid decisions throughout the film! The only real endearing figure is Tennessee (Danny McBride) as the pilot of the Covenant, surprising, as McBride isn’t usually known for these kind of roles!

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It’s down on the planet where the film really shines though, the opening 3rd seems to drag on for a long time, before we get into the nitty gritty, the Aliens! One thing to understand, is as this is a prequel to the original, this is the story of how the fiends known as the Xenomorphs came into existence, so the threats don’t look like what you expect them too! The film does not hold back on the violence and blood! It’s not just the chest the aliens surprise us from, and some of the deaths our crew suffer are pretty graphic. It may be slightly over the top, but it also empathises how destructive these creatures are. One of the criticisms of Prometheus was that it was very dialogue heavy, and didn’t have enough Xenomorph action, fair enough; as they are the main reason we go to watch these movies! Having watched Prometheus may help you enjoy the film more, but not watching it won’t ruin the experience. The alien saga is explained with careful detail, and it does get us curious in seeing where the next movie goes with all the revelations unearthed here.

The film though does lack the feel of the originals, there isn’t that build up that tension, that feeling of being alone and trapped. The film is very linear in that regards. It is very obvious which character will bite the dust, and the twist reveal at the end is so, so predictable, that it disappointed me they actually went ahead at did it! Also, the trailer pretty much revealed all the set pieces, a damaging habit most trailers seem to fall into nowadays. . It’s a shame that the movie just isn’t as scary as it could have been, as it’s all so telegraphed in its story. Yes some of the scenes can be rather brutal, but is it scary? Not really.

Covenant is no way a bad movie, if you’re a fan of the Alien franchise, or Sci-Fi is generally, it’s an entertaining ride, which gives more plot into how the Xenomorphs came to be, and has the usual Alien tropes. On the other hand there’s isn’t anything new and original to shout about. The film does have some homage to the original movies, but it very much feels like a part of the new trilogy, and not the old.

 

 

 

Throwback : The Other Guys

Comedy is always subjective to the individual watching, so you can never really have a movie that is almost universally hilarious to everyone. For me though, The Other Guys, featuring Will Ferrell and Mark Wahlberg has to be one of the wittiest comedies around!

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Right off the bat, the film starts off at 100%, with the high octane pursuits & action of Officers Highland & Danson, the wonderfully arrogant duo played by Samuel L Jack & Dwayne Johnson. They are the pride & joy of the department, solving crimes, winning accolades, getting all the money & women! But after their confidence gets the best of them (“Aim for the bushes”), the force is left with vast gap in their task-force. The perfect chance for some other guys to fill in that Alpha position. The other guys in this case, being disgraced cop Hoitz (Mark Wahlberg), who craves to get back into the big time after being demoted following a mishap, and his desk happy accountant partner, Gamble (Will Ferrell).

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What make the film so amusing is the interactions between our two heroes. Most successful buddy cop movies require the partners to clash, be polar opposites, and it’s done perfectly here. Mark Wahlberg absolutely nails it as the constantly angry and frustrated cop, who would rather be out in the field, than stuck behind a computer. Gamble on the other hand, is more than happy to do paperwork and excel sheets, and as you can imagine, this does not go well his agitated colleague!

Some of the exchanges they have are comic genius! The ‘Lion v Tuna’ (“If I was a Lion, and you were a tuna, I would go outside my food chain to eat you!”) argument that they have will you in stitches, and of course, it ends with hot coffee being thrown, as Gamble systematically dismantles a frankly ridiculous argument of how a tuna would beat a lion in a fight! The general disdain Hoitz has for Gamble is plain to see, such as when he nonchalantly throws a gift out the car window, or his random insults like “The sound off your piss hitting the urinal……it sounds feminine!”

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The supporting cast are also on form! Eva Mendes plays the role of Gamble’s surprisingly attractive wife, to the hilarious dismay of the jealous Hoitz. Not only is Gamble oblivious to the fact someone as uninteresting & dull as himself, has ended up with a stunning wife, but he also talks down to her constantly, making Marky Mark even more annoyed at the situation!

Micheal Keaton shines as the dreary precinct captain, having to hold down 2 jobs to make ends meet, his character is constantly dropping in TLC lyrics mid convo, to the amusement of the audience. The silent fight during the funeral is another gem of a scene, where out duo end up in a fist fight with a rival pair of cops, also aiming to take over as the other guys! The scene is just so stupid, but seems to work so well!! The cops even pause mid fight, as some grieving mourners walk past!

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Steve Coogan features as the cowardly millionaire, who is clearly up to no good. The scene where he is consistently distracting our heroes with bribes is great, and eventually, no amount of free mineral water with cucumber can put our cops off the trial!!

The film simply has several moments that will stick to anyone who enjoys this movie. There’s the whole ‘GATOR!!!’ revelation, Gamble’s crazy hot Ex, the Toyota Pruis constantly getting roasted, the ‘desk-pop’ among other things!

The plot isn’t the most memorable or unique, cops who no one trusts or respects end up uncovering a hidden scam, end up the heroes. But it’s the presence of our two protagonists that make this such rollicking fun!

Sleepless Will Make You Zzzz

There’s been lull at the cinemas recently, with the behemoth that is Guardians dominating the box office, the releases around this time of year have been pretty low profile. One movie that has ducked under the radar is Sleepless, which is in fact a remake of the well acclaimed French movie Sleepless Night.

Sleepless sees our hero, Vincent Down (Jamie Foxx), working for the Las Vegas PD, working undercover to expose a drug cartel. After an operation goes wrong with his partner (T.I), Vincent ends up upsetting the wrong people, who in retaliation kidnap his son. The deal is simple, return their drugs, we return your son. But with Internal Affairs officer Bryant (Michelle Monaghan) on his case, not everything goes to plan!

Sleepless has not received the best of receptions critically, 22% & 33% are its scores on Rotten Tomatoes & Metacritic respectively. So expectations were not high going into this! It is fair to say though, while the movie may not be utterly dreadful, it is ridiculously dull. Considering the movie has corrupt cops, drug dealers, casinos and gangsters, it’s disappointing to see how tepid it ends up.

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Foxx is by far the brightest light in the film, his role may be that of a generic undercover cop (his been undercover for 2 years you know!! He never stops mentioning it!) Who has to shun his family for the greater good, but he puts in a dedicated effort to bring some vigour to the movie. The film tries to put him at a disadvantage early on, with a stab wound, which was a great way to immobilize our protagonist.  But it’s so inconsistent; the wound never acts up when his in a confrontation, but always magically flares up when he is being pursued. Fighting viciously in the kitchen? That’s fine, running down the stairs, wound says no!

The film also does a slick job with the filming, the Las Vegas sky line offers the film several moments to capture the scenery, and it’s something Collateral did very well in, a film that Foxx also starred in! Director Baron bo Odar deserves credit in that regards, creating a visually vivid production.

But that’s pretty much all there is regarding the positives, the rest of the cast and plot is dire. Bryant, who is supposed to be the foil to Down, spends most of the movie annoyed or standing around clueless in the Casino foyer! Monaghan just spends the movie dreary eyed looking lost half the time! It’s hard to take her character seriously when she can’t even suspect her colleague, who is pretty much the ‘most obvious corrupt cop ever ®, for being involved. Working in I.A should give her some knack of noticing suspicious behaviour! Also, she just isn’t a very good officer, even one of the staff in the casino call her out on it. Rather that giving a description of who she is looking for, she just barges in yelling! Great police work there!

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The action to say the least feels like a low budget version of John Wick or as mentioned before, The Equalizer. They even have a club scene, which Collateral & John Wick executed in a far stylish way. The son, whose hand gets crippled, runs around the place like it’s all fine. A young kid who had his hand pretty much mangled should be in severe agony, but I suppose he does hold it every now and again, to show it’s injured!

The finale gets pretty nonsensical, after the mother, who is a nurse, just happens to join in with the gun toting shoot-out, which seemed so horribly out of place and rather comedic.

Scoot McNairy, as Novak, is adequate as the crazed son of a drug lord, who will torture even his own family if the situation arose, but our formulaic drug dealing casino boss Stanley Rubino, is so clichéd, you don’t care at all about what happens to him. Neither villains really stand out, and not once, feel like a real threat to our hero. The plot of the movie is so straight forwards. Summed up in ‘Where are my drugs?!’, literally that is all that happens here.

Sleepless could have worked, if the villains were fleshed out more, and the cast was given more to work with. You’re only really bothered about Jamie Foxx, and his journey throughout the film, every time it cuts away to another character, the film drastically drops any momentum it has. It’s in no ways the worst film to come out this year, but it feels like a movie that could have been released straight to DVD or Netflix!

 

 

 

Guardians Vol. 2, Good, Not Great

Back in 2014, when Guardians of the Galaxy dropped into cinemas, there was little expectation and much skepticism. Compared to established heroes like Ironman, Thor and Captain America,  GOTG was a very niche franchise. With a small fan base, and Chris Pratt, who up until then, was mostly known for his comedic shenanigans in the sit-com Parks & Recs, taking the lead role in a Hollywood blockbuster. The film was a huge risk, were Marvel getting too arrogant? Well they proved the doubters wrong, GOTG proved to be a resounding success, the film brought a new level of humour and fun not seen in previous MCU entries, and it stands 5th in the list of box office takings for all Marvel releases. Can the sequel, titled GOTG :Volume 2 match the magic and charm that the original encapsulated so well?

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Avengers……Assemble!

Volume 2, takes place soon after our heroes first adventure, as we re-join the antics of Peter Quill AKA Starlord (Chris Pratt), the feisty Gamara (Zoe Saldana), the wise cracking Rocket (Bradley Cooper), deadpan Drax the Destroyer (Dave Bautista) and the adorable Baby Groot (Vin Diesel)! With their new found fame, the team are offered more high profile missions & with increasing rewards, but after being caught attempting to hustle one of their clients, the team end up on the run, only to be saved by a mysterious man, named Ego (Kurt Russell) who claims to be the long lost father of Quill, and help him fulfill his true potential.

Where the first movie excelled in was the chemistry between the members of our ragtag team, and it’s great to say that the same level of cohesion remains with our squad. If anything, the jokes and quips are even better than the first, and the film definitely has more laughs (Trash Panda!) than the first movie! The bickering between Quill & Rocket is constantly dropping zingers, and the writers have used the traits of Drax in order to write in several well placed jokes!

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The introduction of Baby Groot was a wonderful addiction,  not only is he an adorable member of the group, Baby Groot also has several moments where he is involved in key parts of the story, he’s not only there for selling merchandise!

In my opinion, the most enjoyable aspect of Volume 2 is the development of the bonds between certain characters; there are several relationships that are strengthened over the course of their adventure. You have the central arc of Peter reacquainting himself with his father, Ego. But there are several characters who get a lot more depth to their persona. The aggressive vendetta that Nebula (Karen Gilan)  has with her sister, Gamora is given some more time, and Nebula comes across somewhat sympathetic, with the audience having a reason to see why she is so spiteful.

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Yondu shines bright in Volume 2

Yondu (Micheal Rooker), also returns, but now is a disgraced member of the Ravagers, after he is exiled. He and Rocket share plenty of screen time together,  and create a great camaraderie with each other, in turn, they learn that they may not be so different after all. Yondu has the most development here, and his progression as a character is really padded out,  he is probably the stand out character in the flick!

Unfortunately, the movie, when compared to Volume 1, is not anywhere near as great. The story-line regarding Peter & Ego does seem to go on for a bit too long. It is pretty predictable where it will all end up, as the signs are seen pretty early on. Although the story line does wrap up Peter’s origin. It still feels pretty underwhelming to say the least. The majority of the movie takes place on Ego’s planet, where a bit of space travel would have been more interesting to see.

The secondary villain, Ayesha (Elizabeth Debicki) the snobby leader of the people of Sovereign, a race of beings with a huge superiority complex. First appears to be a real threat. But she disappears for most of the movie, only to show up again near the finale. It’s a shame we didn’t see more of her and her people, as their disdainful nature was good fun to watch!

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Guardians Of The Galaxy Vol. 2..Drax (Dave Bautista)..Ph: Film Frame..©Marvel Studios 2017

Drax is also left on the sidelines , his sheer strength is never fully utilised. He is probably the best when it comes to the one liners, but regarding the action, he rarely has any scenes, apart from the opening credits. Drax is a mountain of muscle, but he spends most of the movie in conversation with Ego’s assistant, Mantis.

Volume 2 may not be as strong as Volume 1, and it does have a few flaws to contend with. But it’s another solid entry into the ever-expanding MCU. The film does go a lot more into our characters and their pasts, which give the movie an emotional attachment. It’s also just as hilarious as the original, which fans will savior! Oh, and make sure to hang back for FOUR post credit scenes! Their spoiling us now…..

 

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