Infinity War:Destiny Arrives

After 10 years of anticipation and endless movies, the big one is finally here,  with so much to talk about, we’ve broken down our *(Spoiler -Free!) review into the key points, enjoy 🙂


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The Villain

The MCU has had a horrid track record for villains, barring Loki, the string of antagonists in several movies such as GotG, all 3 Ironman movies, Thor: The Dark World, all suffered from being a lousy foil. Though as of late, things have started to look far better. The Vulture (Spiderman Homecoming) and especially Killmonger (Black Panther) were great bad guys. Thanos has had very little screen time, apart from a few minutes now and again, or an end credit scene. But here, Thanos not only possesses the power to destroy pretty much any one of our heroes at will, he also has a clear plan in his head. As crazy as he may be, he believes what he is doing is for the greater good, and not just doing it for the cliche world combination etc. This is very much a Thanos movie, and Josh Brolin does an immense job bring such gravitas to a CGI villain! He also throws a moon as a weapon……..


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The Chemistry

It’s what fans have been waiting for, how awesome it would be to finally see all their favourite heroes from across all the movies finally getting together. The results, are as hilarious as you would expect, from a franchise that delivers fantastic humour. Ironman & Doctor Strange, both sarcastic, and confident of themselves, deliver excellent wit, as they constantly exchange one liners.  Thor meeting the Guardians of the Galaxy, comedy gold! Rocket & Thor have a surprisingly endearing relationship, which you would not have guessed at the start. All out heroes get their moment to shine, but Drax, Mantis & Banner offer the best when it comes to the comic relief.  There are so many memorable lines from various characters, that they will be quoted for a long time!


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The Action

Without spoiling too much, the action delivers. Considering the sheer number of participants, it could have got very shambolic. The stand out scenes include the showdown on Titan, the surprise late night train station entrance to make the save, and the obvious Wakada battle Basically, anytime the now legendary Avengers music kicks in!  As immense as the Wakada war is, it does get a bit too much at times, with the sheer number of disposable alien fodder being used to overwhelm the heroes.


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The Black Order

Or the ‘Children of Thanos’, as they are also called, are the henchmen that support the Mad Titan on his quest. They are supposed to act as some sort of viable opponents to the Avengers, as they work in the shadows to help Thanos gather all the stones.  But unfortunately, we don’t really know much of them, and barely even bother to remember all their names (Proxima Midnight sounds cool, but like, that’s about it).  Ebony Maw, out evil sorcerer is actually one of the more interesting of the clan, as worthy rival to Doctor Strange, but the rest? Thoroughly underused, and utterly forgettable.


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The Plot

Essentially we have 4 story arcs that are woven together overly this huge run time. Credit has to go to the Russo Brothers for together such an epic tale. You have the ‘Space’ team out on the home planet of Thanos, Titan.  The ‘Wakanda’ team, who hold the battle lines down on Earth. Thanos himself has an intriguing storyline as we follow his journey, and finally Thor head out into the depths of Space, for his own agenda.  It is a lot, but that’s to be expected, it’s also a great way to isolate the gigantic cast into smaller teams, rather than throwing all 40+ cast members onto the screen.  Though this also means some characters don’t have as much screen time as you would think, Captain America is no way near as prominent as you would think here. But the story does deliver, and sure packs a lot of emotional hits. As the plots slowly start to merge towards the end, it all pays off, speaking of…..

The Ending

Well……..didn’t see that coming. And I’ll leave it at just that!


Overall, Infinity War is a tribute to the legacy of the MCU, after 10 years and 18 movies. This is a film that fans will adore, the plus 2hr runtime will breeze by, as you are caught up in all the drama. But the film isn’t for everyone, casual fans may still be able to enjoy it, but it will for sure drag on.

 

 

 

 

Tomb Raider, A Steady Reboot

The Tomb Raider franchise has gone through a rejuvenation of late, following the superbly gritty video game reboots, Tomb Raider (2013) & Rise of the Tomb Raider (2015). These games take place at the start of her adventures, featuring , a younger, more fragile Lara Croft. As opposed to the confident & sexy version many are accustomed too.

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With her dad going missing, presumed dead, on an expedition, Lara (Alicia Vikander), attempts to carry on with her life without resorting to the vast financial aid that she could access with a simple signature. As this would mean for her to accept her fathers death. But the appearance of a relic provides her with a clue, that things may not have been as they appeared on the surface, and takes her on a voyage out to the Far East.

Video game movies seem to be a cursed project, even away from the cheesy 90s releases that the industry still carries the scars of, recent attempts such as Assassins’ Creed & Warcraft have been critical failures. But I’m glad to say, Tomb Raider is an honest adaptation of it’s source, while going off script enough to not make it a like for like copy.

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The similarities between the game and movie are more cosmetic if anything. Lara is still a young rookie, who is way out of her comfort zone, having to adapt in the face of death. You also have the hidden Japanese island of Yamatai, where the body of the mythical figure of Himiko resides, which is where the plot mainly focuses on. This is pretty much what the movie borrows from the game, the rest are worked around those points. You have Lu Ren (Daniel Wu), a sailor, who joins Lara on her journey in exchange for a hefty wad of cash. Ren is a character the audience can warm too, and thankfully the film does not force a romance between the two. Lara’s father (Dominic West) plays a far bigger role here, than the game, and it does feel very cliched, using the ‘daddy issues’ story. It does grate a bit, but the resolution of that arch plays off surprisingly well. Walton Goggins, our antagonist, is wonderfully menacing as the dastardly Vogel. Every time he shows up, you wish him the worst! A great sign of a well played villain.

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Where the film shines brightest are the survival scenes & solo combat. This version of Lara takes a physical battering in the games, and Vikander here goes through a lot too, she also looks the part , in fine physical shape, as one must be in such an intense physical role. When she’s not falling off trees, or flying through debris, she’s being impaled by branches. There is a lot of yelling and grunting in pain! It makes the character seem far more vulnerable and endearing. The game has a rather satisfying use of the Bow, and it features a lot here too! The legendary Ice Axe also makes an appearance!

The film still has some big flaws. They have changed a fair part of the Himiko backstory, the game goes down a far more supernatural route, whereas the film plays it far more safe. The film also fails to really show much of Lara’s backstory, apart from her sparring sessions, it’s a huge leap of faith to believe that suddenly, she has the skills to survive out in the wilderness, we don’t see much of her exploration/survival skills beforehand. The moment when she does make her first kill is rather underwhelming here, where in the game, it was a pivotal moment for her as a person, and having to accept what she had done. Here, the moment is all to brief, and suddenly cuts back to the main story. The missing Father story line has been played over many a times, and would have been more intriguing had they used another plot device to drive the story on.

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Tomb Raider does play it safe here, and you can tell, with its rather generic and cliched story. But judging it as a video game adaptation, it’s done a perfectly good job. Vikander is excellent as Croft, and Lu Ren is a great partner for her future travels. If you’re a fan of the games, you will enjoy this adaptation, while it’s no where near are deep or immersive as the games, but that’s to be expected, having to cut the massive adventure into a single feature length film. It doesn’t do anything too new, but it should do enough to merit a second outing.

Game Night’s A Winner

Starring Patrick Bateman & Rachel McAdams, as a super competitive, game loving couple, their weekly game nights with their friends takes a turn for the worst. What was meant to start off as a murder mystery night, soon becomes entangled with smuggling, law enforcement and organised crime!

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What on paper, looks like a pretty generic comedy, turns out to be a witty & amusing ride. We have our leading couple,  Max (Bateman) & Annie (McAdams), who regularly host a weekly game night with fellow couples. you have the typical childhood sweethearts couple, Kevin & Michelle, played wonderfully by Lamorne Morris & Kylie Bunbury).  They are also joined by Ryan (Billy Magnussen), a young and charming chap, though he may not be the brightest, his the one who brings a different date every week. Following the visit of Max’s brother, Brooks (Kyle Chandler), whom Max feels overshadowed by, from his successful career to his lavish lifestyle. His brother decides to step things up one night, and instead of the usual board games, ups the anti to a murder mystery night. Though it’s not before long, that things end up taking a more sinister turn!

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Game Night by far surpasses any expectation you may have coming into it. All the characters play off excellently off their partner. Bateman and McAdams both have such enthusiasm in their roles,  you warm to them right away, their interactions are hilarious, especially during their impromptu backstreet surgery! Ryan’s date for the night, is not one of his usual Instagram addicted models,  but the rather well educated, and well spoken Sarah. Their polar personality clash works perfectly here.  There is also one hilarious ongoing joke that runs throughout,  between Kevin & Michelle, and a certain famous movie star.  Jess Plemons as the creepy recently divorced neighbor Gary is an absolute scene sealer whenever he appears, he by far brings the most laughs to this flick. There’s also appearances from Micheal C. Hall and Chelsea Peretti adding to the fun.

A quick shout out to the cinematography, which is surprisingly sharp for a routine comedy film.  The director makes fantastic use of tilt shift, to make the drop down shots look like pieces on a board game, and the car chases also include some pretty nifty camera work!

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While the humour is pretty much on point, the story line at times does feel for more convoluted than it really should have been. It’s OK to have one or two twists, but any more, and it starts to all look for more messy than it really should. The story would have worked perfectly fine if there was just one huge revelation, rather than the constant double bluffs. Once there are several layers to the plot, the obvious plot holes start to reveal themselves.  The film also suffers from showing pretty much all of its best jokes in the trailer. Fortunately, I never had a chance to see this trailer, so enjoyed all the jokes first time, but if I had, it probably would take away a lot of the effect.  I can understand trailers trying to sell a movie they may think is a risk, but certainly they could have cut some of the better lines and scenes out the teasers.

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Game Night is a perfect mix of comedy, wit and cringe, and works pretty much is a similar format to The Hangover, group of mates trying to figure out whats happening, with the involvement of criminals! The story-line may have become slightly entangled by the finale, but it has enough to keep you laughing throughout (Cyberdyne reference!) and is a great way to spend a night out!

 

 

 

 

 

The Black Panther Roars

Ten years after the release of Ironman, the ambitious Marvel Cinematic Universe project has now become a behemoth at the box office, and with almost 20 films under its belt, the franchise is still releasing hit after hit.  Black Panther is the first of the many releases in its celebratory decade year, and a majestic way to start the run up to the hotly anticipated Infinity War.

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The cultural impact of this movie alone is something that hasn’t really been achieved in the comic book genre to this level. There have been black heroes in the past such as Blade & Spawn, but here, we have a cast that is predominantly of colour, and largely set in Africa. Not something we usually see for a spectacular Hollywood blockbuster. It’s also an Africa that isn’t the one usually seen in most films, where poverty is strife, the setting of Wakanda is one of wonder. Filled with technology, splendour and colour! With all the attention on its cast and setting, the film could have failed to deliver, but Ryan Coogler manages to create an enthralling superhero film crammed with action, humour and various subjects among social politics.

Taking place soon after the events of Captain America: Civil War, Black Panther sees our King-to-be T’Chaka (Boseman) return back to home to Wakanda for his coronation. But the appearance of the dangerous Killmonger (Jordan), who claims that he also has a right to the crown, see’s our hero attempt to not only reclaim the throne, but save his country from falling apart.

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The cast here are spectacular, and helps take the film to another level. Michael B Jordan, as Erik Killmonger, is by far one of the most complicated and enigmatic villains that the MCU has seen. The antagonist is usually the one place Marvel have an issue with, but here, we have a villain with motivations that the audience can sympathize with. While several other characters’ help bring so much charm & charisma to the tale. Shuri, T’Chaka’s younger sister, is as sassy as Tony Stark, but more importantly, just as smart! Creating all the tech our hero needs. Her banter with T’Chaka is on point, and is a great addition to the ever growing MCU roster. Okoye (Gurira), the fiercely loyal general to the King, and Nakia (Nyongo’o), an old flame and Wakandan spy, both carry out strong performances worthy of mention. There’s talent throughout, but a special mention to Winston Duke as M’Baka, who steals every scene he is in (after his initial appearance!) as the daunting ruler of the mountain tribe!

With such a large focus on race, the movie’s plot is wonderfully woven to combine serious questions such as the oppression of people & colonialism, with the standard action and humour that all MCU movies follow. Killmonger is a vital piece in making the movie so provoking, though his actions may be questionable, his motivations, have a lasting effect on our King. The CGI is at times a bit too heavy, but the Busan chase scene, and the Savannah showdown are still a treat to watch. The story thankfully avoids the frankly generic template of an alien army/glowing beam in the sky finale.

As with Thor Ragnarok before this, Black Panther is a sheer delight to look at.  The African setting allows the film to have such a vibrant feel to it, from the hustle and bustle of the market, to the various tribes, ceremonies and African garb, it’s visually amazing. Africa rarely gets put front and center for a mainstream release, but it does it with aplomb here. The soundtrack is also impressive, the hip hop giving Black Panther a vibe no other MCU movie has had before.

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There are still some annoying flaws, that do prevent it from becoming the best in the Marvel catalogue (Avengers & Winter Soldier still surpass this in my opinion). T’chaka does happen to feel a bit on the side lines in his own movie. It’s not that he was bad character, who Boseman plays sublimely.  But it felt like all the other stronger characters were bouncing off him. And although we do see a far more relaxed side to him, it’s not the raging, determined warrior we saw in Civil War. Andy Sirkus is also dreadfully underused as Klaw. His character does complete their arch, which was still unresolved after Age of Ultron, but Sirkus was so eccentric as the maniacal arms dealer, it would have been great to see more of him! The pacing is also an issue, as pleasant as the Busan detour was. It really could have been reduced significantly. The relationship between T’chaka and Killmonger is one of the more dynamic parts, and would have suited them to have a bit more time working on their tensions, but it seems to escalate rather quickly. The final showdown in the depths of the Vibranium mines between our two would be kings, is pretty tame, and full of CGI. Their showdown could have been far more creative and cognitive, but it gets reduced to a standard brawl, with nothing really interesting happening. The final confrontation between the two definitely feels rushed.

Black Panther is most certainly worth the hype, the prominence of ethic actors in a gigantic blockbuster is promising to see. The issues it tackles, it tackles well, without pushing it too much. The characters are engaging, and it simply oozes style and class. Now onto the small matter of Infinity War………….oh, and make sure to wait for the second post credit scene!

 

 

 

 

 

 

The Commuter / No Delays Here

After being tasked by a mysterious woman to track down a specific person on an evening commuter train, Michael MacCauley (Nesson) is in a race against time to unravel this conspiracy, or risk danger not just to himself, but his family as well.

Liam Neeson and low budget action movies always prove to be an enjoyable time. You pretty know what you will get, what to expect, and how the story will pan out. Neeson has already wreaked havoc on a plane in 2014’s Non-Stop, this time, his kicking ass and speaking intensely on phones (it’s a trend in his films!) on a train, in The Commuter.

The Commuter is a perfectly satisfactory feature length movie. Directed by Jaume Collet-Serra, who had also taken charge of the aforementioned, Non-Stop and The Shallows, a thrilling shark attack film. Pretty much the entire story take place on the train, and the film can be divided into two parts. The opening and middle chapters are more focused on the mystery of who he must find, tracking down various clues to help him locate the target. It’s a nice concept, and considering it’s a busy New York commute, the train is packed with a range of people, all of which could be who he must find. It’s a nice change of pace, from the action packed finale, and even has the audience constantly guessing who it may be.

In my opinion, the deduction parts of The Commuter, are its strongest moments, you do have the occasional action and fights, but they are really just there to stop it getting a bit to mellow for a Neeson movie! The finale is a lot of the typical over the top action and CGI fest that you would expect, the intensity is ramped up by a hundred, and it gets pretty messy at times. Though Neeson is still pretty adept at looking far more dangerous than most people at the age of 65, the special effects are pretty obvious. The train crash from the trailers still looks as laughably bad in the final cut!

Liam Neeson obviously holds this movie together, but Vera Farmiga as the calculating Joanna, who is pulling the strings on board, and Patrick Wilson, as Michael’s colleague, Murph. Both add a bit of shine to the film. And it’s always good to see Jonathan Banks, of Breaking Bad fame making an appearance too!

The Commuter is a straight forward movie, it’s not amazing, nor is it awfully bad. If you’re a fan of the Neeson style thrills and dangers than The Commuter won’t leave you feeling short changed. At under 2 hours, it doesn’t drag on either. If you got nothing to do, and want to catch a decent film, this is worth a watch, otherwise, just wait for it to come out on demand!

Coco Dazzles

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Pixar have a habit of constantly releasing critically acclaimed hits, and their latest venture, could prove to be their greatest triumph yet. It’s taken Coco a few months to arrive on these shores, but the wait has been worth it.

The Day of the Dead, is our main focus here, the Mexican holiday in which people come together to celebrate the lives of the members of their family who have passed away. Miguel, our young protagonist, yearns to be a musician, but due to a complicated family history, the art of music, in any form, has been prohibited in the family. But in his attempts to emulate his idol, Ernesto de la Cruz,, the greatest musician of his time, Miguel finds himself trapped in the Land of the Dead, seeking his hero for a way out.

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UNLIKELY DUET — In Disney•Pixar’s “Coco,” aspiring musician Miguel (voice of Anthony Gonzalez) teams up with charming trickster Hector (voice of Gael García Bernal) on a life-changing journey through the Land of the Dead. Directed by Lee Unkrich, co-directed by Adrian Molina and produced by Darla K. Anderson, Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017. ©2017 Disney•Pixar. All Rights Reserved.

Considering the theme of film is pretty morbid, the movie itself is surprisingly vivid! It is probably one of the most resplendent settings in any Pixar movie, with the festival ambiance providing a fantastic backdrop to the story. The visuals are stunning, and has some of the best animation the studio have produced.

Pixar movies are always an emotional ride, and Coco delivers. The recurring themes of death, grief and family are mentioned throughout the film. So it’s not too much of a surprise that there is a certain level of poignancy to the plot. But the final third of Coco is so well done, it should move most people to some degree! Without spoiling, it packs a punch!

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FAMILY REUNION — In Disney•Pixar’s “Coco,” Miguel (voice of newcomer Anthony Gonzalez) finds himself magically transported to the stunning and colorful Land of the Dead where he meets his late family members, who are determined to help him find his way home. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017. ©2017 Disney•Pixar. All Rights Reserved.

The cast are thoroughly enjoyable. Hector, a charming, witty trickster who accompanies Miguel on his journey is a wonderful character, he’s just not there for comic relief though, his story arc plays out to perfection. Ernesto, our pompous superstar, is just about the right level of irritation & arrogance! Considering there are two sets of families, one alive, one passed away, there is an abundance of names and faces, not all of whom are important to the plot. But it plays a vital role in pushing through its message about family.

With it being a Disney production, the musical score will always be a crucial factor. With Coco, the soundtrack delivers a wonderful blend of music, will the effervescent flamenco/latino party rhymes, to the sombre melodies. ‘Remember Me’, the recurring track that plays throughout, not only carries a great level of poignancy, it also plays a vital role within the film.

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Regarding negatives, there really isn’t much to say against it, but if you were to knit pick, the opening 1/3 is rather slow to kick on. It’s really not too clear where the movie is going with things, but the remainder of Coco is so good, you’ll let that go. Also, there really isn’t a villain in the film, it doesn’t really hurt the enjoyment, but if you like a movie with a clear antagonist, this may bug you a bit.

That being said, these are very minor flaws in what is already one of the candidate for film of the year! A sure winner for the Oscar for best animation!

The Foreigner Does Enough

Jackie Chan is not usually seen in a serious tone in his movies over here in the West. Although he may be great as a comedic actor, he is also well known for his more dramatic roles back in the East. So fans were intrigued to see that the latest Chan movie to be released here, was a shift away from the norm here, and places him in a far more melancholic surrounding.

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The Foreigner directed by Martin Campbell, is a fairly typical revenge thriller. Quan (Chan) is a worker, living a simple life in London, but following an IRA terrorist bombing, he loses his teenage daughter (Katie Lueng). Using all his military expertise from days gone past, he sets out on a relentless pursuit for answers, and to find the people responsible. This leads him to the doorstep of the deputy minister for Northern Ireland, Liam Hennessy (Brosnan).

Taken, this isn’t, but The Foreigner is still an enjoyable movie to sit down and watch. It’s far more interesting to see Chan as the broken down father figure, rather than what he  is usually type cast as, and all his scenes carry great intensity. There are several action scenes that make use of Chan, but they are not as vibrant as they usually are, it’s far more visceral and calculated. Brosnan is excellent as the charming deputy minister, bringing a strong gravitas to a film that really isn’t flooded with big names. His witty exchanges with his fellow cabinet members and staff still exude that 007 aura he had, even down to getting his hands messy if needs must.  The cat & mouse interactions between Quan & Hennessy are by far the most fascinating parts of the movie, though Hennessy insists he was not involved, Quan is adamant he must have known something, considering his powerful political position.

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Where the film struggles is the overall story arc, the entire IRA subplot really does slow down the movie, and it gets drowned in a lot of dialogue and conversations.  The plot attempts to be far more intricate and layered than it really should have been. Any scene which does not involve Chan or Brosnan really feels like a drag.  The whole affair plot line has a resolution, but even then, it feels like it could have been written in a much more captivating manner.  Also, there could have been more scenes with Chan, as that really is the film’s strongest points.  Seeing Chan take out elite soldiers in the woods is far more interesting than political power plays. Quan is almost a secondary character compared to Hennessy. As good as Hennessy is, most people would be tuning into this for Chan, and they really didn’t make the most of that factor.

Overall, the movie does seem to drown itself with its plot at times, but the star power of Chan and the charm of Brosnan has enough to make The Foreigner worth a watch.

Molly’s Game Captivates

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Based on the novel of the same name, Molly’s Game is based on the rise and fall of Molly Bloom, who in her 20s, was hosting the world’s most exclusive Poker tournaments in both LA & NYC.  Attracting the biggest names in Hollywood, sports and business, her game was rolling in millions, before inevitably getting the unwanted attention of organised crime & the mafia.

Before taking up her place in law school, Molly Bloom (Chastain) decides to take a year out, taking up part time jobs to support herself. During this time, while working as an assistant, she gets introduced to the world of underground Poker, planning the logistics for her boss’s poker nights. It’s not before long, she uses her wits & smarts to get her foot into this lavish lifestyle, and has her own business running. But after falling foul to the law, she needs to rely on her charismatic defense attorney, Charlie Jaffey (Elba) in order to avoid the full brunt off the law.

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The film has been referred to in the same breath as The Wolf of Wall Street, and in a sense, it is a similar story, they both start from nothing, earning millions, before the collapse of a mighty empire. But unlike TWOWS, where all the activity was clearly illegal from the start, Molly does her best to keep things as legal as possible. Chastain is brilliant as Molly, bringing a certain likability and dynamism to the character. Though the business she takes partakes in, is morally askew, for most parts, she stays on the right side of things. Her monologues are full of wit and sarcasm, which makes her character thoroughly entertaining. Her interactions with Elba are also highly amusing, both characters are intelligent and charming, so their verbal sparring is great fun to watch.  Their characters also avoid the trap of falling into a clichéd romance, which was a nice change for once.

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Jessica Chastain in MOLLY’S GAME

The most captivating parts of the film are obviously all the Poker scenes, where they flashback to the events prior to her arrest. You don’t have to be an expert in Poker to know what is going on, as the movie explains everything in an engaging fashion. Not to mention, the real life addition of a big time Hollywood celebrity (whose identity can be easily found out with a quick search online!) adds an interesting dimension to the story. These are the parts of the movie you’ve come to see, and Chastain carries all of them with supreme grace.

Though most of the film is compelling to watch, the film really suffers in the final act. With her relationship with her father (Kevin Costner) playing a pivotal role. The film grinds to a halt, and adds an unnecessary 20 minutes to the entire movie.  That really is the only real flaw that could be said about a film that for most parts, it’s mighty enjoyable. Of course some liberties are taken from the source material, in order to make the film more enjoyable, but that’s to be expected for any book that is converted for the big screen.

Coming out of New Year, Molly’s Game is a perfect way to start the year at the cinema! Yes the finale is underwhelming, the majority of the movie is riveting.

Jumanji Roars

When Jumanji : Welcome To The Jungle, was announced, it was met with much derision from fans. Was this really necessary? Will it ruin the fond memories of the original starring Robin Williams? Jumanji, unlike Dwayne Johnson’s previous attempt to revive some 90s nostalgia, Baywatch, Jumanji :Welcome To The Jungle is an exuberant joy ride from start till end!

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Dwayne Johnson in JUMANJI: WELCOME TO THE JUNGLE.

The story here has been shifted to the current millennial age,  and in order to fit this time, the Jumanji board game has become a retro video game, basically evolving to survive in a time when board games are of little interest! Our protagonists, whom are all the usual high school stereotypes, end up digging out the video game while being thrown into detention together.  The twist here though, is unlike the original, where the game came to them, here, they get sucked into the game!

To make things even more interesting, our students end up in the bodies of the avatars they selected for the game. Spencer (Alex Wolff), the nerdy gamer is now in the body of Dr. Smolder Bravestone (Johnson), a 6″5, 250lb hero, with no real weaknesses. Fridge (Ser’Darius Blain), the school jock, is the diminutive Franklin “Mouse” Finbar (Hart), who is essentially Bravestone’s assistant. Bethany (Madison Iseman), the selfie obsessed cheerleader, ends up as she says ‘a middle aged fat man’ in Professor Sheldon “Shelly” Oberon (Black).  Martha, our shy, introverted teen, is now the confident & dangerous Ruby Roundhouse (Gillan).

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The story is simple, get the Jaguar’s Eye, a magical gem, back to its resting place, to save the jungle, though it’s not as east as it may seem. Each of them are limited to 3 lives, and not only is the jungle trying to kill them, but the villainous Van Pelt (Cannavale) is also in a deadly pursuit of the gem.

The body swapping angle is really what makes this film shine.  With most of our all star cast playing roles that they don’t play. The Rock, is someone who is the opposite of the charismatic mountain of muscle that he is. Jack Black is having a blast playing the bratty teen diva, and Gillan is still an insecure teenage, even though in the game she is a beautiful lady who can also kill you swiftly with her deadly martial arts skills! It’s really only Kevin Hart doing his usual routine, but even then, his interactions with Johnson is golden. Finbar, who in reality,  is the athletic, tall, confident jock,  has to come to terms that in the game, he really is none of that, and it’s in fact Spencer, who he looks down upon, who is the real hero.  All four of the cast work great, and really excels the movie to something more memorable.

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Kevin Hart stars in JUMANJI: WELCOME TO THE JUNGLE.

The video game plot also adds plenty of laughs for all the gamers out there. From NPCs, cut scenes,  and character strength & weaknesses, there are various little details that give the film a charming gloss.  This really makes the film stand out from the original, so they really cannot be compared directly.

The only thing that really does bring the movie down, is the laughably poor villain. Van Pelt really wasn’t needed, and could have been removed from the story altogether.  All it did was extend the run time, and remove the excitement from the film whenever it cut back to whatever he was up to. The story line would have worked perfectly well if it was a simple task of going from A to B, with the jungle trying to defeat you.  The villain was just a distraction, and never really proved a threat.  Villain aside, the film doesn’t really make the most out of the 3 lives gimmick, at no point, do you ever really fear for one of the main characters biting the dust, considering the menacing environment they are in.

Jumanji : Welcome To The Jungle is amusing holiday film, with a wonderful cast, humour, and surprisingly intense action scenes, it really is a blast. Only downside to it really is the mediocre villain, who helps bloat the movie to over two hours.  Even with that, the film pretty much stands on par with its 90s counterpart.

 

 

The Worst of 2017

With 2017 coming to an end, it’s that time again to look at what films bring shame to the year! This is a list of the terrible films that I watched myself,  can’t watch every movie! So if I’ve missed anything, leave a comment! 🙂

So in no particular order…..

Rings

Somethings are better left in the past, and Rings is a perfect example of this. One of the aspects that made the original so eerie was the vintage feel of the VHS tapes, with their disturbing static images. It loses this vital aspect when the story is moved into the present time of digital media. That aside, Rings was still an appalling reboot,  riddled with all the cliches that haunt many poor horror movies. With a story that becomes a random investigation, that takes way too long during the middle act, it feels all over the place. The CGI on Samara is also overdone, making her look like a video game character, when the effects looked more chilling over a decade ago, it’s not a great sign.


Deathnote

Following on from the lamentable Ghost in the Shell remake earlier in the year, Deathnote was the latest Manga incarnation for the West, and being produced by Netflix, fans would have hoped for a respectable adaptation.  Moving the story to America may have irked some fans, but this was not the biggest problem, moving it the US would make the film more appealing to the Western market. The issues were several fold, it ruined the main protagonist, who went from a smart calculating student, to an emotional stroppy teen driven solely by his hormones.  The cerebral nature of the source, is reduced to hardly anything,  and the directors choice to make this into some sort of tribute to Final Destination, with it gory over the top deaths made this comical.


The Mummy

A film so highly panned by critics and audience alike, it’s pretty much destroyed the hopes of Universals ‘The Dark Universe’, an extended monster-verse using the likes of The Mummy, Frankenstein and The Invisible Man, before it even began! If it felt like DC were rushing their progress to The Justice League, The Mummy attempted to do everything in one movie! Even the star power of Tom Cruise could not save a film in which The Mummy is a supporting character,  the hero and his love interest have zero chemistry and a detour in the middle of the film in which the entire movie is bought to a halt, just so they can tease future movies! A shocker!


The Snowman

This was by far the most underwhelming movie of the year for me. The Snowman is almost laughably funny, for a film that’s supposed to be shrouded in the gritty Scandinavian crime noir vibe. What we end up with is a hilariously predictable  & tepid villain (seriously, they never explain why they were obsessed with snowmans), plot lines that literally go no where (oh hey there random winter Olympics bid) and characters making shockingly bad decisions for the sake of creating any sense of drama.  Though it had a strong cast in Michael Fassbender & Rebecca Ferguson, both are utterly forgettable.  Even the talented J.K Simmons is reduced to nothing here.  Hard to see the movie follow up on a sequel, that it was teasing at the end of this dire movie.

Special mention to……


Sleepless

Something about Jamie Foxx being undercover for 5 years, mixed with some scenes from Taken.  Pretty much all the time I shall give to this mundane thriller!

Flatliners

Flatliners can’t decide if it’s a medical drama, thriller, teen dorm comedy or just everything! What starts off as a unique concept, becomes so corny, you just don’t care!

 

The Last Jedi, It Disappoints

The Force Awakens was a nostalgic action packed throwback, that helped the franchise get back on track, following the thoroughly underwhelming Prequel trilogy from the Early 00’s. Since then, we’ve also had the well acclaimed spin-off, Rogue One. So expectations were sky high for the latest instalment in the saga, Episode VIII, The Last Jedi.

One of the biggest criticism of TFA was the fact it stuck pretty close to its guns, and essentially, it was a rehash of the story from A New Hope, with a fresh coat of paint. In all fairness, it was a safety first approach,  but it payed off, but with the sequel, the studio would have to be brave and shake things up.  To keep this spoiler free, this review will be pretty concise!

TLJ carries on straight after the end of TFA, as Rey (Daisy Ridley) tracks down the reclusive Luke Skywalker (Mark Hamill). In search for the guidance she requires to help the resistance fight off the imminent threat of the First Order, led by Supreme Leader Snoke (Andy Serkis), and a bemused Kylo Ren (Adam Driver), having suffered a shock defeat at the hands of Rey last time around.

What TLJ does right, it does supremely well.  The space battles as always are stunning to watch, the opening scenes of the resistance taking down a dreadnought,  not only shows us the underdog nature of this war, but also the morbid consequences that follow even after the battle has been won. The final act, that takes place on the salt plains of Crait is a visual treat. Star Wars is a franchise that rarely uses blood, so the red marks left on the surface of the plains makes it a great method to show the brutality of the situation without resorting to the red stuff!

The dynamic between Rey & Kylo is intriguing throughout the film, both of our characters are conflicted in their own ways,  and seeing them try to understand each others motivations adds a new layer to a story trying to play it different.  Luke is also another highlight of the show, Mark Hamill has always been the one who engages the most with his fans regarding Star Wars, even to this day he still loves the fact he is Luke Skywalker! The battle scenes are as strong as ever, though the light-saber action is a bit on the downside here, the show down in Snoke’s throne room is wonderfully choreographed and shot. There is also a surprising cameo from a well loved character from Star Wars past, which will have the fans smiling.

This movie has been controversial to say the least,  with fans having a far more scathing assessment than the largely positive critic reviews. To be honest, there are several flaws that really do effect the enjoyment of the movie. To avoid any big spoilers, these will be listed in a vague way, to avoid revealing too much of the story! The whole Finn & Rose arch feels very unnecessary, a way to simply pad out the already bloated run time. Finn is also reduced to very much a side character,  which is a shame, considering how charismatic John Boyega is.  There are several plot points from TFA that just seem to disappear,  Rian Johnson, taking over from J J Abrams, seems to have struggled to weave the two movies together seamlessly. There are also decisions made by the some characters that really make no sense,  seemingly only done to create another plot narrative, such as Vice Admiral Holdo (Laura Dern), whose peculiar decision making serves no real purpose apart from creating tension.

Overall, I found TLJ a bit disappointing, The usual Star Wars shine is there, with its outlandish characters, charm and familiarity.  TFA may have been some more of the same, but it still provided the audience with enjoyment, and a tidy plot.  TLJ is unfortunately riddled with plot holes, character motivations and frankly some bizarre scenes (to be discussed in the spoiler review!).

 

The Disaster Artist – A Beautiful Disaster

The Room is widely recognized as one of the most bizarre films ever created.  With it’s eccentric acting,  plodding story line and bizarre script,  and funded by $6m of Tommy Wiseau’s mysterious fortune. The Room is shrouded in a cloak of mystery, which has earned it a cult following of fans online!

Tommy Wiseau is the star of The Room, directing, producing and writing this surreal piece of cinema. The Disaster Artist, starring James & Dave Franco, is based of the book written by Greg Sestero, who co-starred in the 2003 cult hit, and takes a look behind the story of how The Room came to be!

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The Disaster Artist follows Greg (Dave Franco) , as a young, aspiring actor struggling to find his feet in a competitive career. He meets the outlandish Tommy Wiseau (James Franco) at a local acting class, and they both decide to go all in, move to Hollywood, and make their dreams become reality.

Though the film does show some of the scenes that took place while filming the now infamous movie, The Disaster Artist is actually a movie that does surprisingly well to show us the trials and tribulations that Tommy especially went through, in order to create this. Greg was no where the finished deal, but he was still bagging minor roles in his life in L.A. Tommy on the other hand, was seen as an outcast, with not many big names in Tinseltown wanting to associate themselves with him. It was mainly this shunning, that lead him to produce something by himself.

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You don’t have to have watched The Room to enjoy this movie, but having prior knowledge of it will exponentially improve your enjoyment of this movie. The scenes on set are by far the stand out moments of the film, capturing the frankly surreal situation the cast & crew were put under. There are stand out guests stars, such as Seth Rogan, playing the exasperated script supervisor and Zac Efron has the insanely intense extra on set! There are several scenes that are paid homage too, but seeing the chaos behind the infamous ‘I did not hit her!’ dialogue is hysterical. Oh hi Mark….

James Franco does exceptionally well in capturing the unique mannerisms of our oddball Tommy. It’s just not the comedy he does well, but you can also see the anguish on display as he see’s the initial reaction at the premier of the movie in front of a packed theater. Dave Franco is fine as Greg, but it’s Tommy that really steals the show.

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There really isn’t too much to say in regards to negativity.  You are expected to know the story behind The Disaster Artist, so unless you have utterly no idea what to expect, you really won’t be left disappointed by this eye-opening story about frankly horribly made film!

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