Tomb Raider, A Steady Reboot

The Tomb Raider franchise has gone through a rejuvenation of late, following the superbly gritty video game reboots, Tomb Raider (2013) & Rise of the Tomb Raider (2015). These games take place at the start of her adventures, featuring , a younger, more fragile Lara Croft. As opposed to the confident & sexy version many are accustomed too.

With her dad going missing, presumed dead, on an expedition, Lara (Alicia Vikander), attempts to carry on with her life without resorting to the vast financial aid that she could access with a simple signature. As this would mean for her to accept her fathers death. But the appearance of a relic provides her with a clue, that things may not have been as they appeared on the surface, and takes her on a voyage out to the Far East.

Video game movies seem to be a cursed project, even away from the cheesy 90s releases that the industry still carries the scars of, recent attempts such as Assassins’ Creed & Warcraft have been critical failures. But I’m glad to say, Tomb Raider is an honest adaptation of it’s source, while going off script enough to not make it a like for like copy.

The similarities between the game and movie are more cosmetic if anything. Lara is still a young rookie, who is way out of her comfort zone, having to adapt in the face of death. You also have the hidden Japanese island of Yamatai, where the body of the mythical figure of Himiko resides, which is where the plot mainly focuses on. This is pretty much what the movie borrows from the game, the rest are worked around those points. You have Lu Ren (Daniel Wu), a sailor, who joins Lara on her journey in exchange for a hefty wad of cash. Ren is a character the audience can warm too, and thankfully the film does not force a romance between the two. Lara’s father (Dominic West) plays a far bigger role here, than the game, and it does feel very cliched, using the ‘daddy issues’ story. It does grate a bit, but the resolution of that arch plays off surprisingly well. Walton Goggins, our antagonist, is wonderfully menacing as the dastardly Vogel. Every time he shows up, you wish him the worst! A great sign of a well played villain.

Where the film shines brightest are the survival scenes & solo combat. This version of Lara takes a physical battering in the games, and Vikander here goes through a lot too, she also looks the part , in fine physical shape, as one must be in such an intense physical role. When she’s not falling off trees, or flying through debris, she’s being impaled by branches. There is a lot of yelling and grunting in pain! It makes the character seem far more vulnerable and endearing. The game has a rather satisfying use of the Bow, and it features a lot here too! The legendary Ice Axe also makes an appearance!

The film still has some big flaws. They have changed a fair part of the Himiko backstory, the game goes down a far more supernatural route, whereas the film plays it far more safe. The film also fails to really show much of Lara’s backstory, apart from her sparring sessions, it’s a huge leap of faith to believe that suddenly, she has the skills to survive out in the wilderness, we don’t see much of her exploration/survival skills beforehand. The moment when she does make her first kill is rather underwhelming here, where in the game, it was a pivotal moment for her as a person, and having to accept what she had done. Here, the moment is all to brief, and suddenly cuts back to the main story. The missing Father story line has been played over many a times, and would have been more intriguing had they used another plot device to drive the story on.

Tomb Raider does play it safe here, and you can tell, with its rather generic and cliched story. But judging it as a video game adaptation, it’s done a perfectly good job. Vikander is excellent as Croft, and Lu Ren is a great partner for her future travels. If you’re a fan of the games, you will enjoy this adaptation, while it’s no where near are deep or immersive as the games, but that’s to be expected, having to cut the massive adventure into a single feature length film. It doesn’t do anything too new, but it should do enough to merit a second outing.

March 22, 2018 0

Game Night’s A Winner

Starring Patrick Bateman & Rachel McAdams, as a super competitive, game loving couple, their weekly game nights with their friends takes a turn for the worst. What was meant to start off as a murder mystery night, soon becomes entangled with smuggling, law enforcement and organised crime!

What on paper, looks like a pretty generic comedy, turns out to be a witty & amusing ride. We have our leading couple, Max (Bateman) & Annie (McAdams), who regularly host a weekly game night with fellow couples. you have the typical childhood sweethearts couple, Kevin & Michelle, played wonderfully by Lamorne Morris & Kylie Bunbury). They are also joined by Ryan (Billy Magnussen), a young and charming chap, though he may not be the brightest, his the one who brings a different date every week. Following the visit of Max’s brother, Brooks (Kyle Chandler), whom Max feels overshadowed by, from his successful career to his lavish lifestyle. His brother decides to step things up one night, and instead of the usual board games, ups the anti to a murder mystery night. Though it’s not before long, that things end up taking a more sinister turn!

Game Night by far surpasses any expectation you may have coming into it. All the characters play off excellently off their partner. Bateman and McAdams both have such enthusiasm in their roles, you warm to them right away, their interactions are hilarious, especially during their impromptu backstreet surgery! Ryan’s date for the night, is not one of his usual Instagram addicted models, but the rather well educated, and well spoken Sarah. Their polar personality clash works perfectly here. There is also one hilarious ongoing joke that runs throughout, between Kevin & Michelle, and a certain famous movie star. Jess Plemons as the creepy recently divorced neighbor Gary is an absolute scene sealer whenever he appears, he by far brings the most laughs to this flick. There’s also appearances from Micheal C. Hall and Chelsea Peretti adding to the fun.

A quick shout out to the cinematography, which is surprisingly sharp for a routine comedy film. The director makes fantastic use of tilt shift, to make the drop down shots look like pieces on a board game, and the car chases also include some pretty nifty camera work!

While the humour is pretty much on point, the story line at times does feel for more convoluted than it really should have been. It’s OK to have one or two twists, but any more, and it starts to all look for more messy than it really should. The story would have worked perfectly fine if there was just one huge revelation, rather than the constant double bluffs. Once there are several layers to the plot, the obvious plot holes start to reveal themselves. The film also suffers from showing pretty much all of its best jokes in the trailer. Fortunately, I never had a chance to see this trailer, so enjoyed all the jokes first time, but if I had, it probably would take away a lot of the effect. I can understand trailers trying to sell a movie they may think is a risk, but certainly they could have cut some of the better lines and scenes out the teasers.

Game Night is a perfect mix of comedy, wit and cringe, and works pretty much is a similar format to The Hangover, group of mates trying to figure out whats happening, with the involvement of criminals! The story-line may have become slightly entangled by the finale, but it has enough to keep you laughing throughout (Cyberdyne reference!) and is a great way to spend a night out!

March 15, 2018 0

The Commuter / No Delays Here

After being tasked by a mysterious woman to track down a specific person on an evening commuter train, Michael MacCauley (Nesson) is in a race against time to unravel this conspiracy, or risk danger not just to himself, but his family as well.

Liam Neeson and low budget action movies always prove to be an enjoyable time. You pretty know what you will get, what to expect, and how the story will pan out. Neeson has already wreaked havoc on a plane in 2014’s Non-Stop, this time, his kicking ass and speaking intensely on phones (it’s a trend in his films!) on a train, in The Commuter.

The Commuter is a perfectly satisfactory feature length movie. Directed by Jaume Collet-Serra, who had also taken charge of the aforementioned, Non-Stop and The Shallows, a thrilling shark attack film. Pretty much the entire story take place on the train, and the film can be divided into two parts. The opening and middle chapters are more focused on the mystery of who he must find, tracking down various clues to help him locate the target. It’s a nice concept, and considering it’s a busy New York commute, the train is packed with a range of people, all of which could be who he must find. It’s a nice change of pace, from the action packed finale, and even has the audience constantly guessing who it may be.

In my opinion, the deduction parts of The Commuter, are its strongest moments, you do have the occasional action and fights, but they are really just there to stop it getting a bit to mellow for a Neeson movie! The finale is a lot of the typical over the top action and CGI fest that you would expect, the intensity is ramped up by a hundred, and it gets pretty messy at times. Though Neeson is still pretty adept at looking far more dangerous than most people at the age of 65, the special effects are pretty obvious. The train crash from the trailers still looks as laughably bad in the final cut!

Liam Neeson obviously holds this movie together, but Vera Farmiga as the calculating Joanna, who is pulling the strings on board, and Patrick Wilson, as Michael’s colleague, Murph. Both add a bit of shine to the film. And it’s always good to see Jonathan Banks, of Breaking Bad fame making an appearance too!

The Commuter is a straight forward movie, it’s not amazing, nor is it awfully bad. If you’re a fan of the Neeson style thrills and dangers than The Commuter won’t leave you feeling short changed. At under 2 hours, it doesn’t drag on either. If you got nothing to do, and want to catch a decent film, this is worth a watch, otherwise, just wait for it to come out on demand!

February 2, 2018 0

Coco Dazzles

Pixar have a habit of constantly releasing critically acclaimed hits, and their latest venture, could prove to be their greatest triumph yet. It’s taken Coco a few months to arrive on these shores, but the wait has been worth it.

The Day of the Dead, is our main focus here, the Mexican holiday in which people come together to celebrate the lives of the members of their family who have passed away. Miguel, our young protagonist, yearns to be a musician, but due to a complicated family history, the art of music, in any form, has been prohibited in the family. But in his attempts to emulate his idol, Ernesto de la Cruz,, the greatest musician of his time, Miguel finds himself trapped in the Land of the Dead, seeking his hero for a way out.

null — UNLIKELY DUET — In Disney•Pixar’s “Coco,” aspiring musician Miguel (voice of Anthony Gonzalez) teams up with charming trickster Hector (voice of Gael García Bernal) on a life-changing journey through the Land of the Dead. Directed by Lee Unkrich, co-directed by Adrian Molina and produced by Darla K. Anderson, Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017. ©2017 Disney•Pixar. All Rights Reserved.

Considering the theme of film is pretty morbid, the movie itself is surprisingly vivid! It is probably one of the most resplendent settings in any Pixar movie, with the festival ambiance providing a fantastic backdrop to the story. The visuals are stunning, and has some of the best animation the studio have produced.

Pixar movies are always an emotional ride, and Coco delivers. The recurring themes of death, grief and family are mentioned throughout the film. So it’s not too much of a surprise that there is a certain level of poignancy to the plot. But the final third of Coco is so well done, it should move most people to some degree! Without spoiling, it packs a punch!

The cast are thoroughly enjoyable. Hector, a charming, witty trickster who accompanies Miguel on his journey is a wonderful character, he’s just not there for comic relief though, his story arc plays out to perfection. Ernesto, our pompous superstar, is just about the right level of irritation & arrogance! Considering there are two sets of families, one alive, one passed away, there is an abundance of names and faces, not all of whom are important to the plot. But it plays a vital role in pushing through its message about family.

With it being a Disney production, the musical score will always be a crucial factor. With Coco, the soundtrack delivers a wonderful blend of music, will the effervescent flamenco/latino party rhymes, to the sombre melodies. ‘Remember Me’, the recurring track that plays throughout, not only carries a great level of poignancy, it also plays a vital role within the film.

Regarding negatives, there really isn’t much to say against it, but if you were to knit pick, the opening 1/3 is rather slow to kick on. It’s really not too clear where the movie is going with things, but the remainder of Coco is so good, you’ll let that go. Also, there really isn’t a villain in the film, it doesn’t really hurt the enjoyment, but if you like a movie with a clear antagonist, this may bug you a bit.

That being said, these are very minor flaws in what is already one of the candidate for film of the year! A sure winner for the Oscar for best animation!

January 31, 2018 0

The Foreigner Does Enough

Jackie Chan is not usually seen in a serious tone in his movies over here in the West. Although he may be great as a comedic actor, he is also well known for his more dramatic roles back in the East. So fans were intrigued to see that the latest Chan movie to be released here, was a shift away from the norm here, and places him in a far more melancholic surrounding.

The Foreigner directed by Martin Campbell, is a fairly typical revenge thriller. Quan (Chan) is a worker, living a simple life in London, but following an IRA terrorist bombing, he loses his teenage daughter (Katie Lueng). Using all his military expertise from days gone past, he sets out on a relentless pursuit for answers, and to find the people responsible. This leads him to the doorstep of the deputy minister for Northern Ireland, Liam Hennessy (Brosnan).

Taken, this isn’t, but The Foreigner is still an enjoyable movie to sit down and watch. It’s far more interesting to see Chan as the broken down father figure, rather than what he is usually type cast as, and all his scenes carry great intensity. There are several action scenes that make use of Chan, but they are not as vibrant as they usually are, it’s far more visceral and calculated. Brosnan is excellent as the charming deputy minister, bringing a strong gravitas to a film that really isn’t flooded with big names. His witty exchanges with his fellow cabinet members and staff still exude that 007 aura he had, even down to getting his hands messy if needs must. The cat & mouse interactions between Quan & Hennessy are by far the most fascinating parts of the movie, though Hennessy insists he was not involved, Quan is adamant he must have known something, considering his powerful political position.

Where the film struggles is the overall story arc, the entire IRA subplot really does slow down the movie, and it gets drowned in a lot of dialogue and conversations. The plot attempts to be far more intricate and layered than it really should have been. Any scene which does not involve Chan or Brosnan really feels like a drag. The whole affair plot line has a resolution, but even then, it feels like it could have been written in a much more captivating manner. Also, there could have been more scenes with Chan, as that really is the film’s strongest points. Seeing Chan take out elite soldiers in the woods is far more interesting than political power plays. Quan is almost a secondary character compared to Hennessy. As good as Hennessy is, most people would be tuning into this for Chan, and they really didn’t make the most of that factor.

Overall, the movie does seem to drown itself with its plot at times, but the star power of Chan and the charm of Brosnan has enough to make The Foreigner worth a watch.

January 6, 2018 0

Molly’s Game Captivates

Based on the novel of the same name, Molly’s Game is based on the rise and fall of Molly Bloom, who in her 20s, was hosting the world’s most exclusive Poker tournaments in both LA & NYC. Attracting the biggest names in Hollywood, sports and business, her game was rolling in millions, before inevitably getting the unwanted attention of organised crime & the mafia.

Before taking up her place in law school, Molly Bloom (Chastain) decides to take a year out, taking up part time jobs to support herself. During this time, while working as an assistant, she gets introduced to the world of underground Poker, planning the logistics for her boss’s poker nights. It’s not before long, she uses her wits & smarts to get her foot into this lavish lifestyle, and has her own business running. But after falling foul to the law, she needs to rely on her charismatic defense attorney, Charlie Jaffey (Elba) in order to avoid the full brunt off the law.

The film has been referred to in the same breath as The Wolf of Wall Street, and in a sense, it is a similar story, they both start from nothing, earning millions, before the collapse of a mighty empire. But unlike TWOWS, where all the activity was clearly illegal from the start, Molly does her best to keep things as legal as possible. Chastain is brilliant as Molly, bringing a certain likability and dynamism to the character. Though the business she takes partakes in, is morally askew, for most parts, she stays on the right side of things. Her monologues are full of wit and sarcasm, which makes her character thoroughly entertaining. Her interactions with Elba are also highly amusing, both characters are intelligent and charming, so their verbal sparring is great fun to watch. Their characters also avoid the trap of falling into a clichéd romance, which was a nice change for once.

MOLLY'S GAME — Jessica Chastain in MOLLY’S GAME

The most captivating parts of the film are obviously all the Poker scenes, where they flashback to the events prior to her arrest. You don’t have to be an expert in Poker to know what is going on, as the movie explains everything in an engaging fashion. Not to mention, the real life addition of a big time Hollywood celebrity (whose identity can be easily found out with a quick search online!) adds an interesting dimension to the story. These are the parts of the movie you’ve come to see, and Chastain carries all of them with supreme grace.

Though most of the film is compelling to watch, the film really suffers in the final act. With her relationship with her father (Kevin Costner) playing a pivotal role. The film grinds to a halt, and adds an unnecessary 20 minutes to the entire movie. That really is the only real flaw that could be said about a film that for most parts, it’s mighty enjoyable. Of course some liberties are taken from the source material, in order to make the film more enjoyable, but that’s to be expected for any book that is converted for the big screen.

Coming out of New Year, Molly’s Game is a perfect way to start the year at the cinema! Yes the finale is underwhelming, the majority of the movie is riveting.

January 3, 2018 0

Jumanji Roars

When Jumanji : Welcome To The Jungle, was announced, it was met with much derision from fans. Was this really necessary? Will it ruin the fond memories of the original starring Robin Williams? Jumanji, unlike Dwayne Johnson’s previous attempt to revive some 90s nostalgia, Baywatch, Jumanji :Welcome To The Jungle is an exuberant joy ride from start till end!

Jumanji_1193687 — Dwayne Johnson in JUMANJI: WELCOME TO THE JUNGLE.

The story here has been shifted to the current millennial age, and in order to fit this time, the Jumanji board game has become a retro video game, basically evolving to survive in a time when board games are of little interest! Our protagonists, whom are all the usual high school stereotypes, end up digging out the video game while being thrown into detention together. The twist here though, is unlike the original, where the game came to them, here, they get sucked into the game!

To make things even more interesting, our students end up in the bodies of the avatars they selected for the game. Spencer (Alex Wolff), the nerdy gamer is now in the body of Dr. Smolder Bravestone (Johnson), a 6″5, 250lb hero, with no real weaknesses. Fridge (Ser’Darius Blain), the school jock, is the diminutive Franklin “Mouse” Finbar (Hart), who is essentially Bravestone’s assistant. Bethany (Madison Iseman), the selfie obsessed cheerleader, ends up as she says ‘a middle aged fat man’ in Professor Sheldon “Shelly” Oberon (Black). Martha, our shy, introverted teen, is now the confident & dangerous Ruby Roundhouse (Gillan).

The story is simple, get the Jaguar’s Eye, a magical gem, back to its resting place, to save the jungle, though it’s not as east as it may seem. Each of them are limited to 3 lives, and not only is the jungle trying to kill them, but the villainous Van Pelt (Cannavale) is also in a deadly pursuit of the gem.

The body swapping angle is really what makes this film shine. With most of our all star cast playing roles that they don’t play. The Rock, is someone who is the opposite of the charismatic mountain of muscle that he is. Jack Black is having a blast playing the bratty teen diva, and Gillan is still an insecure teenage, even though in the game she is a beautiful lady who can also kill you swiftly with her deadly martial arts skills! It’s really only Kevin Hart doing his usual routine, but even then, his interactions with Johnson is golden. Finbar, who in reality, is the athletic, tall, confident jock, has to come to terms that in the game, he really is none of that, and it’s in fact Spencer, who he looks down upon, who is the real hero. All four of the cast work great, and really excels the movie to something more memorable.

1193687 - Jumanji — Kevin Hart stars in JUMANJI: WELCOME TO THE JUNGLE.

The video game plot also adds plenty of laughs for all the gamers out there. From NPCs, cut scenes, and character strength & weaknesses, there are various little details that give the film a charming gloss. This really makes the film stand out from the original, so they really cannot be compared directly.

The only thing that really does bring the movie down, is the laughably poor villain. Van Pelt really wasn’t needed, and could have been removed from the story altogether. All it did was extend the run time, and remove the excitement from the film whenever it cut back to whatever he was up to. The story line would have worked perfectly well if it was a simple task of going from A to B, with the jungle trying to defeat you. The villain was just a distraction, and never really proved a threat. Villain aside, the film doesn’t really make the most out of the 3 lives gimmick, at no point, do you ever really fear for one of the main characters biting the dust, considering the menacing environment they are in.

Jumanji : Welcome To The Jungle is amusing holiday film, with a wonderful cast, humour, and surprisingly intense action scenes, it really is a blast. Only downside to it really is the mediocre villain, who helps bloat the movie to over two hours. Even with that, the film pretty much stands on par with its 90s counterpart.

December 27, 2017 0

Rewind Review: The Shining (1980) Returns to Cinemas

Adaptations and reboots of Stephen King’s work are popular right now, what with The Dark Tower, It, and Gerald’s Game recently released and with many others in development. Plus, with it being Halloween it only makes sense to revisit one of the frequently listed scariest movies of all time.

Look up any “Scariest Movies of All Time” list and you can bet that The Shining will be floating near the top, along with many adaptations from Stephen King. Combine “the master of horror” with Kubrick’s genius, it’s really no surprise this film has such a cult following; and after seeing it for the first time just a few days ago, it did not disappoint.

Before the film, we watched “Work and Play: a short film about The Shining (2017)” directed by Matt Wells for Park Circus. This documentary investigates the creative process and incredible efforts behind this unique movie; intense research into the horror genre, the innovative use of the newly developed “Steadicam”, and a look into the personal musings of Kubrick and his views on film-making.

Featured in the documentary are: Lisa and Louise Burns (The Grady Twins), Garrett Brown (inventor and operator of the Steadicam), Diane Johnson (co-screenwriter on The Shining), Katharina Kubrick (Stanley Kubrick’s daughter) and Jan Harlan (Kubrick’s producing partner and brother-in-law).

Kubrick — “It’s easy to make movie…but to make a great film is a miracle.”

If you want to watch something with tension and suspense on Halloween, then The Shining is for you. The music is really stand out for me, combining rapid high pitched strings with slow and deep brass makes you believe something terrifying is about to happen. The long Steadicam shots of corridors, the set and environment make it seem that something may jump out. The music and camera shots were eerie and surprisingly good at building suspense; I could feel myself tensing up and even jumping a little at the changes in instrumentation.

The hotel — Shelley Duvall at The Overlook Hotel

Of course, I cannot overlook the incredible acting of Jack Nicholson. His long, dead-eyed shots, creepy mannerisms, and seriously animated eyebrows, portrayed complete insanity with little to no motive or justification required. And he’s not the only one, many of the characters you meet throughout the movie are played in a seriously creepy manner.

If like me you haven’t seen this film before, the short version is Jack Nicholson plays “Jack Torrance” who gets a job as caretaker at The Overlook Hotel over the winter months during closed season. He brings his wife Wendy (Shelley Duvall) and his son Danny (Danny Lloyd) but the isolation, and something in the hotel’s past, makes Jack lose his mind and turn on his family.

Nicholson is great at being terrifying and Lloyd is good at being terrified, but I was not completely convinced by Duvall. A few things she does seem quite smart and resourceful in a pretty hopeless situation; however, her tone seemed forced and vacant, and she seemed to have little control over her limbs as she ran aimlessly around the hotel. Also, Nicholson gets a lot of praise for this film but I also think Lloyd was very good! He’s a very young boy but plays this part with maturity and intelligence.

Ignoring what I thought of Duvall’s portrayal, which I can probably attribute to the age of the film, this is a great scary movie that will really mess with your mind and the accompanied short is very interesting. I would highly recommend re-visiting this film this Halloween if you can, and be sure to get there in time for the short! And remember….All Work and No Play Makes Jack a Dull Boy!

The Shining is in cinemas across the UK on 31 October 2017 accompanied by short film “Work and Play: A Short Film about The Shining” (Director Matt Wells).

Film credit: http://www.parkcircus.com/films/21530-the-shining.

October 27, 2017 0

Happy Death Day, It’s A Treat!

Combining the concept of reliving your own death from Edge of Tomorrow, with the 90s Slasher vibe from movies such as Scream, Happy Death Day is one of the most interesting concepts to be put to film this year, and a perfect treat for Halloween!

Jessica Rothe plays Tree Gelbman, your typical run of the mill college student, who after a rough night out, wakes up in a dorm room, unaware of the events of the night before. As we are shown, Tree isn’t exactly the nicest of people, with her arrogant and dismissive seniority sister demeanor, she builds up a firm following of enemies on campus. This proves to be fatal, as that night, Tree runs into a masked stalker, who takes her life with the assistance of a very big blade. But all is not as it seems! Following her death, she wakes up back in the dorm room from earlier that morning. She soon realizes she is trapped sort of time loop, in which her death is inevitable every night. Accepting her looming fate, Tree uses the time she has, to narrow down the culprit from her list of suspects!

Though Happy Death Day has been built up as the return of the Slasher movie, it’s still no where near the sheer intensity of Scream. Yes, there’s a masked stalker, who happens to get very trigger happy with a knife in their hand. But here, our murders are a lot less graphic as films in this genre were , especially back in the 90s! Although it has a horror element to it, it is far more of a mystery movie, rather than a full on scare, so just a few tips to consider before walking into the cinema!

That said, HDD is a thoroughly enjoyable movie, yes you have all the usual american college stereotypes here, the bitchy mean girls, the stalker, the geek etc., but it never hurts the film. Tree is by far the standout character in the movie, her comedic chops are on show here, bringing several moments of laughter to the show. Her character also has an engaging arch, from her ignorant past self, to a more modest and understanding person she eventually becomes.

As mentioned, we have a list of suspects, who each may have a reason to don the eerie mask and go after our protagonist. Could it be Carter (Israel Broussard), the timid student’s dorm in which Tree wakes up in? Or maybe it’s Danielle (Rachel Matthews), the sorority leader, who is somewhat envious of Tree? Then again, it has to be the teacher she is having an affair with right? There are plenty suspects thrown in the mix to keep you doubts swinging between all our various potential killers!

Though the biggest flaw in the film has to be the very lazy explanation regarding the real killer, their motivation and how they did some of the murders. It’s a long stretch to believe someone would go straight to a blood thirsty killer on campus! Would they really leave a random toy playing a melody in a tunnel? It would make more sense for them to just get straight to the act, without all these curious actions. The plot seems to try to make itself look a lot more smarter than it really had to be, with the lat addition of a suspect which shows up from no where. There are also several plot points left unsolved, it it just being careless, or resolutions being saved for a potential sequel?

With far more humour than you would think, HDD is a great concept, that utilizes its college setting very well, it may not be the perfect Halloween movie, but it has it’s moments of suspense, a vibrant cast, and dead cert to leave you satisfied once the credits roll.

October 27, 2017 0

Throwback: Blade Runner (1982)

With the sequel releasing next month it’s about time we took a look back at the original, loosely adapted from the 1968 novel Do Androids Dream of Electric Sheep? by Philip K Dick; who also wrote Minority Report and Total Recall.

Hitting cinemas 35 years ago, Blade Runner was described as neo-noir science-fiction directed by the fantastic sci-fi pro Ridley Scott. Set 2019, we see a very different version of Los Angeles, a dark and dystopian city that has descended into decay. The Tyrell Corporation has manufactured androids known as “replicants”, indistinguishable from human adults, to work on off-world colonies. However, if any of these replicants attempt to return to Earth they are assassinated (or “retired”) by police operatives known as “Blade Runners”. Harrison Ford plays ex-Blade Runner “Rick Deckard” who takes one last job to hunt down 4 escaped replicants. During his investigation he meets “Rachael”, played by Sean Young, an advanced replicant who displays human emotion and makes him question the future, his attitude towards replicants and what it means to be human.

Deckard falls for Rachael

Two replicants in love: Roy and Pris

Replicants are made with a restricted life span, all Roy (Rutger Hauer), Pris (Daryl Hannah), Zhora (Joanna Cassidy) and Leon (Brion James) want is to live and love. Rachael even believes herself to be human until Deckard performs the “Voight-Kampff” test on her and is told that her memories are only implants taken from Tyrell’s niece. Though this story is interesting I was more intrigued by the way the story was told. I enjoy the noir style and luckily for this film Harrison Ford’s voice lends itself well to narration. The interactions between Deckard and Rachael made me a little uncomfortable, which I normally put down to being a different time period, though it could be another example of how humans believe they can use artificial intelligence for their own advantage and self indulgence.

blade-runner-tears-in-rain — One of the greatest improvised lines in film

Honestly, my attention did dip at certain points during the film, mostly during dialogue heavy scenes; so I can see why the critics may have been split in their opinions when it was first released. However, I enjoyed this film and it includes a variety of themes that are ambiguous enough to invoke different perceptions; exploring humanity, empathy, mortality, the emotional capacity of A.Is, the disparity between the different societies and the new and decaying areas of the city, human manipulation of genetic engineering, the omnipotent corporate power, manipulation of environment, and apparently some religious connotations that I’m always oblivious to. Also, it has to have been a massive influence for 2004’s “I, Robot” and other A.I related films.

And lastly, this line:

“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.” Roy Batty

September 20, 2017 0

Victoria and Abdul: Beautiful and True…..Mostly

This is a story that you might find difficult to believe. Adapted from a book written by Sharabani Basu, which is based on the journals of Abdul Karim recently discovered in India; we see an unlikely friendship develop between a common Indian Muslim man, and the Empress of India and Queen of the United Kingdom of Great Britain and Ireland.

I personally don’t think there’s a cast or director out there who could have done a better job portraying this particular story. Dame Judi Dench (James Bond, Philomena, Mrs Brown) once again takes on the role of Queen Victoria, alongside Ali Fazal (Furious 7) as Abdul Karim; surrounded by other brilliant actors (Michael Gambon, Eddie Izzard, Tim Piggot-Smith, Olivia Williams) playing the members of the court disgusted and insulted by the development of this relationship. All led by the director Stephen Frears, who was present for a Q&A after the screening, his most recent successes include The Queen with Helen Mirren, Philomena with Judi Dench, and Florence Foster Jenkins with Meryl Streep.

Dench and Fazal at the Queen’s writing desk

The real Queen Victoria and Abdul Karim at the Queen’s writing desk

The film begins in India and follows Abdul’s journey to England to be involved in the Queen’s Golden Jubilee; after some actions deemed highly inappropriate by the court, the Queen decides to keep Abdul close and begins to learn much about India and Islam from the man the court repeatedly referred to as “one of the Hindus”. She confides in Abdul, revealing her more vulnerable side to the audience, regarding her feelings towards her position and life in general. Although the beginning is quite humorous with many good laughs from both Dench and Fazal throughout, the film takes a darker path as we continue to learn about the Queen’s difficult life, and the court’s ignorance and prejudice against Abdul.

court — The Queen’s household united against Abdul

It is a difficult time, with Muslim-led mutinies against British rule breaking out in India, and some deceptions by Abdul does not help his case against the accusations by the court and Prince Edward or “Bertie” (Eddie Izzard). Regardless, the Queen keeps him on as her “Munshi” (teacher), she describes herself as being truly happy for the first time in a long while, and likely as an intentional provocation. Despite numerous attempts to discredit Abdul and blackmail the Queen, Abdul was in the service of the Queen for the final 15 years of her life. This, along with many incidents in the film, appear to be close to the real events that took place over 100 years ago.

His first sight of Victoria

Prince Albert aka Bertie

Victoria before Abdul

I believe that the performances in this film were emotive and believable. It was quite a different kind of performance from Eddie Izzard than what we are used to, but he gave a strong and compelling portrayal of the jealous heir to the throne. One character who may not get as much notoriety is that of Mohammed (Adeel Akhtar), he is the other Muslim, Indian man involved in the Queen’s Golden Jubilee. However, he is not lucky enough to have captured the Queen’s attention and is kept in England against his will and in detriment to his health. Nevertheless, he remains faithful to his Indian brethren despite attempts of the court to get him to disclose information about Abdul. Of course, Dench and Fazal are touching in their representations; you laugh when they laugh and you cry when they cry. You feel as amazed as Abdul does in his new experiences, and you feel as trapped and depressed as Victoria does as monarch.

The Q&A with Stephen Frears gave an interesting insight into the making of this film. He was very blunt and to the point in his answers, extremely matter of fact. We found out that it only took 10 weeks to complete filming and it was the first production allowed to film inside Osbourne House, a former Royal residence on the Isle of Wight. He admitted he enjoys making provocative films that test the waters and opinions of the time; despite this fact, we were told the actors were professional and generally of a liberal mindset, this meant the idea of pushing any boundaries or causing controversy did not phase anyone involved.

In conclusion, I highly recommend seeing this movie; it’s fun, silly and emotional, with stellar actors who perform to a high standard. The story is simple but not one that’s been told before, and will make you want to more about this beautiful, heart warming, and unlikely friendship.

September 17, 2017 0

Our Last Tango – It Takes Two!

Going into this movie, I wasn’t too sure what to expect! I can’t say I’m the biggest fan of Dance, nor am I familiar with the famous names associated with the Tango. But this does give me a chance to watch ‘Our Last Tango’ with a neutral position, with no bias. Any documentary can attract the attention of the fans it’s aimed towards, but a great documentary can intrigue even the most casual of fans!

‘Our Last Tango’ is the journey of Maria Nieves & Juan Carlos Copes, the dance partners who took the Tango, which at the time, was relatively unknown, all the way to the international stage. The couple were praised for their intensity & ingenuity, which has made the Tango what it is now. But they were only a couple on the stage, this compelling documentary takes a look at what eventually became a tumultuous relationship. With the two dancers taking very different trajectories in life.

The film is split into two distinguishable parts. You have the standard documentary format, using interviews from Maria & Juan, among others, and the use of stock footage from the archives. Then there are the dance segments, in which various actors are used to dramatize certain parts from days gone past. These are vibrant displays of Tango which really display how much the couple loved what they do, and how their journey from their roots, all the way to shining lights of Broadway developed. It is very similar in format to ‘Sachin: A Billion Dreams’, which also released earlier this year.

Director German Kral does a stellar job in weaving the flamboyant fiction with the more sombre factual interviews. Their relationship is at such a point, the two partners, rarely see each other, but at the same time, it is important to see what they did in their glory days, and the joy they bought to their millions of fans around the world.

Even though I didn’t have much of a connection with either of our couple beforehand, ‘Our Last Tango’ does a grand feat in making the audience feel empathy. The story of Maria is especially poignant, as she was truly devoted to Juan, but in the end, it just did not work out for her. Juan was dedicated to his goal of making the Tango world renowned, after all, it was his unique idea to dance on a table up on stage, but he never truly envisioned a life together with Maria as life went on. The scene where she receives an emotional standing ovation, by the fans she though did not care for her is very stirring, and almost makes you want to join in with the applause too!

Overall, the film will intrigue anyone who has an interest to the Tango, and if your into your cultural arts, you will certainly appreciate this, but it did terrifically to make me feel as much as I did! The dancing scenes are spectacular, with the ‘Dancing in the Rain’ sequence being the highlight on the film by far, but it’s the sentimental story behind all the glitz and glamour that really gives ‘Our Last Tango’ that emotional grip on our attentions.

3 word review – vibrant and emotional

September 11, 2017 0