The Vault : Inception (2010)

Following on from the immense success of The Dark Knight, Christopher Nolan, who had already scored hits such as Memento & The Prestige, was creating huge buzz and excitement with whatever his next project would be. What we got was a superbly stylish, deeply layered (pun intended!) movie. Inception may have been very ambitious with its design, but it has provided fans with several unforgettable scenes and a simply iconic score.

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Dom Cobb (Di Caprio) is what they call in his business, an ‘Extractor’, along with his partner Arthur (Gordon-Levitt), they enter the dreams/unconscious of people to extract information, mainly for corporate espionage. After a botched mission, Cobb is offered a chance at redemption, and an opportunity to go back home, only if he carries out something known as ‘Inception’, the concept on planting an idea in someone’s mind. As skilled as Cobb & Arthur may be as Extractors, the idea of Inception could be even beyond their talents. But with the chance to see his children back home, he puts together a team, and heads out on his mission.

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Off the bat, the movie is a visual treat; the dream concept allows the movie to create amazing set pieces, such as the mesmerizing folding streets of Paris, to the dazzling exploding café scene. There’s also the stunning corridor confrontation, in which Arthur is forced to fend off foes while the halls start rotating. What’s more incredible is that the entire scene was filmed within a structure, with no CGI! Everything is filmed perfectly, to make it look absolutely on point. With the cast all suited and booted, and the dream world setting, it is one classy film.

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The cast is incredibly strong, you have Di Caprio as the star man, but the supporting cast are also a joy. Tom Hardy excels as Eames, his constant bickering with Arthur (Joseph Gordon-Levitt) and generally all round charm shines through. Ellen Page is the talented Ariadne, who has the most vital role in the operation. Her young character is pretty much how the audience feel at various points, pretty confused at times! You also have the likes of Ken Watanabe, Cillian Murphy and Marion Cotillard all contributing to a stellar cast.

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(Clockwise from TOP left) LEONARDO DiCAPRIO as Cobb, JOSEPH GORDON-LEVITT as Arthur, CILLIAN MURPHY as Robert Fischer, TOM BERENGER as Browning, ELLEN PAGE as Ariadne, TOM HARDY as Eames, and KEN WATANABE as Saito in Warner Bros. PicturesÕ and Legendary PicturesÕ sci-fi action film ÒINCEPTION,Ó a Warner Bros. Pictures release.

The plot is one that will take multiple viewings to really get any sense of what’s happening! To put it simply, there are layers, so many layers! In order to get an idea deep into someone’s unconscious, will not only require going into the dream of their target, but also several dreams within that. It can be a convoluted mess, and at times, you will probably not really grasp the finer details. But that’s what repeat viewings are for! The storyline may leave you puzzled at times, but the sheer spectacle and scale of the movie more than make up for it! It is an audacious project, and it has to be applauded for it. After multiple viewings, things will get clearer, and you’ll enjoy the movie even more!

Let’s not forget to mention the score, which is put together by legendary composer Hams Zimmer. Tracks such as the triumphant ‘Time’, and the pressing ‘Dream is Collapsing’ are synonymous with the film. The recurring lyrics from Non, je ne regrette rien will be stuck in your head after watching this, and then there’s the now iconic BOOONG! This now appears in pretty much most trailers nowadays! Combining such a quality score with the slick production, produces one impressive looking, and sounding 2.5 hours!

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Though as great as it all looks and sounds, Inception will not be for everyone. The film is very dialogue heavy, with various key plot details hidden within various speeches. It is also a very slow burner, with the operation not commencing well past the first hour. The finale is also quite perplexing, especially if you weren’t paying attention in the finer details. But don’t let that take away from what is a thrilling, cerebral, and  enjoyable film.

Thor Ragna-rocks!

The Thor franchise has been a mixed bag, the original movie, back in 2011 wasn’t the most entralling film, rather just a set up to bring Loki into the fold for The Avengers. While The Dark World a few years later was an improvement,  it never really felt like a vital part of the MCU , with an utterly forgettable villain.  Ragnarok, the final part of the trilogy has been by far the most captivating Thor adventure yet, with the trailers building up to a far more essential chapter of the story, with an ever so vibrant cast and aesthetic.

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Ragnarok picks up a few years after Age of Ultron. Thor (Chris Hemsworth) is on the search for the infinity stones, to prevent the apocalyptic visions in his dreams, Hulk (Mark Ruffalo), after leaving the scene following AoU, has ended up on an alien planet, and Loki (Tom Hiddlestone) now resides as King of Asgard (be it under disguise!). Things are cranked up several notches with the appearance of the omnipotent Hela (Cate Blanchett) , who’s return signifies the arrival of Ragnarok,  the  prophecy that states the destruction of Asgard.

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Thor Ragnarok has received massive critical acclaim, currently standing at 96% on Rotten Tomatoes, and it’s well deserved.  Taika Waititi has woven a wonderful tale filled with humour, colour, action & drama.  Ragnarok, of all things, is one of the funniest movies of the year so far. Up there with Guardians of the Galaxy in terms of laughs per minute ! Be it Thor’s bickering with Loki or Hulk, Loki’s nervous behavior around Hulk or Hela’s disdain to pretty much everything, the film knocks out jokes throughout it’s entire run time. The supporting cast all have their moments too, but the star of the under-card has to be Korg (played by Waititi himself!), the alien guardian of Thor’s gladiatorial prison, whose non-nonchalant one liners will have the audience in stitches. Jeff Golblum is also absurdly entertaining as the peculiar Grandmaster.

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The humour aside, Ragnarok still possesses a story line that has vast consequences on the rest of the MCU. The threat is very much real, a threat which is perfectly captured by the introduction of Hela.  One of the biggest criticisms of the Marvel movies are it’s lack of villains,  but here, Hela is one of the most foreboding villains introduced so far. Being able to easily handle both Thor & Loki, and making small work of the Asgardian army.  With the gradual turn of Loki towards the side of good, it was vital to replace him with a suitable antagonist. The removal of Jane Foster, who fans never really cared for, being replaced by Valkyrie (Tessa Thompson),  was a good move. Matching Thor up with someone who feels more suitable to his personality.

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Visually, Ragnarok is gorgeous to look at.  It’s simply vivid. The promotional artwork has displayed this change of direction, but the film looks so energetic. Saarkar, the planet is which our hero is stranded on, makes up a fair portion of the movie. A planet with is full of buzz and activity.  It’s colour palette is one similar to the zesty displays of Guardians franchise. Compare is to the previous 2 films, and it feels like a totally different franchise!

Though Ragnarok can be criticized for leaning on the side of comedy a bit too much, at times, all the jokes do feel overwhelming. It’s fair to say the character of Thor is seen  pretty much as a skull headed joke to everyone.  Thor seems to be the butt of most of everyone jokes, even random strangers on the street has a dig at him! Thor has always been one of the more light hearted characters, but it does go a bit too far from time to time.

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Ragnarok is certainly one of the most fun films of the year so far,  with the addition of new characters like the impressive Valkyrie & Korg, combined with the stellar cast, constant gags (”What are you, the God of Hammers?”), entertaining cameos, and a mighty villain. This may be one of the best Marvel movies yet.

 

Happy Death Day, It’s A Treat!

Combining the concept of reliving your own death from Edge of Tomorrow, with the 90s Slasher vibe from movies such as Scream, Happy Death Day is one of the most interesting concepts to be put to film this year, and a perfect treat for Halloween!

Jessica Rothe plays Tree Gelbman, your typical run of the mill college student, who after a rough night out, wakes up in a dorm room, unaware of the events of the night before. As we are shown, Tree isn’t exactly the nicest of people,  with her arrogant and dismissive seniority sister demeanor, she builds up a firm following of enemies on campus. This proves to be fatal, as that night, Tree runs into a masked stalker,  who takes her life with the assistance of a very big blade. But all is not as it seems! Following her death, she wakes up back in the dorm room from earlier that morning. She soon realizes she is trapped sort of time loop, in which her death is inevitable every night. Accepting her looming fate, Tree uses the time she has, to narrow down the culprit from her list of suspects!

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Though Happy Death Day has been built up as the return of the Slasher movie, it’s still no where near the sheer intensity of Scream. Yes, there’s a masked stalker, who happens to get very trigger happy with a knife in their hand. But here, our murders are a lot less graphic as films in this genre were , especially back in the 90s! Although it has a horror element to it, it is far more of a mystery movie, rather than a full on scare, so just a few tips to consider before walking into the cinema!

That said, HDD is a thoroughly enjoyable movie,  yes you have all the usual american college stereotypes here, the bitchy mean girls, the stalker, the geek etc., but it never hurts the film. Tree is by far the standout character in the movie,  her comedic chops are on show here, bringing several moments of laughter to the show. Her character also has an engaging arch, from her ignorant past self, to a more modest and understanding person she eventually becomes.

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As mentioned, we have a list of suspects, who each may have a reason to don the eerie mask and go after our protagonist.  Could it be Carter (Israel Broussard), the timid student’s dorm in which Tree wakes up in? Or maybe it’s Danielle (Rachel Matthews), the sorority leader, who is somewhat envious of Tree? Then again, it has to be the teacher she is having an affair with right? There are plenty suspects thrown in the mix to keep you doubts swinging between all our various potential killers!

Though the biggest flaw in the film has to be the very lazy explanation regarding the real killer, their motivation and how they did some of the murders. It’s a long stretch to believe someone would go straight to a blood thirsty killer on campus! Would they really leave a random toy playing a melody in a tunnel? It would make more sense for them to just get straight to the act, without all these curious actions. The plot seems to try to make itself look a lot more smarter than it really had to be, with the lat addition of a suspect which shows up from no where.  There are also several plot points left unsolved, it it just being careless, or resolutions being saved for a potential sequel?

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With far more humour than you would think, HDD is a great concept, that utilizes its college setting very well,  it may not be the perfect Halloween movie, but it has it’s moments of suspense, a vibrant  cast, and dead cert to leave you satisfied once the credits roll.

 

 

 

 

Throwback: Blade Runner (1982)

With the sequel releasing next month it’s about time we took a look back at the original, loosely adapted from the 1968 novel Do Androids Dream of Electric Sheep? by Philip K Dick; who also wrote Minority Report and Total Recall.

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Hitting cinemas 35 years ago, Blade Runner was described as neo-noir science-fiction directed by the fantastic sci-fi pro Ridley Scott. Set 2019, we see a very different version of Los Angeles, a dark and dystopian city that has descended into decay. The Tyrell Corporation has manufactured androids known as “replicants”, indistinguishable from human adults, to work on off-world colonies. However, if any of these replicants attempt to return to Earth they are assassinated (or “retired”) by police operatives known as “Blade Runners”. Harrison Ford plays ex-Blade Runner “Rick Deckard” who takes one last job to hunt down 4 escaped replicants. During his investigation he meets “Rachael”, played by Sean Young, an advanced replicant who displays human emotion and makes him question the future, his attitude towards replicants and what it means to be human.

Replicants are made with a restricted life span, all Roy (Rutger Hauer), Pris (Daryl Hannah), Zhora (Joanna Cassidy) and Leon (Brion James) want is to live and love. Rachael even believes herself to be human until Deckard performs the “Voight-Kampff” test on her and is told that her memories are only implants taken from Tyrell’s niece. Though this story is interesting I was more intrigued by the way the story was told. I enjoy the noir style and luckily for this film Harrison Ford’s voice lends itself well to narration. The interactions between Deckard and Rachael made me a little uncomfortable, which I normally put down to being a different time period, though it could be another example of how humans believe they can use artificial intelligence for their own advantage and self indulgence.

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One of the greatest improvised lines in film

Honestly, my attention did dip at certain points during the film, mostly during dialogue heavy scenes; so I can see why the critics may have been split in their opinions when it was first released. However, I enjoyed this film and it includes a variety of themes that are ambiguous enough to invoke different perceptions; exploring humanity, empathy, mortality, the emotional capacity of A.Is, the disparity between the different societies and the new and decaying areas of the city, human manipulation of genetic engineering, the omnipotent corporate power, manipulation of environment, and apparently some religious connotations that I’m always oblivious to. Also, it has to have been a massive influence for 2004’s “I, Robot” and other A.I related films.

And lastly, this line:

“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.” Roy Batty

American Made: It’s Just Fine

Sure it’s based on a true story which sets some limits, but a change of pace here and there would have been much appreciated.

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This is the story of Barry Seal (played by Tom Cruise), a tired TWA pilot recruited by CIA agent ‘Schafer’ (Domhnall Gleeson) to run reconnaissance flights in Central and South America. Over the course of the movie Seal evolves into gun runner, drug smuggler for the Medellin cartel, and informant for the DEA. Through all this Barry and his wife Lucy (Sarah Wright) raise a family and contribute to their community. As you can imagine, juggling so many jobs, things start to fall apart.

You’d hope that a film starring Tom Cruise and directed by Doug Liman (responsible for such action-packed flicks like The Bourne Identity, Mr. & Mrs. Smith, Jumper, Fair Game, and Edge of Tomorrow) would have some excitement and good action. Especially if that movie is about a guy simultaneously working for the CIA, DEA and Escobar. Unfortunately, in my opinion, there was a lot lacking in terms of pace, excitement and much emotion of any kind. I left the cinema not really filming anything, but not quite feeling like it had been a waste of time.

The story is an interesting one and the actors play the characters well, there’s even a few decent laughs thrown in; but the film itself had no dynamics, it seemed to sit at the same level throughout. I can’t fault the actors for their portrayal, they were smart and most importantly believable; especially Sarah Wright as the wife, she was often skeptical of her husbands behaviour and was pretty vocal about it until he told her the truth.

More than likely it’s the script that has no flavour and lacks the changes in pace to make this film a little more intriguing. Unfortunately, in this case the story of Barry Seal has been narrated, but not really told.

Still better than The Mummy though….

The Hitman’s Bodyguard:Forgettable Fun

The Hitman’s Bodyguard is one of those summer movies that you can watch, enjoy, and then simply forget about afterwards! Ryan Reynolds teams up with Samuel L Jackson team up as a pair of polar opposite personas, and travel across Europe leaving a trail of destruction!

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Michael Bryce (Reynolds) is a private bodyguard for all the world’s top notorious criminal overlords. Or as he would put it, a ‘Triple A Executive Protection Agent’! His glamorous lifestyle is torn to pieces after losing a premium client to an assassination. Having to go back to low key jobs, and losing his ‘Triple A’ rating, he is forced to escort Darius Kincaid (Samuel L Jackson), a convicted hit man, to the Hague. Kincaid will testify against brutal dictator Dukhovich (Gary Oldman), in return for the release of his wife, Sonia (Salma Hayek) from prison. It’s not all smooth sailing from the UK to the Netherlands, as Dukhovich’s thugs will stop at nothing to prevent Kincaid from his testimony!

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By far, the best part of the movie is the constant bickering between Reynolds & Jackson. It saves the movie from being utterly ordinary. On one side, you have Bryce, someone who lives by his rules, planning every mission to the very step, considering every possibility of failure. Then you have Kincaid, who lets his heart rule his actions, his devil-may-care attitude to life being a stark contrast.  It’s the standard formula for any onscreen partnership, and both actors do a hilarious job with their roles. Salma Hayek is also a blast, though she is pretty much the generic fiery Latino character here, seen in several movies before.

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VLADISLAV DUKHOVICH (Gary Oldman) in THE HITMAN’S BODYGUARD.

The rest of the film is a play by the books number, with uninspiring characters and troupes. You have the brutal eastern European tyrant, the hot ex-girlfriend, an elite task force that get taken out within 10 minutes with only the rookie surviving, characters managing to miraculously find each other in sprawling cities! The dictator storyline could have been entirely removed, and replaced with a mafia/gang boss, and it really wouldn’t make a difference!

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Kincaid’s character is obviously given a background, in order for us to support him as the film approaches its finale, and it does work well. After all he is a serial killer, and they film does need to justify his actions. His actions may be twisted, but you can see why he is the way he is. Whereas Bryce, you never really care for his arch, and his love interest, Roussel (Elodie Yung)is just….there. Another character that could have been removed entirely to be honest!

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The film also had a habit of using a very strange filter effect, where the image would be blurred. The budget clearly wasn’t high, but the strange smudgy filter to hide some of the effects were very shoddy, You start to wonder if its the fault of the movie, or the projector!

If you enjoy a film with the buddy cop mechanic, and the wit of Reynolds & Jackson, then it won’t hurt to go check it out, but you probably won’t remember much about it after a weekend!

 

 

[The Vault] Spooks : The Greater Good (2015)

For anyone not familiar with the series, Spooks was a wonderfully gritty espionage drama on the BBC, which ran from 2002 to 2011. The show was widely praised for its polished, sleek production, together with its shocking story lines. This was a show not afraid to display graphic violence, or kill off a main character. Things did taper off as the series reached it conclusion, but the shows peak in the earlier seasons are most definitely worth a watch online!

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Spooks: The Greater Good takes place after the events of the show. Sir Harry Pearce (Peter Firth), the long standing head of counter terrorism at MI5, has to disappear off the grid. Following the failed attempt at transferring terror suspect Qasim (Elyes Gable,) over to the CIA. Harry suspects that it was an inside job at MI5, and relies on the assistance of Holloway (Kit Harington), a former MI5 agent, to find out the truth.

Although there are a few minor appearances from some of the cast from the show, The Greater Good focuses mainly on new allies and antagonists. Kit Harington is the main star of the film, but it feels like he was simply cast in this, to ride the wave of his tremendous popularity from his Game of Thrones work. He does a credible job, but he does not elude the aura of an action hero, well not yet anyway!  Our villain never really feels like a threat, you don’t really see what he has done before, or why we should be afraid of him.  He just does not feel intimating at all!

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The plot is your standard ‘The Mole’ story line you have seen in many Spy movies from before. If you enjoy espionage movies, this has all the enjoyable troupes. Shady meetings in car parks, chases, interrogation and explosions! If you’re a fan of the show, you may admire the connection it has to the series, but if you have no idea what Spooks is, you’ll have a difficult time bothering to care about what’s going on!

It’s clear to see the budget for the movie was not huge, and the BBC sheen is obviously missing. The TV version felt so real, and raw. Here, it just feels like a generic movie. But it makes the most of what it can, and there are several famous locations in London that feature throughout. As some who live in London, it’s always nice to see places you recognize in a movie!

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Harry is by far the most interesting part of the movie. He is a character who has been beaten by years of service, and having to suffer all the tough decisions he has had to make, and it’s nice to see him away from his desk & suit, and getting his hands well and truly dirty. The rest of the cast are not very memorable. David Harewood brings some gravitas to his role as Warrender, the head of the Joint Intelligence Committee, other than that, not much else to report!

Spooks: The Greater Good is in no way a bad movie, but it suffers from a bland storyline and simply just not feeling as real as the show. Though at just over 1:30, it’s a perfectly decent movie to watch if you got some time on hand, and like your espionage!

3 word review: For Fans Only

 

Life Thrills!

Life, follows a star studded cast, as a group of astronauts on the International Space Station. who happen to bring on a surprise visitor, who happens to be a lot more sinister than first presumed!

The crew on the ISS manage to recover a capsule, containing various samples from a recent Martian mission. Amongst all the specimen of rocks is one curious sample, it turns out that the crew have managed to successfully find life on Mars! With the news relayed back to Earth, they honour the new organism with the name Calvin, which seems innocent enough, before Calvin wakes up from his slumber!

 

On board, we have Dr Miranda North (Ferguson) & Dr David Jordan (Gyllenhaal) as the medical officers of the station, and also the main  characters the movie follows. Also on the team is Adams (Reynolds) the ISS pilot, Derry (Bakare) the stations British biologist. Murakami, the teams Japanese engineer and Golovkina, the Russian commander. It’s only fair the International Space Station has an International cast!

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It’s our biologist that develops a close affinity with Calvin, and it’s his curiosity that ultimately leads our Martian friend on its warpath! After some mild experiments to monitor the growth of Calvin, it’s the electrical stimulation that sets off its survival instincts, and from that point on, the movie becomes an intense thriller!

Calvin is most certainly the highlight of this well-made space chiller, as the film progresses, it gets more and more advanced, not just physically, but also its intelligence. Our astronauts have to get more tactical against its threat, as the crew gradually starts to get taken out. Speaking of the deaths, the film is pretty graphic at times, as our alien fiend starts absorbing its prey in various gory methods. It does feel a bit over the top at times, but it does well in showing how weak our crew is, up against this relentless threat. Could there be a greater fear than drowning…in Space?!

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As with most recent films set in Space, such as Interstellar, Gravity & The Martian, Life is incredibly beautiful,  the shots of Earth, the Sun, and various other scene out of the station are gorgeous, and makes the whole movie look so much more polished. If the CGI looks bad in a Space movie, it would have a hugely negative effect on the whole project.

It’s clear that the film takes a lot of inspiration from Alien, which is no way a bad thing! Daniel Espinosa directs a wonderfully eerie set piece. Where the movie excels, is in the stalking aspects of the film. As Calvin slips away, all our crew can hear is the various thuds as our predator crawls around the metallic interiors of the station. This is extremely well executed when Calvin is in its earlier phases, as its smaller body allows it to sneak around in all manner of places, and jumping out from the smallest of gaps! As it grows, it does get a bit more comical, as it grows a face and limbs, along with a cheesy ‘monster vision’ scene.

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So how do our crew preform here? Reynolds is obviously the most charismatic, with his jovial nature and comic relief. Upcoming British actor Ariyon Bakare is great as the Scientist who develops an almost family like affinity to his new discovery, his character also has a disability which plays well into the story-line.  Our two medical officers don’t’ really have much to shout about. Gyllenhaal’s character hates life back on Earth, and prefers the solitude of Space, though they don’t really go into too much detail on why this really is. His pretty much grumpy throughout the movie, where a bit more emotion would have been better, considering the situation they found themselves in. Rebecca Ferguson character is fairly bland, and probably shouldn’t have been the main focus of the film, her role in Rogue Nation was far superior.

As a whole, the movie succeeds in what it attempts to do, Calvin steals the show wherever it appears, the sheer terror the crew faces every time they are confronted with it is well captured. The nature of the deaths also makes the audience feel nervous and uncomfortable, which only helps build the suspense. The dull nature of of main protagonists does hold back the movie from being a truly memorable, and the utterly predictable twist at the end is so expectant, it’s almost funny when it happens! Life isn’t the perfect space thriller,  but it’s definitely worth checking out if you love Space movies, especially ones containing savage aliens on board!

Logan Reigns Supreme

 

There are some roles which are so perfect for an actor; they become synonymous with that persona. Think Robert Downey Jr. as Tony Stark, or Christopher Reeve as Superman. But there is no role as closely associated with actor & role than Hugh Jackman and Wolverine. Downey Jr. has been playing Stark for 9 years; Jackman has been reprising his role for 17 years! Reeve appeared as the Man of Steel on 4 occasions, for Jackman, he has 9 appearances under his belt. In what will most likely be his last act as Weapon X, he has saved the best, for last, as Logan hits the screens this month.

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The Wolverine trilogy hasn’t exactly been anything special. Origins was panned by critics and fans alike. The second movie The Wolverine was a far better movie, but the final act pretty much ruined what was a decent film. Logan though, finally gives our hero the movie he deserves, a dark, gritty and violent interpretation. Following on from the success of the Rated R mercenary, Deadpool. Logan also embraces the classification, and it works like a charm! This movie works more in the same vibe as Jessica Jones & Daredevil, than it does with the mainstream MCU movies.

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 Hugh Jackman stars as Logan/Wolverine in LOGAN. Photo Credit: Ben Rothstein.

The X-Men franchise is mighty complicated; the consequence of Days of Future Past resulted in the possibility of split timelines, so it can be hard to keep up with what’s occurring.  In this timeline, Logan (Jackman) has retreated over the Mexican border, caring for an elderly and senile Charles Xavier (Stewert), with the help of one of the last remaining mutants, Caliban (Merchant).  It’s the year 2029, and the numbers of mutants are down to near extinction, and the X-Men are all dead, barring our rugged anti-hero. A deteriorating Xavier now suffers seizures which cause mass chaos; Logan now runs errands to save up enough money to live out their lives in peace, on a luxury yacht, out in the isolation of the ocean. These plans are thrown out the window after the sudden appearance of Laura (Keen), a young mutant possessing a familiar set of abilities.

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The X-Men franchise has always been a bit timid when it comes to the violence on display, especially with a character like Logan. This film pretty much off the bat sets the tone for the movie, it’s violent, it’s bloody, and this is most certainly not a movie for the kids, maybe even some teens! Limbs go flying off; even the odd head gets decapitated. Though the violence isn’t done for the sake of the R rating, this is how Wolverine should be, considering his main weapons are a set of razor sharp claws! The fighting here is brutal, Logan isn’t in his peak, this isn’t the cocky, young Wolverine from X-2, and this is a beaten down, battle weary, alcoholic Logan. His healing factor isn’t working as efficiently as it used to, and his adamantium skeleton in having an adverse effect on his body. This gives Logan a far more vulnerable character, being invincible in his previous movies took away that drama, as you knew he would pretty much survive anything thrown at him. His mental and physical vulnerabilities gives us a far for interesting character to follow.

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The film’s 3 acts are pretty distinctive. The opening and closing act is all out action, swearing and gore. It’s the middle act where the film really develops its own personality. The focus of this film is on family. Logan is down to his last connection, Xavier. Everyone else is dead. Xavier isn’t the polished, well-spoken mastermind of previous films, he is sick and delirious. The father-son interactions between the two are insightful and beautiful. Both actors really impressing with their outstanding acting abilities. Logan also gets to develop a father-daughter bond that he never got to experience, with the introduction of Laura/X-23 into the fold. As the film progresses, their relationship blossoms, and finally gives Logan a true reason to live. That aside, they both make a kickass combination when they team up to attack!

Director James Mangold takes his inspiration from the Old Man Logan comic books, and manages to interpret it well onto the big screen, Mangold was in charge of The Wolverine too, whereas The Wolverine was a warm up, he most certainly goes the whole distance in Logan. Violence is a key element of the Wolverine character, and it’s implemented well here. The final scenes involving a pumped up Wolverine serves as a nice finale to his rage fueled chronicles, and one last time to see Jackson go all out attack!

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Where the film does drop a bit is in the predictability, all the major plot lines are pretty straight forward, and when they do happen, it’s as expected. It also leaves a few things open. Such as where is Magneto is all of this? Surely his too powerful to simply die of like the other X-Men, and with his great friend in such dire straits, it wouldn’t be a surprise to have him involved somehow. But I suppose they wanted to keep the movie all about the central 3, and it doesn’t really hurt the movie much, but it does make you wonder! Also, the main villains (Dr Zander Rice & Pierce), never provide much of a threat; essentially they are just there to give the plot some direction. The middle act can feel a bit dialogue intense, the action slows down to a walking pace, and it does add on a bit of filler on the already extended 2hr 20 running time.

Is it the best superhero movie ever? As some are claiming it to be? Well personally the film is abit to miserable for a superhero movie, personally I would put The Winter Soldier above it, but that’s just my opinion. It’s still a majestic piece of art, and you’ll for sure feel emotional at times, and valiant send off for this literation of Wolverine.

 

 

The Great Wall….It’s OK.

So that’s why the Great Wall of China was built………….lizard monsters!

Clocking in at over $150m in budget, The Great Wall is by far the biggest movie production to come out of the China, and with director Zhang Yimou at the helm, whose previous works include Hero & House of Flying Daggers. Can The Great Wall live up to all the commercial hype?

Unlike previous successes coming out from China, like Flying Daggers & Crouching Tiger, Hidden Dragon, this isn’t a martial arts movie. It’s an all-out fantasy, action movie! This makes a nice change from the usual Chinese movies that get a huge western release.

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Pick your team!

There has been a lot of controversy regarding the casting of Matt Damon in this film, with accusations of ‘whitewashing’ the film, so let’s just get that out the way now. Damon plays the role of a European traveler; he is not taking the role away from an Asian actor. The film is also produced in China, by China, and using a familiar face from Western movies in order to increase their marketing appeal is understandable. Also, it’s a work of fiction, so they can cast whoever they desire, as there is no source for them to follow.

The movie is set during the Song dynasty, following the challenges of the Nameless Order, a faction of the military who are stationed at the Great Wall of China to provide protection from a mysterious threat to humanity. Travelling merchants William (Matt Damon) & Tovar (Pedro Pascal) are on a mission to find the mysterious Black Powder, which can turn air to fire (in another word, gunpowder!). The plan is to find the weapon, and take it back to Europe to sell, but they are halted, and taken prisoners by the Order.

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The battle scenes are stunning!

The greatest strength of the movie is by far the action set pieces. Whenever the monsters attack (known as the Tao Tei) the film bursts into life! The Nameless Order are split into several divisions, each army is colour coded depending on their tasks. Ranging for archery, close combat to the acrobatic Crane Corps. Every battle scene is a visual spectacle, and it’s clear that most of the budget went into the CGI. The coordination and choreography of the various armies are amazing to see. Each division has their own lieutenant, and it’s Commander Lin (Jing Tiang) of the Crane Corps that takes centre stage, along with our western prisoners.

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Commander Lin plays a large role in the movie

It’s a shame that the movie doesn’t really take off following the initial monster attack, there was so much to see and learn, regarding each of the military factions, but the film doesn’t really go into detail too much. Only the Crane Corps get any real focus, at least they explained why their division is made up of entirely females.

Damon does a fairly standard job here, his role is nowhere near as intense as Bourne, or as charismatic as he was in The Martian. His interactions with Tovar (It’s Prince Oberyn from Game of Thrones!) are usually full of sarcasm and jest, and provide plenty of fun for the audience.

The addition of Sir Ballard (William Dafoe) seemed abit out of the blue, and his role could have been cut out entirely and really have made no difference. Fans of Asian cinema in the West will be happy to see Andy Lau also making an appearance here, as the chief strategist for the Order.

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The film does go ridiculously over the top, and the final act is a monster melee! Any fans of monster movies out there will enjoy these moments, the action is pretty cheesy, and it’s full of cliché, but it does its job of entertaining you. The Great Wall is over 5,000 miles long, and we are never told if the Tao Tei attack just one part of the wall, are there Nameless Order defending the entire wall? Why is it just this spot that is attacked? We may never know!

The Great Wall is nothing new, the story line is pretty generic, there really isn’t much character development, and it doesn’t really add anything to the Monster genre. On the flip side, it is enjoyable from a popcorn flick point of view; the action scenes do enough to keep you paying attention, the opening half hour or so are pretty outstanding. The Great Wall isn’t notoriously bad, nor is it a classic to be remembered for years to come.

Ringzzzzzzz

It was back in Summer, I noticed a poster for Rings while at the cinema. Even back then, I was sceptical if this was even worth making, for a franchise that’s been dead in the water for years. My doubts were proved right, as Rings has to be one of the dullest horror movies I’ve seen for a very long time!

Rings is a reboot of the original 2002 release The Ring, the successful American remake of the cult Japanese horror Ringu. For anyone not familiar with the lore, The Ring revolves around a mysterious videotape, anyone who happens to watch the tape receives a phone call soon after, a voice telling them that they will die in 7 days’ time. The film is iconic for the vengeful spirit Sadako/Samara (depending on the region of the movie!) emerging from within the TV screen of the victim. The latest release aims to bring the movie into the current generation, a decision that takes the edge off what made the original so great.

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Matilda Lutz as Julia and Johnny Galecki as Gabriel in the film, RINGS by Paramount Pictures

So the plot, our main character, Julia, sees her boyfriend Holt, move to college. After losing touch with him after a couple of days, she decides to go to the college he attends to see what’s going down (instead of simply calling the college and finding out what has happened!). It is never explained why his mates are angry at her, but they are! For some reason. It’s here she discovers a morbid experiment that is being run on campus by one of the Science professors in secrecy, and Holt has been dragged into it. After Julia ends up watching the tape too, it’s a race against time to save herself before the 7 days are up!

For anyone who hasn’t watched the previous films, the only way to avoid your inevitable death, is to pass the curse on to someone else, by making a copy of the tape and making someone else view it, a selfish move, but one you make out of desperation. This concept plays a central role to the film, and while it’s a nice twist, it just feels abit rushed. We start off by seeing the Professor discovering the tape, and the next time we see him, not only has he converted the VHS to digital media, but he has uncovered the trick to getting past it, how exactly did he know this? We don’t know, it’s never explained!

The second half of the movie is incredibly dull & sluggish, as it becomes a mystery movie, we follow our couple to a town in the outskirts, as they dig up clues to unveil the truth. It’s here where the film just goes into 2nd gear and cruises along, the characters are just not charismatic enough for us to be bothered about their journey, and it’s a lot of talking, with random lazy jump scares thrown in every now and again.

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The switch to modern media has definitely hurt the franchise. There is just something incredibly eerie when it comes to VHS, with its static and poor audio & image quality; it simply gives off a far creepier vibe than a high def movie file on a laptop!  The CGI in this movie is another downer, it’s shockingly bad. It’s so overdone, that Samara loses her aura, and looks like a character from a PS3 game! When she first appears out of a plasma TV, it’s so poor, you will end up laughing at how this quality was deemed OK for a big Hollywood release!  The abundance of CGI across the entire movie looks cheesy, and ruins the atmosphere.

The characters are utterly forgettable, Julia goes from ‘you’re so stupid for getting involved in this mess’ to ‘risking her life for this guy’ in one night! We don’t even know how long they have been together! The boyfriend is entirely useless in the movie; Julia does all the work. He hardly contributes anything, and even in the final showdown, he gets knocked out and plays no part whatsoever!  Johnny Galecki aka Leonard from Big Bang Theory seems miscast as the devious professor, and you just can’t take him seriously!  Vincent D’Onofrio does what he does, and is probably the best character in the movie; at least he got some backstory to his role!

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Though it may not be intentional, the move does rip off a scene from Don’t Breathe, which reminds you off a far superior horror film! The plot is predictable, you know when there will be a jump scare, and the choice of music is a curious one. A good score can make a good film great, but here, the soundtrack is overdone. It feels more like a video game than a horror movie. The opening scene on the plane is pretty hilarious, which sets the tone for the film! It would have done better to have more scenes with Samara, and less time seeing our couple wonder around digging up clues.

One other flaw is the blatant sequel baiting at the end, the film could have ended without it, and to end it with a nod to more potential films is poor form, considering how disappointing this film is. The ending is also shown in the trailers, which was a strange decision. So if anyone watched the trailer, they would know what scene is yet to come, another damaging hit to the films credentials. The trailer is also misleading in how the film is portrayed. We don’t see her suffer through 7 days as the curse develops, instead, she seems fine as she goes carries on with her mystery adventure, with no idea how many days have passed.

Rings is by far one of the worst horror films to come out in recent years, even beating The Forest from last year! Even The Forest had an original concept to play with; Rings had some great source material to work with, which is what makes it so crushing to see the movie stumble around.

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