John Wick:Chapter 2….Bigger & Better!

Move over Neo! John Wick is now Keanu Reeves most famous role!

John Wick was one of the sleeper hits of 2014, it came out of nowhere to establish itself as one the greatest gun-fu films of recent times. Could the sequel match up to what the first one provided fans with? Simply put, yes, and now it’s got us craving the 3rd chapter as well!

John Wick: Chapter 2 picks up pretty much straight after the first movie. For those who are not in the know, John Wick followed our retired hit man, John Wick (Reeves) as he vows vengeance on a Russian gang, following the death of his dog (on paper, this really shouldn’t work as a plot, but it works superbly!)

With an increase in budget, from £20m in the original, to £40m here, the production team had far more in hand to play with. If anything went against the first film, was the tame finale, which was clearly a case of budget restrictions! The increase in finance can be seen in a far more polished film, more locations and with bigger names on the casting list!

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A bigger budget means more exotic locations! 

After a manic opening set piece, the film rolls along slowly, the movie doesn’t fall into the trap on repeating the successful formula of the previous movie, something many films are guilty of! The film finds a new way to bring John back into the fray, as shady Italian mob boss Santino D’Antonio pays him a visit. John owes the D’Antonio one, after the mobster helped him get out of the game, and he is now back to cash in that favor! A favor, due to the rules of the system, he must complete. Once the film hits Rome, it all kicks off!! And boy does it deliver!!

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Wick (Reeves) & Cassian (Common) are great together!

Whereas the first installment had a rather simplistic story line (gang kills dog, man vows revenge, kills everyone!), this movie delves more into the world of John Wick, giving us a deeper look into the functioning of the Continental organisation. The rules that they go by, the currency that is used, the services they all provide. It’s a fascinating concept, and one help really helps the movie have more substance. The villains in the last film were largely forgettable, but here, both Common & Ruby Rose play far more of a challenge and the interactions between Common and Reeves are a joy to watch! They respect each other, but will happily kill each other if they have to! We also see the long awaited reunion of Reeves & Laurence Fishbourne; Morpheus has really let himself go!

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The lore behind the films universe is full of intrigue 

You do need to have a sense of disbelief when watching this; it appears that these hit men are very much a well-known establishment. Even in public, people barely react to gun fights in the middle of a subway station! That John has a 100% headshot accuracy is just something you just accept. There are also several moments of humour that has the audience laughing out loud!

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Not the best person to owe a debt to……

The action is where the film really shines; every gun fight is choreographed to the highest order. Not many films keep tally on details such as ammunition and reloading, this film makes it clear that no gun fires forever, John is always changing guns, and disarming dispatched foes! The sound effects are vivid, the gunshots sound like a real gun, and each shot fired has a resounding bang! Its details like these that make these scenes so much more visceral. Reeves went through intense training in firearms, and it pays off, and all the stunt work is kept in shot, so we can actually see the fights, rather than rapid editing to mask it all! (That pencil scene…….)

Is there anything to not like? Well if you weren’t a fan of the first film, then you will most certainly not like this! Also, the opening 1/3 is rather slow, and exposition heavy, and may not be to everyone’s liking.

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“Hello Neo….”

Chapter 2 is far superior from the first film in almost every way. The plot is far more intriguing, the characters are more compelling, the action is far more brutal, and the body count is nonsensically high! Films have had a recent trend in sequel baiting at the end, even though the movie probably doesn’t deserve another shot (I’m looking at you Rings!). Here, the ending simply makes you want to know what will happen next. The film has already made as much at the box office in a week, than the original did in its theatrical release, so things look bright for another chapter!

One more thing, never ask John Wick for a pencil……….

 

I’M (LEGO) BATMAN!!!

The Lego Movie proved to be one of the biggest hits of 2014, what could have been a shameless cash grab, like Minions, was actually one of the wittiest films to hit the big screen. Now we have the follow up, in which Lego Batman, a supporting character from the last film, has his very own adventure!

The Lego Batman Movie (TLBM) stars our favourite brooding superhero, as we follow him constantly saving Gotham city, duelling with arch nemesis The Joker, and yet at the same time, struggling with his inner demons. Something that was done surprisingly well, considering the cosmetics of the movie!

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Simply put, TLBM is one of the funniest movies in recent times! It’s very rare to see a film that makes the audience consistently laugh throughout an entire film, but Lego Batman delivers with aplomb. The movie is very tongue in cheek, with a variety of issues being made fun off!  Whatever it is the previous Bat movies,  fellow DC heroes (Yes, Bane’s voice is horribly over the top!), or even cheeky digs at rivals Marvel (Batman v Ironman surely confirmed?!), the film doesn’t hold back! ”Using villains to fight villains?……..what a stupid idea!”

Will Arnett voices the caped crusader, and captures the current comedic iteration of our hero superbly, and although Mark Hamill wasn’t providing his iconic Joker cackle, Zack Galifinakis delivers a fine performance as the Clown Prince of Crime. Supported by the vocal talents of stars such as Ralph Feines (as loyal butler, Alfred), Micheal Cera (adopted son and Robin!) & Rosoria Dawson ( Voicing Barbara Gordon, The new chief of police), to name but a few, the film is full of famous names.

lego-batman-21-1500x844Yes the humour is spot on, and the film is knocking off one liner after one liner, but TLBM does a wonderful job in looking into the inner turmoil of our hero. Batman may be a multi-talented, bulked up crime fighter, but at the end of the day, he goes back to his mansion, alone. Since the loss of his parents, Batman fears losing anymore loved ones, which has lead him to following a life of isolation and loneliness. Where this film really excels is bringing in supporting characters like Robin, Alfred & Barbara (graduate from Harvard for Police!), and helping our hero escape his brooding ways! The film could have dropped them to the sidelines, and used some of the other well know heroes they could have used, but it was nice to see them stick with these ‘normal’ 3, throughout the films climax.

58988ce2dd0895fb718b4921-2000The cameos in the movie are a joy! You of course have the Justice League involved at some point,  with Bats continuing his long standing rivalry with Superman, the film even referencing BvS from last year! Warner Bros. also dig into their own movie archives, with surprise villains dropping by from other WB properties!

There really isn’t much to say against this movie, if you go in knowing what you will get, then you will have rip roaring time, especially if your watching with friends! The movie is utterly charming, full of fantastic humour and uses the Batman licence to a great extent! It’s a film for children and adults alike. You’ll enjoy it even if you aren’t a die hard DC fan, its appealing to both the hardcore and casual fans!  A superb movie, and already one of the films of the year!

 

Ringzzzzzzz

It was back in Summer, I noticed a poster for Rings while at the cinema. Even back then, I was sceptical if this was even worth making, for a franchise that’s been dead in the water for years. My doubts were proved right, as Rings has to be one of the dullest horror movies I’ve seen for a very long time!

Rings is a reboot of the original 2002 release The Ring, the successful American remake of the cult Japanese horror Ringu. For anyone not familiar with the lore, The Ring revolves around a mysterious videotape, anyone who happens to watch the tape receives a phone call soon after, a voice telling them that they will die in 7 days’ time. The film is iconic for the vengeful spirit Sadako/Samara (depending on the region of the movie!) emerging from within the TV screen of the victim. The latest release aims to bring the movie into the current generation, a decision that takes the edge off what made the original so great.

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Matilda Lutz as Julia and Johnny Galecki as Gabriel in the film, RINGS by Paramount Pictures

So the plot, our main character, Julia, sees her boyfriend Holt, move to college. After losing touch with him after a couple of days, she decides to go to the college he attends to see what’s going down (instead of simply calling the college and finding out what has happened!). It is never explained why his mates are angry at her, but they are! For some reason. It’s here she discovers a morbid experiment that is being run on campus by one of the Science professors in secrecy, and Holt has been dragged into it. After Julia ends up watching the tape too, it’s a race against time to save herself before the 7 days are up!

For anyone who hasn’t watched the previous films, the only way to avoid your inevitable death, is to pass the curse on to someone else, by making a copy of the tape and making someone else view it, a selfish move, but one you make out of desperation. This concept plays a central role to the film, and while it’s a nice twist, it just feels abit rushed. We start off by seeing the Professor discovering the tape, and the next time we see him, not only has he converted the VHS to digital media, but he has uncovered the trick to getting past it, how exactly did he know this? We don’t know, it’s never explained!

The second half of the movie is incredibly dull & sluggish, as it becomes a mystery movie, we follow our couple to a town in the outskirts, as they dig up clues to unveil the truth. It’s here where the film just goes into 2nd gear and cruises along, the characters are just not charismatic enough for us to be bothered about their journey, and it’s a lot of talking, with random lazy jump scares thrown in every now and again.

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The switch to modern media has definitely hurt the franchise. There is just something incredibly eerie when it comes to VHS, with its static and poor audio & image quality; it simply gives off a far creepier vibe than a high def movie file on a laptop!  The CGI in this movie is another downer, it’s shockingly bad. It’s so overdone, that Samara loses her aura, and looks like a character from a PS3 game! When she first appears out of a plasma TV, it’s so poor, you will end up laughing at how this quality was deemed OK for a big Hollywood release!  The abundance of CGI across the entire movie looks cheesy, and ruins the atmosphere.

The characters are utterly forgettable, Julia goes from ‘you’re so stupid for getting involved in this mess’ to ‘risking her life for this guy’ in one night! We don’t even know how long they have been together! The boyfriend is entirely useless in the movie; Julia does all the work. He hardly contributes anything, and even in the final showdown, he gets knocked out and plays no part whatsoever!  Johnny Galecki aka Leonard from Big Bang Theory seems miscast as the devious professor, and you just can’t take him seriously!  Vincent D’Onofrio does what he does, and is probably the best character in the movie; at least he got some backstory to his role!

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Though it may not be intentional, the move does rip off a scene from Don’t Breathe, which reminds you off a far superior horror film! The plot is predictable, you know when there will be a jump scare, and the choice of music is a curious one. A good score can make a good film great, but here, the soundtrack is overdone. It feels more like a video game than a horror movie. The opening scene on the plane is pretty hilarious, which sets the tone for the film! It would have done better to have more scenes with Samara, and less time seeing our couple wonder around digging up clues.

One other flaw is the blatant sequel baiting at the end, the film could have ended without it, and to end it with a nod to more potential films is poor form, considering how disappointing this film is. The ending is also shown in the trailers, which was a strange decision. So if anyone watched the trailer, they would know what scene is yet to come, another damaging hit to the films credentials. The trailer is also misleading in how the film is portrayed. We don’t see her suffer through 7 days as the curse develops, instead, she seems fine as she goes carries on with her mystery adventure, with no idea how many days have passed.

Rings is by far one of the worst horror films to come out in recent years, even beating The Forest from last year! Even The Forest had an original concept to play with; Rings had some great source material to work with, which is what makes it so crushing to see the movie stumble around.

Ghost In The Shell, Iconic

With the release of the live action remake of  Ghost in the Shell this year, I had the opportunity to watch the original 1995 anime at one of the few limited screenings at the cinema. Even though a fan of anime & manga, I’ve never got round to watching this film, so it was time to see what the hype was about!

Following on from 1988’s Akira, GITS follows on with the cyber-punk genre, with a captivating foresight into the future, with a movie that still holds up today. The film was such an inspiration, that the Wachowski’s showed the film to producers when pitching their idea for The Matrix!

GITS revolves around Major Motoko Kusunagi, an android who works for Sector 9, a branch of law enforcement; she is joined by Batou, her partner, and Togusa, the only human in the force, as they attempt to track down the manipulative ‘Puppet Master’ , but things are not as they seem, as they uncover a hidden government conspiracy!

Although I watched it last week, I decided to wait a couple of days before writing about it, as it’s a movie that requires some level of thought, and you may not grasp everything immediately afterwards! Similar to Your Name, it’s a movie that requires some time to go over the finer points!

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The film takes place in the not so future 2029! But considering this film was released over 20 years ago, it does manage to predict what society would be like, and frankly, what it’s like now! The central plot to the movie is that the entire world is interconnected by a computer network, which controls most things, and enabling the authorities to go as far as using wonders such as satellite tracking. Sound familiar? This was all before the internet was really a thing, where a concept of satellite tracking was pure fantasy! How people access this network is via their cybernetic bodies, their ‘shells’, via the ports in the back of their neck. A concept The Matrix franchise used as inspiration for its own lore! The film even inspired the ‘code rain’ that The Matrix films used to great effect, the falling screen of green numbers.

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The very concept of androids and life is the vocal point of our protagonist’s internal conflict, though the Major is an all-powerful robot, who very much looks and thinks like a human, she comes to realise, that at the end of the day, she isn’t. Her ‘ghost’, who is the term used to describe someone soul, is just something that has been programmed into her, and it’s this that eats away at her every night. The search for being human is so concerning for her, the she goes diving underwater in her free time, in order to feel human, knowing if there was any equipment failure, it would doom her in her metallic shell.

It’s important to understand that this is not an action film, though it may be emblazoned with guns on the cover! It’s very much a thriller, with its action set pieces. There are the standard police chase scenes, and stand offs, but don’t expect it to be all guns blazing for the entire run time.  It’s also a slow paced movie, and depending on your personal taste, this may be something you may not be a fan off. The film has a tendency to cut to scenes of the city, showing everyday life, this may not bother you, but others may find it abit too much.

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Let’s for a moment, discuss the sheer beauty of the movie. The animation is gorgeous, for a film made in ’95, it still looks lush now. The detail in the scenery is immaculate; the backstreets of the city are bought to life, simply due to all the signs and colours! The accompanying score is majestic; Kenji Kawai does a magnificent job in telling the story through music. The opening credits to the film are haunting and chilling, in which they depict the creation of the Major, without the music, the scene would be nowhere near as memorable. Showing the Major being created in a factory, gives the character a lot more depth, when it comes to her existential crisis.  It’s great to see that the Hollywood remake will use the same piece of music in its film, a tribute to how iconic the music is.

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The final act is very melancholic and  dialogue heavy. As our hero and villain engage in conversation, regarding their purpose of existing.  It does delve into some very engaging points such as requiring genetic variation, in order to survive. It does require intense focus; otherwise it may just end up as one big mess to the viewer. The ending of the film does film rather abrupt, as it sets up subsequent chapters to the saga. It feels like the movie could have run on for an extra half hour, just to make things a bit easier to grasp, just as you feel like the heroine is set up to make one final charge, it ends!

Ghost in The Shell is not the perfect movie, nor will it appeal to everyone. But the theme and motives of the film were far ahead of its time, and it’s gone on to influence several films since its release.  If you’re a fan of science fiction, even if you don’t have an interest in anime, this film will certainly give you a lot to think over!

Xander Cage…Stupidly Fun

Director : D.J.Caruso

Starring: Vin Diesel, Donnie Yen, Deepika Padukone, Ruby Rose, Nina Dobrev


Return of Xander Cage is the 3rd in the series of xXx movies, starring Vin Diesel as the titular character. It’s been 12 years since the last instalment, State of the Union, which was pretty forgettable; can the latest release bring the franchise back to the forefront?

xXx, for those not aware, is a spy organisation, with the aim of recruiting extreme athletes for the purposes of espionage. This film picks up following the apparent death of the legendary Xander Cage (Vin Diesel), who decides to return back into the game following the death of a close friend.

We follow Xander Cage, as he attempts to retrieve Pandoras Box, a device that can control and drop satellites from the sky at will. The device is stolen by a group of mercenaries from the hands of the government, and it’s a race against time before the device ends up in the wrong hands.

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The story is very generic, and there isn’t anything mind-blowing. There is the usual McGuffin that is the goal of the film. In this case, Pandoras Box. The item itself has very little storyline, who created it? Why does it exist? It just does, for the sake of the film. The eventual betrayal in the film is shockingly predictable, and you can see it coming quite early on in the film. The  villain isn’t very threatening either, it’s just a random character in the background, who gets like 10 minutes screen time the entire film! They don’t really explain a motive behind why they are doing it, apart from, because they are! Is it for money? for power? for justice? Who knows….

This film is attempting the copy the highly successful template that the Fast films have deployed, using a diverse cast of characters, high octane stunts and  a total lack of logic when it comes it any resemblance of a story line! The movie itself is pretty safely nestled under ‘dumb action movie’, if you don’t take the film seriously at all, then you will enjoy it, try to analyse it, and you’ll be left dumbfounded!

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The main strengths of the movie is in the characters themselves, especially the scheming Xiang (Donnie Yen), who brings his vast charisma and action to the role, his character is by far the best, and probably even outshines the main star! The rest of the cast are big hitters too, but it’s a mixed bag regarding their characters. Xiang’s team is supported by Serena ,played by Bollywood superstar, Deepika Padukone, making a solid debut in Hollywood and legendary fighter Tony Jaa. But unfortunately Jaa is reduced to very little screen time, and portrayed as comic relief, a waste, considering the potential action scenes with him & Yen.

On the side of Xander Cage, are a bunch of ragtag rebels, but it does feel like most of them could have been cut out form the film. Ruby Rose is wonderful as sharpshooter Adele Wolff. Who is both witty, and highly useful in combat!  The other two, ‘getaway drive’ Tennyson (McCann) & DJ Nicks (Wu) feel pretty redundant, and only there to even up the so called teams. With the likes of Samuel L Jackson, Nina Dobrev & footballing superstar Neymar on board, the big doesn’t lack in big names!

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If the plot is nonsensical, the action is even more outrageous. If someone isn’t jumping across skyscrapers, and shattering thick glass ceilings, their upper cutting soldiers with a motorbike. If they’re not skating on the side of a bus, their exploding satellites with a plane!  It reaches a level where you just know no one will die, they even have the action cliché of two people standing back to back, shooting at all the enemy soldiers that have them surrounded. It’s utterly pointless, but it looks awfully slick. The film is very tongue in cheek, and even demeans itself by referring to the fact one of their new recruits for xXx thought he was joining the Avengers!

The film has the habit of trying to force us to believe the Xander Cage character is wanted by every women that sees him, the opening third shows him with several women, and it does feel like they are trying a bit too hard to make him look so desirable. They also really try to force on the one-liners, which just don’t work with this character. There’s one line that the film pretty much sets up at the start of the film, and when the moments arrives near the climax to use it, it just falls flat.

Overall, the film is nothing special, but it does have several moments that will probably make you laugh out loud, simply due to the sheer audacity of some of the stunts they pull off! With films like this, you tend to overlook the plot & character development, in exchange for the mindless action, and it’s here that it delivers. If you go watch this, knowing what you will expect, than its just harmless cinema fodder, that will pass a couple hours in the dreary January chill!

 

 

 

Your Name, Simply Amazing

Whenever there’s a western release of a Japanese feature length animation, they tend to be big news. Unless it’s certain to be a huge hit, not many are seen over on these shores on the big screen. Your Name is the latest blockbuster from the East to arrive here. The film has been a monumental success in Japan, where it’s already 4th in the list of all time highest grossing movies. Only Spirited Away, Titanic & Frozen  has taken in more, and out of those, only Spirited Away was made in Japan. I missed the original release here in the UK as I was away on holiday, but luckily Odeon were still showing limited screenings of the movie. So I managed to get an opportunity to watch it as it should be!

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The central plot to this movie is a body swapping concept revolving around two teenagers. One, a girl called Mitsuha, living out in rural Japan, bored of her life in the sticks and craving the life in the bright lights of Tokyo. The other, Taki, is a boy living the city life in the capital. A strange turn of events sees them switch with each other, living the life of one another. We follow their journey to find out who they are, and their search for each other.

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One trap the film could have easily fallen into would have been the very idea of body swapping. This is usually seen as more of a comedic gimmick, rather than one of love & drama. What director Makoto Shinkai manages to do, is carefully balance the story between comedy and drama. The first half of the movie is very down to earth and humorous.  As we see their initial reactions to the swapping, and how it effects each of their social lives. Taki managing to win the affections of a colleague with the help of Mitsuha, whereas Mitsuha has a surge in popularity at her school, with the assistance of Taki! The movie then effectively shifts into a vastly more dramatic & emotional film during the latter half, where the characters and story are very enticing, and the final few acts are filled with palpable tension. Whereas the first act helps us get to know our two protagonists, it’s the second half that makes us truly care for them.

This is where the magic happens; it’s a difficult move to transition between two genres during a movie. The movie could have stayed with its comedic tones of the opening half, but it does incredible well to actually shift away from that without ruining the flow of the story. The plot may become tangled as everything comes together, but if you consider all the points afterwards, it’s all the more rewarding once you do put it all together.

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With the advances in CGI, we have been spoilt with incredibly detailed CGI animation. But gone are the days of hand drawn animation, it’s something we rarely ever see nowadays, especially in Western cinema. The visuals in this film are drop dead gorgeous, be it the lush, vibrant forests tucked away in the countryside or the bustling, vivid metropolitan of Tokyo. From a production point of view, the work here is absolutely spot on. Some of the scenery is near photo realistic, to show the level of commitment which went into everything.

The film does have moments of humour which may throw off some westerners, but anyone familiar with anime will understand how their humour can differ us what we would show here, there are obvious cultural difference to consider! But aside from that, they aren’t much to say against ‘Your Name’. The story is magical, the characters enticing, the animation stunning.

Assassin’s Creed……Needs more Assassins!

Assassin’s Creed marks the latest Hollywood foray into the world of Video Games. A genre that has long been much maligned with dire releases, but with a powerful cast including the likes of Michael Fassbender & Marion Cotillard, can this movie finally break the mold?

 Though I am a fan of video games, I haven’t played the Assassin’s Creed series, so I’m not entirely familiar with this franchise, but I shall review it as a standalone movie, rather than simply comparing it to the source!

 The film revolves around Callum Lynch (Fassbender), a prisoner who is saved from execution by the Abstergo Foundation, a group claiming to have links to the Templers. Their goal is to retrieve the mythical ‘Apple of Eden’, an item which is said to possess the genetic code for free will, and vital in their mission to eradicate violence from society. The key to their mission is Callum, who by using their Animus Machine can use his genetic memories to relieve the events of his ancestor, Aguilar de Nerha, to hunt down clues to the location of the apple.

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 The films main strengths lie in all the scenes taking place during the flashbacks, which occur during The Spanish Inquisition in 15th century Andalucía. These are the scenes that fans were looking forward too, and it’s here that the film delivers. The intensity in there scenes is fantastic, and the action is relentless. You also get a Game of Thrones vibe from here, which is always a promising sign! The rooftop chases are a series trademark, and they are executed with great precision, even featuring the infamous ‘Leap of Faith’.

 Sadly, this is the highlight of the movie, and for some reason, the Assassin scenes are very limited, on my count, there were 3 scenes in the Iberian. The film mostly focuses on the present day, and the events that take place at Abstergo. How Abstergo are under pressure from above to fulfill their mission, to a messy story line regarding Callum’s father. This is where the film slows down to a horrible crawl, the scenes are too long, and very dialogue heavy.

The supporting cast is supremely talented, Cotillard as the head scientist at Abstergo. Jeremy Irons as the chief of the foundation, and Micheal K Williams as one of the fellow assassins held captive. But they don’t really add anything, none of the characters are charismatic, nor do you really care about them. If anything, the film should have been set in the 15th century, with occasional cuts to present day. Of course you require some back story, but it shouldn’t be taking precedence over the action in such a film! The final act of the movie takes place in modern London, where an epic Assassin showdown would have been more climatic and fitting.

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The violence was also toned down, with rarely any bloodshed, the games are targeted towards mature fans, but it’s obvious to see that the film was toned down for a more lucrative 12A rating. Considering the nature of the fights, the scenes are rather tame. You can’t help but feel that the rating was one of the key reasons why the action scenes are so infrequent and lacking any real brutality.

 Overall, the film isn’t in the same league of Street Fighter or Doom, in regards to disappointing video game adaptations. It’s still an adequate movie, but with the cast on hand, and a compelling source material, it’s a shame they couldn’t produce a film to rival the games. In this regards, definitely needed less talk, more action!

Passengers : Style over Substance

Fortunately, we have seen a revival of good space ferrying films, some of my favorites of recent years have been Interstellar and The Martian, so I was highly anticipating watching Passengers with the cross genre between Romance and Science Fiction.

Set on the self-navigated spaceship Avalon, 5000 people are travelling in hibernation pods to start a new life on the colony Homebound 2. The trip should take 120 years but due to an unexplained jolt in space, Jim Preston (Chris Pratt) and then Aurora Lane (Jennifer Lawrence) are awoken 30 years too early. The story revolves around Jim and Aurora accepting their 90-year journey together forming a deep and meaningful bond. However, not all is quite what is seems when a series of supposed malfunctions put the lives of the 5000 unconscious human beings under threat, and it’s up to the only human passengers, Jim and Aurora to save the day. There is a short guest appearance from Laurence Fishburne which keeps the film ticking along, but the most notable performance goes to the Android bartender Arthur (Michael Sheen).

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The overall premise of the film is compelling, but the first 30 minutes of the film is a disappointment mostly due to Chris Pratt’s lacklustre performance, as he tries desperately to illustrate the highs and lows of living alone. From waking from his chamber, Jim tries to make the most of his unfortunate circumstances and turns his attention to the delights of the ship including holographic dance offs to indoor space basketball. This quickly dissipates into Jim becoming depressed knowing he would never speak to another human being again. It reminded me a little of the loneliness portrayed by Tom Hanks in Castaway, a forlorn soul longing for human contact becoming more disheveled in appearance as the days go on. However, Chris Pratt is no Tom Hanks nor can he shine in stand alone scenes.

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The story becomes a lot more watchable when Aurora steps into the picture. Jennifer Lawrence stuns in every film, not only visually, but her wit, charisma and has a good backstory to her character. As a writer, Aurora start to narrate the story of her life on board the starship, telling the viewers she wanted to travel to Homebound 2 to be the only writer  on ‘overrated Earth’ to share the experiences of colonist life. Her character has purpose, momentum and sass, in stark comparison to Jim’s weak performance and lack of character development. There is some chemistry between the two main leads, but you quickly feel that the plot was designed to showcase two beautiful individuals on screen together.

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The saving grace of this film is the android bartender Arthur. Michael Sheen effortlessly conveys a witty and heartfelt performance still maintaining mechanical expressions, which is a difficult feat in itself. Even Michael Sheen said it was hard to ’make drinks and not look down’. I especially loved how Arthur had a human body and electronic legs to remind the audience that Arthur is a part of the Ship and Jim and Aurora are really alone.  The film also uses Arthur as prop to become a sounding board to the main characters, which allows the film to explore the depths and questionable ethics the characters must face, being the only conscious human beings in space.

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Overall this film fails to be a cutting edge science fiction debut or memorable romantic comedy. I think the film’s greatest strength was the notion that perhaps one day that we will be able to travel in space cryogenic-ally frozen, but for now as the film likes to remind us, that we are simply passengers on this journey, and its far better to be happy to accept our surrounding than long for a life that’s unobtainable. Would I see this film again, no, but if you want to sit and watch two beautiful stars for 2 hours then by all means watch this film.

 

TBT : Tropic Thunder!

If you think of 2008 & Robert Downey Jr. your first though may be Ironman, which saw the stock of the star rocket into the stratosphere! But there was another film he starred in that year, the ensemble comedy Tropic Thunder.

Tropic Thunder is personally one of my favorite comedy films, and it’s a film I can happily watch over and over again! The film packs in numerous A-Listers, Ben Stiller, Jack Black, Tom Cruise & Matthew McConaughey and produce a hilarious satire of  Hollywood.

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So whats it all about? Tropic Thunder is the story of a group of actors, who are thrown together into the jungle of South East Asia to film an adaptation of the story of a Vietnam veteran. Tugg Speedmen (Stiller), our lead star, is the washed up 80s action hero. Kirk Lazarus (Downey Jr.) is the ultra intense method actor. Jeff Portnoy (Black) is the type cast comedian, who is forever associated with his toilet humour. You also have the fresh faced new actor, who none of the experienced actors take seriously, and the rapper looking to crossover into films for that extra income.

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What the film does well is how it portrays how ridiculous Hollywood can be. How some actors will go so far into character, that it’s borderline ludicrous. Which was the point of making Downey Jrs. character undergo skin pigmentation therapy to portray an African American. He even says ” I don’t drop character ’til I’ve done the DVD commentary”, just to hammer home the point! The film also makes a point on how hard it can be for a director to control highly strung actors with their diva like behavior! Or how actors will take part in cheap PR opportunities to appeal to fans .

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One surprise in the film, was the appearence of Tom Cruise as Les Grossman. The arrogant, overtly crude, and on one crazy power trip,  big shot Producer! The fact many didn’t even notice him until the end credits made the cameo even better! His expletive exchanges over the phone are by far some of the most memorable scenes his filmed! Full credit to him for trying a role which is so out of his norm, and totally nailing it!!

The movie is full of quotes that made you laugh out loud!

” I don’t read the script. The script reads me.”

”I know who I am! I’m a dude playing a dude disguised as another dude!”

”And we’ll weep for him… in the press, set up a scholarship in his name, eventually – and I’m talkin’ way, way down the road – we file an insurance claim.”

Sure there are a few more quotes, which are more explicit, so I wont share them here 😛

The film has small touches that gives it a lot of charm, such as the spoof trailers of the in film stars playing before the start of the film. Their so well done, for a moment you believe that the trailers are real!

So if you’re a fan of Ben Stiller, and the kind of humour his films usually deliver, then I would most definitely recommend you dig it up from the archives and give it a watch! You’ll love it! 😀

 

 

2016: what we enjoyed!

2016 has been another busy year for movies, in no particular order, here are some of the films that stood out for me this last calendar year! Just a note, these are films that I managed to watch myself, so some films may have been left out! If there is something you think deserves a shout out, do leave a comment 🙂


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10 Cloverfield Lane

10 Cloverfield Lane was a film that could have worked without the Cloverfield name, as it’s a vastly different film from the 2008 monster movie. What we got a spectacularly intense thriller. The film is essentially set entirely in one location, as we follow Michelle, who happens to be held captive in an underground bunker by stranger. He says that he saved her, and the world outside has been attacked. Is he telling the truth? Or is he just a madman with issues? John Goodman steals the show with his intimidating performance as the captor. It’s a game of cat and mouse, can she trust him, and should she make a run for it? Is it really dangerous outside? A fantastic movie!


 

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Zootropolis / Zootopia

This was released here in the UK, around the same time as the nostalgic The Jungle Book, but the sheer originality of this movie just edges it in front! Following the adventure of a buddy cop duo, Disney once again delivers gold. Zootropolis is a film that both kids and adults can enjoy. Yes, it has all the usual Disney charm, bright colours, fun characters and vivid locations. The film also discusses deeper issues, such as racism & prejudice, something that really did surprise me when I watched it. The lead duo share great chemistry, and the film is filled with jokes (for both children and grownups!). A must watch!


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Moana

Moana is a film that most certainly deserved a lot more attention and marketing that it got. Seemingly forgotten in the late November/early December box office, and eclipsed by Rogue One, it was a curious decision to release it at that time. Personally, Moana is one of Disney’s finest animated films. It breaks away from the traditional princess storyline, instead focussing on saving the world. The ocean theme worked beautifully, the animation for the water is simply magnificent.  The characters are very charismatic, Moana is a determined, driven protagonist, and Dwayne Johnson does a stellar job as the wise cracking demi-god Maui. They play well off one another, and their interactions are great to see. Finally, the music is of course on point, especially the recurring main theme.


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Kubo and the Two Strings

It was a strong year for animated movies, as this list shows! What made Kubo stand out was the animation. The stop motion animation gave it a unique charm that combined well with its story. As one review online mentioned, it is pretty much The Legend of Zelda, if it was made into a film! Following the adventure of a young hero, to obtain the legendary items,  and save the world from evil! The casting was excellent for this, featuring the likes of Ralph Feinnes, Charlize Theron, Matthew McConaughey & George Takei. It should be a strong contender for the Oscar for Best Animated Film; though it would do well to fight off the challenges from the Disney juggernauts.


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Falcon (Anthony Mackie), Ant-Man (Paul Rudd), Hawkeye (Jeremy Renner), Captain America (Chris Evans), Scarlet Witch (Elizabeth Olsen) and Winter Soldier (Sebastian Stan) race into battle against Iron Man’s group in “Captain America: Civil War.”

Captain America: Civil War

Well this was bound to be on here!! The biggest blockbuster of the year delivered after all the hype. Where Dawn of Justice failed, Civil War succeeded. The MCU has been building up over several years, and it all culminated here. It could have been easy to turn this movie into a complicated mess, considering the number of heroes involved, but they managed to blend them all in with the right quantity. The action scenes were amazing, the humour was typical Marvel, and the storyline was just as intriguing. The marketing for the film was based of choosing a side, but the film actually does very well to display both sides of the fight.  Also, the introduction of Black Panther and Spiderman was a win!


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Lights Out

It’s been a sensational year for horror fans, 2016 has seen several outstanding scares arrive at the big screen. Conjuring 2, Origins of Evil & Don’t Breathe were all great, but if I could only choose one, it would have to be Lights Out. Not only did it have a unique concept (spoilers alert, keep the lights on!) but it was one of the few films that didn’t fall into the trap of the usual horror film cliches! Shall I run back inside alone? Or get some help? We know how it works with most horror films, but they change it up here! Yes the backstory behind the ‘ghost’ was abit of a mess, but that shouldn’t take away from a well-made scare. Whereas Don’t Breathe & Conjuring 2 got slightly ridiculous near its finale, this film manages to stay on course.


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Rogue One

What’s left to be said about Rogue One? It’s our latest review, so feel free to check out our in-depth analysis elsewhere on our site! To keep it straight-forward for this, all I can say is that Rogue One has a high bar to clear after The Force Awakens, and it cleared it with ease! Yes it has its flaws, as does every film, it’s not perfect. It is however, a story that is essential to the Star Wars universe, with a fine ensemble cast, and a movie that is dramatically different to the other films in the franchise. The more mature and dark tone to the film really makes it stand out from the rest, and a cameo from a certain Star Wars legend is a treat for every fan!


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The Shallows

 A film that snuck under the radar during the Summer box office rush, but The Shallows was a highly enjoyable shark film! Films such as the Sharknado series have really taken the shine of Shark films, becoming more of a joke, than a serious threat. The Shallows takes the genre back to its roots, such as Jaws. The film follows a surfer stranded off the coast of a beach, being stalked by a vengeful shark! It’s a battle of wits, yes, the shark is a tad over the top, but it’s not Sharknado levels of ridicule. It’s also a beautiful film to look at; the location is stunning and the surfing shots are majestically executed. It may not have been the biggest movie this year, but one I most certainly enjoyed.


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Arrival

This was an Alien invasion movie like no other. What we got with Arrival was a smart, cerebral drama, as opposed to the typical alien attack films that we get. Director Denis Villeneuve captures the movie is such a way, the invasion almost feels like a mystical experience, rather than an apocalyptic event. The key here is Language, and how powerful it is. It’s about the science, and not the shooting!  It makes a nice change, and an interesting twist on the Alien genre. Amy Adams delivers a powerful performance here, which should see her rewarded with at least an Oscar nomination come the New Year! It’s that good!

Rogue One ends 2016 in style!

The Force Awakens, managed to bring back the magic of the original Star Wars trilogy, together with making Star Wars a huge Box Office draw once again. Rogue One was announced as the first of a collection of stand-alone films, known as the Star Wars Anthology. The Force Awakens (TFA) strongly lent on the influences of past movies, but could Rogue One replicate its success without using past foundations to build upon?

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Rogue One is the story of an intrepid group of rebels, who attempt to steal the plans which would aid the resistance to take down the impending creation of the apocalyptic Death Star. Our protagonist, Jyn Erso (Jones) is the daughter of Galen Erso (Mikkleson), who as a child, witnesses her father being taken away by the Galactic Empire to assist the completion of the super-weapon. Several years in the future, fate has her confront the consequences of the father’s actions, and plans one final assault to save millions of lives.

She is joined by several resistance fighters, who are all willing to go into a battle against all the odd. Cassian Andor (Luna), a member of the Rebel Alliance together with his reprogrammed Imperial droid, K-2SO (Tudyk). Defecting Imperial pilot Bodhi Rook (Ahmed), who has the vital intel for the mission. Chirrut Imwe (Yen), a blind fighter, who believes that he has ‘The Force’ and his best friend, Baze Malbus (Wen), who provides the firepower and muscle for his blind friend!

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The biggest challenge facing director Gareth Edwards was to take a group of virtually unknown characters, and make them work in a Star Wars film with very little Jedi & Lightsabre action! The film even goes as far as skipping the iconic ‘opening crawl’ during the opening credits, nor does it have the triumphant John Williams score at the start. What’s important to know here, is that these heroes do not have ‘The Force’, they are not Jedis, nor do they have any kind of super-power to make them stand out from the crowd. They’re just a group of regular (in the grand scheme of Star Wars!) people.

What we get, and it’s a huge compliment to the director, is a wonderful addition to the franchise. It’s a departure from the norm, and that’s what makes this film shine brightest. The overall tone of the movie is very dark; death and tragedy are a big part of the film. Even the Stormtroopers look like they mean business! There’s just something about the black uniform that makes them feel that much more imposing.

The casting here was on point. Donnie Yen as the blind warrior was a master-stroke! Providing not just the fine choreographed fight scenes he is well known for, but also giving the film some of its more humorous moments. Speaking of humour, Tudyk is a show stealer as the Droid devoid of any empathy! Regardless of the situation, K-2SO will give his brutally honest opinion. It was also nice to see Riz Ahmed get a role differing from his usual typecast, which allowed him to show another side to his acting calibre.

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One casting decision that did raise a few eyebrows was to digitally recreate the late Peter Cushing to reprise his infamous role as Commander Tarkin. The director believed that only Cushing could portray the villain, as controversial as the decision was, we had to admit, that the CGI technology has come a long way! Considering Tarkin has a considerable amount of dialogue in the movie, it could have looked awkward, but the result is mightily impressive. Apart from the longer moments of dialogue, it shouldn’t bother viewers too much. There is also one brief cameo from another character CGIed to look like their selves from Episodes 4-6. It’s only a few seconds, but I believe it was worth it, the scene would not have had the same impact had it only been filmed from behind.

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A quick mention regarding a spoiler from the trailers. Yes, Darth Vader does appear in Rogue One! James Earl Jones once again reprises one of the most iconic roles in all cinema! His presence in the movie is minimalist, only appearing in 3 scenes. The last of which is simply outstanding, and will leave all fans in awe! From a critical standpoint, does he really need to be in this film? Not really, like the Joker from Suicide Squad, his role could have been removed entirely. But unlike Suicide Squad, the decision to put him in was justified just for his final appearance!

So we have a dramatic storyline, a likable bunch of heroes and a new sense of danger not seen before in any SW move before, but what’s going against the film?

One criticism has to be that compared to TFA, the characters here are just not as memorable.  Even after just one film, Rey, Finn & Poe had a chemistry that the characters here just did not have.  We also didn’t get enough time to build up each of the team. Why did Rook decide to defect? The reason is never fully explained. Baze & Chirrut are just stumbled upon and join the team a few scenes later.  The film takes a while to get going, and it would have been better to use some of that time to give the team abit more of a backstory.  Another point to mention is that several scenes from the trailer were removed in the final cut. Will these scenes be in the extended edition? Or were they simply edited in to tempt viewers? Regardless, it’s become a worrying trend recently in Hollywood.

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With those gripes aside, Rogue One may have entered the year very late, but it’s already laid a marker in being the best film of the year. The supporting cast, including the likes of Mads Mikkelsen, Forest Whitaker & Ben Mendelsohn, all deliver stellar performances. TFA was impressive, but it did lack a spark of originality, it was more of a tribute to the films from before, also relying on bringing back past characters to help. What Rogue One manages to do is create a brand new film, without any major assistance. It also answers a burning question fans have been asking ever since A New Hope, which actually makes this film rather important in Star Wars lore!

Is it the best film if the year? Personally, Captain America : Civil War takes that crown. But Rogue One pushes it mighty close! Go and see it now!

 

 

 

On Set : In Japan

 

After spending a week or so, over 9000km away in the land of the rising sun. I thought I would share a few of my holiday photos here. Be it famous locations from movies, or just any movie related snap I happened to take! So enjoy! Maybe we can make this a feature whenever one of us go overseas! 😀


Neon Tokyo, It’s bound to appear in any film that is shot in Tokyo. Shibuya District is area that many film fans will recognise instantly! With all its buildings lit up like Christmas  and the legions of buzzing crowds, it’s synonymous with metropolitan Japan. It’s the go to backdrop for Tokyo nightlife in movies! It’s very prominent in The Fast & The Furious: Tokyo Drift and also appears in Lost in Translation, The Grudge and Kill Bill Vol 1 to name a few. Usually in the ‘staring out the back seat of a taxi’ scenes they love to shoot!

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The tower that has been on the receiving end of several attacks from Godzilla & Co. It does get destroyed a lot! The iconic Tokyo Tower is a common sight in the backdrop of any film shot in Tokyo. Like how the Eiffel Tower always appears in any Parisian scene, regardless of where in Paris the film is being filmed!

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We found an antiques store in the markets of Osaka, they was selling these posters/scrolls of classical films from back in the days. A lot of Samurai that’s for sure! Loved the vintage feel to these!

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Capsule Machines are all the rage over there, found this awesome Harry Potter version! Shame I had no coins on me at the time to get one as a memento! I noticed that the Harry Potter franchise is absolutely massive there.

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Some great Star Wars wooden dolls in Kyoto! Frozen also sneaking into the shot! A bit pricey though…………

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A cinema! Apart from Girl On The Train, no idea what their showing!!…………


A DC movie stand in one of the many department stores, on the Suicide Squad hype!

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Although not the exact location, but the bamboo groves in Kyoto are most definitely reminiscent of the memorable Bamboo forest scene from House of Flying Daggers.

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After a couple of hours drive west from the capital, we arrived in Kyoto. The old capital of the county, and filled with so much charm! There’s are no shortages of temples and shrines here. The 2005 film ‘Memoirs of a Geisha‘ had a few scenes in Kyoto, using the majestic Kiyomizu Dera Temple (Top) and the iconic red gate tunnels at Fushimi Inaro Shrine (Bottom)

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