Ocean’s 8 – A Villain Short….

Ocean’s Eleven is probably of the most loved Heist movies of recent times, the Soderberg directed thriller was effortlessly cool, with a charismatic ensemble cast, spearheaded by the superstar duo of Clooney & Pitt. Though the following sequels did not reach the acclaim of the first, it’s been over 10 years since Ocean’s Thirteen. Now the franchise is being revived, with an all-female ensemble, will it prove to be a hit, or an ill-advised spin-off?

Ocean’s 8 picks up following the release of Debbie Ocean (Sandra Bullock) on parole, following several years behind bars. The younger sister of the now deceased(?) Danny Ocean, Debbie concocts a plan to gain not only a large jackpot, but revenge on the person that lead to her incarceration. The target, the Toussaint, a lavish $150m Cartier necklace, which will be present at the extravagantly exclusive Met Gala party. She enlists the help of her former partner in crime, Lou (Cate Blanchett), hacker Nine Ball (Rihanna), street hustler Constance (Awkwafina) and jeweller Amita (Mindy Kaling) amongst others.

Some fans feared that Ocean’s 8 was just a sceptical cash grab, and would be an unnecessary addition. But O8 proves to be a thoroughly entertaining, charming and funny ride. Bullock & Blanchett may not be as magnetic as the original Ocean/Rusty dynamic from the first trilogy, but then again, it’s rare to find a combination that good. Both ladies here do a great job in carrying their roles, with Blanchett being particularly enjoyable in her role as the snarky Lou. The rest of the cast are also enjoyable, Kaling is known for her comedic work, and shines here. Anne Hathaway is having a blast playing the ditzy actress/socialite Daphne Kluger. Sarah Paulson & Helena Bonham Carter, who are also part of plan, fit into the team comfortably too. Rihanna is usually can be divisive in her roles, but her lines are kept to a minimum here.

The heist is of course the centre piece to the film, and that is where the film starts to break up. The heist concludes at the end of the 2nd act. As the 3rd act decides to look into what happens after the crime has taken place. Logan Lucky fell for a similar trap, following the heist with an investigation sequence. It really does slow the film down to a halt, and appears to be just an excuse to get James Corden to do his comic routine and get some cheap laughs. Everything building up to their plan at the gala, and the heist itself is very well done. Fast paces and captivating to watch, the film could have quickly wrapped it all up but decided to go on for just a bit too long.

The film also lacks a true antagonist, Andy Garcia’s Terry Benedict was a foreboding villain in the original film, someone the audience would love to see get his just desserts. But here, there really isn’t a stand out villain, sure, Debbie’s Ex could be seen as the foil, but his character is so generic, no one really cares about him or his fate. Our squad also never seem to face any challenges or danger. None of the team really show any nerves or rookie behaviour, considering only Debbie and Lou seem to be the real big time criminals. Any danger the team faces is almost immediately dealt with, taking away any suspense.

Ocean’s 8 does more than enough to warrant a sequel, the film is full of humour, style and there are tonnes of celebrity cameos to keep your eyes open for! Though the large amount of obvious product placement of several products is Transformer levels of ‘in your face’. If the sequel can bring in a viable foe for our team to go up again in the next instalment, things look promising for the franchise!

Fallen Kingdom / Review

Jurassic World was a triumphant return back to the big screen for the Jurassic Park franchise, after a 14 year hiatus since Jurassic Park 3JW received not only glowing reviews, but took in a staggering $1.6bn at the box office, so no pressure on the sequel….

Jurassic World: Fallen Kingdom, directed by J.A. Bayona, brings back our leading duo Owen Grady (Chris Pratt) & Claire Dearing (Bryce Dallas Howard), as they return to Isla Nublar, to coordinate a rescue mission lead by Benjamin Lockwood, the former business partner of John Hammond, o save our reptilian inhabitants from a volcanic fate.

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Essentially, the movie is what you expect from a huge Summer blockbuster, it’s an impressive spectacle, dazzling CGI, hugely thrilling and comedic banter. But it does fail with its story, as the plot regresses back to the usual weaponized dinosaurs arch we have already seen.

The chemistry between our leads is far more cohesive here, their interactions feel less forced than it did in JW, FK gives them far more to do, and they break out of the typecasts they had in the first one. Claire is far more interesting as the head of a Dinosaur conservation group, rather than the dull, cold, career focused executive. The film also makes firm point regarding the boots she now wears, after the heels debacle from the last film!  They are joined on their adventure by fellow conservation staff members’ Zia Rodriguez (Daniella Pineda), a sassy and sharp witted veterinarian, and Franklin Webb (Justice Smith), the systems analyst, his character does grate a lot, as he is pretty much reduced to the petrified screaming comic relief, though he does tone it down over the course of the movie, Zia is far more tolerable as a character.

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The dinosaurs are of course the reason why we’re here! Blue, the surviving member of Owen’s raptor squad is back, and has a leading role! The film can be split into 2, the island rescue, and back at the Lockwood mansion. The island scenes are amazing to watch, the CGI is as always stunning, and the inevitable fate of the island does lead to a frankly very emotional scene as our heroes make their escape. The big gun for this film is another hybrid creation, the Indoraptor, the cross between the Indominus Rex from JW, and a raptor. It of course escapes, and stalks our protagonists as they attempt to stop the plans of our villain. In all honestly, the Indoraptor does not feel like anything special, and still gets outshone by the T-Rex. Although Blue is still an enjoyable addition to the Jurassic clan, it has rather subdued the wicked nature of the deadly Velociraptors from movies past, now seeming more like a charming sidekick, than its previous iterations.

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The villain of the story is where things start to fall apart, who is simply a generic suit who just wants to get rich quick. It’s pretty obvious from the start who is the underlying antagonist, and it really does hurt the plot. While it is a fresh change to take the adventure away from the island setting, the weaponized dinosaurs storyline still feels ridiculous, in a film containing dinosaurs! The final 3rd of the does’ drag on for a tad too long, as our heroes are stalked through the mansion by the genetic raptor, if could have been concluded far more swiftly. There is also a ridiculous twist regarding the granddaughter of the mansion, which is utterly brushed over by the characters, and feels like a contrived plot device for the films end. The Mosasaurus, the gigantic ocean beast, which featured in the trailers, was seriously underused.

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Fallen Kingdom does feel far more unique than its predecessor, JW felt like a simple remake of the original JP, whereas FK stands alone far better, with a far more warming duo and change of scenery. It’s not an outstanding outing, but fans of the last film will have no reason to not enjoy this!

Tomb Raider, A Steady Reboot

The Tomb Raider franchise has gone through a rejuvenation of late, following the superbly gritty video game reboots, Tomb Raider (2013) & Rise of the Tomb Raider (2015). These games take place at the start of her adventures, featuring , a younger, more fragile Lara Croft. As opposed to the confident & sexy version many are accustomed too.

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With her dad going missing, presumed dead, on an expedition, Lara (Alicia Vikander), attempts to carry on with her life without resorting to the vast financial aid that she could access with a simple signature. As this would mean for her to accept her fathers death. But the appearance of a relic provides her with a clue, that things may not have been as they appeared on the surface, and takes her on a voyage out to the Far East.

Video game movies seem to be a cursed project, even away from the cheesy 90s releases that the industry still carries the scars of, recent attempts such as Assassins’ Creed & Warcraft have been critical failures. But I’m glad to say, Tomb Raider is an honest adaptation of it’s source, while going off script enough to not make it a like for like copy.

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The similarities between the game and movie are more cosmetic if anything. Lara is still a young rookie, who is way out of her comfort zone, having to adapt in the face of death. You also have the hidden Japanese island of Yamatai, where the body of the mythical figure of Himiko resides, which is where the plot mainly focuses on. This is pretty much what the movie borrows from the game, the rest are worked around those points. You have Lu Ren (Daniel Wu), a sailor, who joins Lara on her journey in exchange for a hefty wad of cash. Ren is a character the audience can warm too, and thankfully the film does not force a romance between the two. Lara’s father (Dominic West) plays a far bigger role here, than the game, and it does feel very cliched, using the ‘daddy issues’ story. It does grate a bit, but the resolution of that arch plays off surprisingly well. Walton Goggins, our antagonist, is wonderfully menacing as the dastardly Vogel. Every time he shows up, you wish him the worst! A great sign of a well played villain.

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Where the film shines brightest are the survival scenes & solo combat. This version of Lara takes a physical battering in the games, and Vikander here goes through a lot too, she also looks the part , in fine physical shape, as one must be in such an intense physical role. When she’s not falling off trees, or flying through debris, she’s being impaled by branches. There is a lot of yelling and grunting in pain! It makes the character seem far more vulnerable and endearing. The game has a rather satisfying use of the Bow, and it features a lot here too! The legendary Ice Axe also makes an appearance!

The film still has some big flaws. They have changed a fair part of the Himiko backstory, the game goes down a far more supernatural route, whereas the film plays it far more safe. The film also fails to really show much of Lara’s backstory, apart from her sparring sessions, it’s a huge leap of faith to believe that suddenly, she has the skills to survive out in the wilderness, we don’t see much of her exploration/survival skills beforehand. The moment when she does make her first kill is rather underwhelming here, where in the game, it was a pivotal moment for her as a person, and having to accept what she had done. Here, the moment is all to brief, and suddenly cuts back to the main story. The missing Father story line has been played over many a times, and would have been more intriguing had they used another plot device to drive the story on.

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Tomb Raider does play it safe here, and you can tell, with its rather generic and cliched story. But judging it as a video game adaptation, it’s done a perfectly good job. Vikander is excellent as Croft, and Lu Ren is a great partner for her future travels. If you’re a fan of the games, you will enjoy this adaptation, while it’s no where near are deep or immersive as the games, but that’s to be expected, having to cut the massive adventure into a single feature length film. It doesn’t do anything too new, but it should do enough to merit a second outing.

Game Night’s A Winner

Starring Patrick Bateman & Rachel McAdams, as a super competitive, game loving couple, their weekly game nights with their friends takes a turn for the worst. What was meant to start off as a murder mystery night, soon becomes entangled with smuggling, law enforcement and organised crime!

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What on paper, looks like a pretty generic comedy, turns out to be a witty & amusing ride. We have our leading couple,  Max (Bateman) & Annie (McAdams), who regularly host a weekly game night with fellow couples. you have the typical childhood sweethearts couple, Kevin & Michelle, played wonderfully by Lamorne Morris & Kylie Bunbury).  They are also joined by Ryan (Billy Magnussen), a young and charming chap, though he may not be the brightest, his the one who brings a different date every week. Following the visit of Max’s brother, Brooks (Kyle Chandler), whom Max feels overshadowed by, from his successful career to his lavish lifestyle. His brother decides to step things up one night, and instead of the usual board games, ups the anti to a murder mystery night. Though it’s not before long, that things end up taking a more sinister turn!

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Game Night by far surpasses any expectation you may have coming into it. All the characters play off excellently off their partner. Bateman and McAdams both have such enthusiasm in their roles,  you warm to them right away, their interactions are hilarious, especially during their impromptu backstreet surgery! Ryan’s date for the night, is not one of his usual Instagram addicted models,  but the rather well educated, and well spoken Sarah. Their polar personality clash works perfectly here.  There is also one hilarious ongoing joke that runs throughout,  between Kevin & Michelle, and a certain famous movie star.  Jess Plemons as the creepy recently divorced neighbor Gary is an absolute scene sealer whenever he appears, he by far brings the most laughs to this flick. There’s also appearances from Micheal C. Hall and Chelsea Peretti adding to the fun.

A quick shout out to the cinematography, which is surprisingly sharp for a routine comedy film.  The director makes fantastic use of tilt shift, to make the drop down shots look like pieces on a board game, and the car chases also include some pretty nifty camera work!

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While the humour is pretty much on point, the story line at times does feel for more convoluted than it really should have been. It’s OK to have one or two twists, but any more, and it starts to all look for more messy than it really should. The story would have worked perfectly fine if there was just one huge revelation, rather than the constant double bluffs. Once there are several layers to the plot, the obvious plot holes start to reveal themselves.  The film also suffers from showing pretty much all of its best jokes in the trailer. Fortunately, I never had a chance to see this trailer, so enjoyed all the jokes first time, but if I had, it probably would take away a lot of the effect.  I can understand trailers trying to sell a movie they may think is a risk, but certainly they could have cut some of the better lines and scenes out the teasers.

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Game Night is a perfect mix of comedy, wit and cringe, and works pretty much is a similar format to The Hangover, group of mates trying to figure out whats happening, with the involvement of criminals! The story-line may have become slightly entangled by the finale, but it has enough to keep you laughing throughout (Cyberdyne reference!) and is a great way to spend a night out!

 

 

 

 

 

The Commuter / No Delays Here

After being tasked by a mysterious woman to track down a specific person on an evening commuter train, Michael MacCauley (Nesson) is in a race against time to unravel this conspiracy, or risk danger not just to himself, but his family as well.

Liam Neeson and low budget action movies always prove to be an enjoyable time. You pretty know what you will get, what to expect, and how the story will pan out. Neeson has already wreaked havoc on a plane in 2014’s Non-Stop, this time, his kicking ass and speaking intensely on phones (it’s a trend in his films!) on a train, in The Commuter.

The Commuter is a perfectly satisfactory feature length movie. Directed by Jaume Collet-Serra, who had also taken charge of the aforementioned, Non-Stop and The Shallows, a thrilling shark attack film. Pretty much the entire story take place on the train, and the film can be divided into two parts. The opening and middle chapters are more focused on the mystery of who he must find, tracking down various clues to help him locate the target. It’s a nice concept, and considering it’s a busy New York commute, the train is packed with a range of people, all of which could be who he must find. It’s a nice change of pace, from the action packed finale, and even has the audience constantly guessing who it may be.

In my opinion, the deduction parts of The Commuter, are its strongest moments, you do have the occasional action and fights, but they are really just there to stop it getting a bit to mellow for a Neeson movie! The finale is a lot of the typical over the top action and CGI fest that you would expect, the intensity is ramped up by a hundred, and it gets pretty messy at times. Though Neeson is still pretty adept at looking far more dangerous than most people at the age of 65, the special effects are pretty obvious. The train crash from the trailers still looks as laughably bad in the final cut!

Liam Neeson obviously holds this movie together, but Vera Farmiga as the calculating Joanna, who is pulling the strings on board, and Patrick Wilson, as Michael’s colleague, Murph. Both add a bit of shine to the film. And it’s always good to see Jonathan Banks, of Breaking Bad fame making an appearance too!

The Commuter is a straight forward movie, it’s not amazing, nor is it awfully bad. If you’re a fan of the Neeson style thrills and dangers than The Commuter won’t leave you feeling short changed. At under 2 hours, it doesn’t drag on either. If you got nothing to do, and want to catch a decent film, this is worth a watch, otherwise, just wait for it to come out on demand!

Coco Dazzles

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Pixar have a habit of constantly releasing critically acclaimed hits, and their latest venture, could prove to be their greatest triumph yet. It’s taken Coco a few months to arrive on these shores, but the wait has been worth it.

The Day of the Dead, is our main focus here, the Mexican holiday in which people come together to celebrate the lives of the members of their family who have passed away. Miguel, our young protagonist, yearns to be a musician, but due to a complicated family history, the art of music, in any form, has been prohibited in the family. But in his attempts to emulate his idol, Ernesto de la Cruz,, the greatest musician of his time, Miguel finds himself trapped in the Land of the Dead, seeking his hero for a way out.

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UNLIKELY DUET — In Disney•Pixar’s “Coco,” aspiring musician Miguel (voice of Anthony Gonzalez) teams up with charming trickster Hector (voice of Gael García Bernal) on a life-changing journey through the Land of the Dead. Directed by Lee Unkrich, co-directed by Adrian Molina and produced by Darla K. Anderson, Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017. ©2017 Disney•Pixar. All Rights Reserved.

Considering the theme of film is pretty morbid, the movie itself is surprisingly vivid! It is probably one of the most resplendent settings in any Pixar movie, with the festival ambiance providing a fantastic backdrop to the story. The visuals are stunning, and has some of the best animation the studio have produced.

Pixar movies are always an emotional ride, and Coco delivers. The recurring themes of death, grief and family are mentioned throughout the film. So it’s not too much of a surprise that there is a certain level of poignancy to the plot. But the final third of Coco is so well done, it should move most people to some degree! Without spoiling, it packs a punch!

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FAMILY REUNION — In Disney•Pixar’s “Coco,” Miguel (voice of newcomer Anthony Gonzalez) finds himself magically transported to the stunning and colorful Land of the Dead where he meets his late family members, who are determined to help him find his way home. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017. ©2017 Disney•Pixar. All Rights Reserved.

The cast are thoroughly enjoyable. Hector, a charming, witty trickster who accompanies Miguel on his journey is a wonderful character, he’s just not there for comic relief though, his story arc plays out to perfection. Ernesto, our pompous superstar, is just about the right level of irritation & arrogance! Considering there are two sets of families, one alive, one passed away, there is an abundance of names and faces, not all of whom are important to the plot. But it plays a vital role in pushing through its message about family.

With it being a Disney production, the musical score will always be a crucial factor. With Coco, the soundtrack delivers a wonderful blend of music, will the effervescent flamenco/latino party rhymes, to the sombre melodies. ‘Remember Me’, the recurring track that plays throughout, not only carries a great level of poignancy, it also plays a vital role within the film.

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Regarding negatives, there really isn’t much to say against it, but if you were to knit pick, the opening 1/3 is rather slow to kick on. It’s really not too clear where the movie is going with things, but the remainder of Coco is so good, you’ll let that go. Also, there really isn’t a villain in the film, it doesn’t really hurt the enjoyment, but if you like a movie with a clear antagonist, this may bug you a bit.

That being said, these are very minor flaws in what is already one of the candidate for film of the year! A sure winner for the Oscar for best animation!

The Foreigner Does Enough

Jackie Chan is not usually seen in a serious tone in his movies over here in the West. Although he may be great as a comedic actor, he is also well known for his more dramatic roles back in the East. So fans were intrigued to see that the latest Chan movie to be released here, was a shift away from the norm here, and places him in a far more melancholic surrounding.

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The Foreigner directed by Martin Campbell, is a fairly typical revenge thriller. Quan (Chan) is a worker, living a simple life in London, but following an IRA terrorist bombing, he loses his teenage daughter (Katie Lueng). Using all his military expertise from days gone past, he sets out on a relentless pursuit for answers, and to find the people responsible. This leads him to the doorstep of the deputy minister for Northern Ireland, Liam Hennessy (Brosnan).

Taken, this isn’t, but The Foreigner is still an enjoyable movie to sit down and watch. It’s far more interesting to see Chan as the broken down father figure, rather than what he  is usually type cast as, and all his scenes carry great intensity. There are several action scenes that make use of Chan, but they are not as vibrant as they usually are, it’s far more visceral and calculated. Brosnan is excellent as the charming deputy minister, bringing a strong gravitas to a film that really isn’t flooded with big names. His witty exchanges with his fellow cabinet members and staff still exude that 007 aura he had, even down to getting his hands messy if needs must.  The cat & mouse interactions between Quan & Hennessy are by far the most fascinating parts of the movie, though Hennessy insists he was not involved, Quan is adamant he must have known something, considering his powerful political position.

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Where the film struggles is the overall story arc, the entire IRA subplot really does slow down the movie, and it gets drowned in a lot of dialogue and conversations.  The plot attempts to be far more intricate and layered than it really should have been. Any scene which does not involve Chan or Brosnan really feels like a drag.  The whole affair plot line has a resolution, but even then, it feels like it could have been written in a much more captivating manner.  Also, there could have been more scenes with Chan, as that really is the film’s strongest points.  Seeing Chan take out elite soldiers in the woods is far more interesting than political power plays. Quan is almost a secondary character compared to Hennessy. As good as Hennessy is, most people would be tuning into this for Chan, and they really didn’t make the most of that factor.

Overall, the movie does seem to drown itself with its plot at times, but the star power of Chan and the charm of Brosnan has enough to make The Foreigner worth a watch.

Molly’s Game Captivates

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Based on the novel of the same name, Molly’s Game is based on the rise and fall of Molly Bloom, who in her 20s, was hosting the world’s most exclusive Poker tournaments in both LA & NYC.  Attracting the biggest names in Hollywood, sports and business, her game was rolling in millions, before inevitably getting the unwanted attention of organised crime & the mafia.

Before taking up her place in law school, Molly Bloom (Chastain) decides to take a year out, taking up part time jobs to support herself. During this time, while working as an assistant, she gets introduced to the world of underground Poker, planning the logistics for her boss’s poker nights. It’s not before long, she uses her wits & smarts to get her foot into this lavish lifestyle, and has her own business running. But after falling foul to the law, she needs to rely on her charismatic defense attorney, Charlie Jaffey (Elba) in order to avoid the full brunt off the law.

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The film has been referred to in the same breath as The Wolf of Wall Street, and in a sense, it is a similar story, they both start from nothing, earning millions, before the collapse of a mighty empire. But unlike TWOWS, where all the activity was clearly illegal from the start, Molly does her best to keep things as legal as possible. Chastain is brilliant as Molly, bringing a certain likability and dynamism to the character. Though the business she takes partakes in, is morally askew, for most parts, she stays on the right side of things. Her monologues are full of wit and sarcasm, which makes her character thoroughly entertaining. Her interactions with Elba are also highly amusing, both characters are intelligent and charming, so their verbal sparring is great fun to watch.  Their characters also avoid the trap of falling into a clichéd romance, which was a nice change for once.

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Jessica Chastain in MOLLY’S GAME

The most captivating parts of the film are obviously all the Poker scenes, where they flashback to the events prior to her arrest. You don’t have to be an expert in Poker to know what is going on, as the movie explains everything in an engaging fashion. Not to mention, the real life addition of a big time Hollywood celebrity (whose identity can be easily found out with a quick search online!) adds an interesting dimension to the story. These are the parts of the movie you’ve come to see, and Chastain carries all of them with supreme grace.

Though most of the film is compelling to watch, the film really suffers in the final act. With her relationship with her father (Kevin Costner) playing a pivotal role. The film grinds to a halt, and adds an unnecessary 20 minutes to the entire movie.  That really is the only real flaw that could be said about a film that for most parts, it’s mighty enjoyable. Of course some liberties are taken from the source material, in order to make the film more enjoyable, but that’s to be expected for any book that is converted for the big screen.

Coming out of New Year, Molly’s Game is a perfect way to start the year at the cinema! Yes the finale is underwhelming, the majority of the movie is riveting.

Jumanji Roars

When Jumanji : Welcome To The Jungle, was announced, it was met with much derision from fans. Was this really necessary? Will it ruin the fond memories of the original starring Robin Williams? Jumanji, unlike Dwayne Johnson’s previous attempt to revive some 90s nostalgia, Baywatch, Jumanji :Welcome To The Jungle is an exuberant joy ride from start till end!

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Dwayne Johnson in JUMANJI: WELCOME TO THE JUNGLE.

The story here has been shifted to the current millennial age,  and in order to fit this time, the Jumanji board game has become a retro video game, basically evolving to survive in a time when board games are of little interest! Our protagonists, whom are all the usual high school stereotypes, end up digging out the video game while being thrown into detention together.  The twist here though, is unlike the original, where the game came to them, here, they get sucked into the game!

To make things even more interesting, our students end up in the bodies of the avatars they selected for the game. Spencer (Alex Wolff), the nerdy gamer is now in the body of Dr. Smolder Bravestone (Johnson), a 6″5, 250lb hero, with no real weaknesses. Fridge (Ser’Darius Blain), the school jock, is the diminutive Franklin “Mouse” Finbar (Hart), who is essentially Bravestone’s assistant. Bethany (Madison Iseman), the selfie obsessed cheerleader, ends up as she says ‘a middle aged fat man’ in Professor Sheldon “Shelly” Oberon (Black).  Martha, our shy, introverted teen, is now the confident & dangerous Ruby Roundhouse (Gillan).

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The story is simple, get the Jaguar’s Eye, a magical gem, back to its resting place, to save the jungle, though it’s not as east as it may seem. Each of them are limited to 3 lives, and not only is the jungle trying to kill them, but the villainous Van Pelt (Cannavale) is also in a deadly pursuit of the gem.

The body swapping angle is really what makes this film shine.  With most of our all star cast playing roles that they don’t play. The Rock, is someone who is the opposite of the charismatic mountain of muscle that he is. Jack Black is having a blast playing the bratty teen diva, and Gillan is still an insecure teenage, even though in the game she is a beautiful lady who can also kill you swiftly with her deadly martial arts skills! It’s really only Kevin Hart doing his usual routine, but even then, his interactions with Johnson is golden. Finbar, who in reality,  is the athletic, tall, confident jock,  has to come to terms that in the game, he really is none of that, and it’s in fact Spencer, who he looks down upon, who is the real hero.  All four of the cast work great, and really excels the movie to something more memorable.

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Kevin Hart stars in JUMANJI: WELCOME TO THE JUNGLE.

The video game plot also adds plenty of laughs for all the gamers out there. From NPCs, cut scenes,  and character strength & weaknesses, there are various little details that give the film a charming gloss.  This really makes the film stand out from the original, so they really cannot be compared directly.

The only thing that really does bring the movie down, is the laughably poor villain. Van Pelt really wasn’t needed, and could have been removed from the story altogether.  All it did was extend the run time, and remove the excitement from the film whenever it cut back to whatever he was up to. The story line would have worked perfectly well if it was a simple task of going from A to B, with the jungle trying to defeat you.  The villain was just a distraction, and never really proved a threat.  Villain aside, the film doesn’t really make the most out of the 3 lives gimmick, at no point, do you ever really fear for one of the main characters biting the dust, considering the menacing environment they are in.

Jumanji : Welcome To The Jungle is amusing holiday film, with a wonderful cast, humour, and surprisingly intense action scenes, it really is a blast. Only downside to it really is the mediocre villain, who helps bloat the movie to over two hours.  Even with that, the film pretty much stands on par with its 90s counterpart.

 

 

The Last Jedi, It Disappoints

The Force Awakens was a nostalgic action packed throwback, that helped the franchise get back on track, following the thoroughly underwhelming Prequel trilogy from the Early 00’s. Since then, we’ve also had the well acclaimed spin-off, Rogue One. So expectations were sky high for the latest instalment in the saga, Episode VIII, The Last Jedi.

One of the biggest criticism of TFA was the fact it stuck pretty close to its guns, and essentially, it was a rehash of the story from A New Hope, with a fresh coat of paint. In all fairness, it was a safety first approach,  but it payed off, but with the sequel, the studio would have to be brave and shake things up.  To keep this spoiler free, this review will be pretty concise!

TLJ carries on straight after the end of TFA, as Rey (Daisy Ridley) tracks down the reclusive Luke Skywalker (Mark Hamill). In search for the guidance she requires to help the resistance fight off the imminent threat of the First Order, led by Supreme Leader Snoke (Andy Serkis), and a bemused Kylo Ren (Adam Driver), having suffered a shock defeat at the hands of Rey last time around.

What TLJ does right, it does supremely well.  The space battles as always are stunning to watch, the opening scenes of the resistance taking down a dreadnought,  not only shows us the underdog nature of this war, but also the morbid consequences that follow even after the battle has been won. The final act, that takes place on the salt plains of Crait is a visual treat. Star Wars is a franchise that rarely uses blood, so the red marks left on the surface of the plains makes it a great method to show the brutality of the situation without resorting to the red stuff!

The dynamic between Rey & Kylo is intriguing throughout the film, both of our characters are conflicted in their own ways,  and seeing them try to understand each others motivations adds a new layer to a story trying to play it different.  Luke is also another highlight of the show, Mark Hamill has always been the one who engages the most with his fans regarding Star Wars, even to this day he still loves the fact he is Luke Skywalker! The battle scenes are as strong as ever, though the light-saber action is a bit on the downside here, the show down in Snoke’s throne room is wonderfully choreographed and shot. There is also a surprising cameo from a well loved character from Star Wars past, which will have the fans smiling.

This movie has been controversial to say the least,  with fans having a far more scathing assessment than the largely positive critic reviews. To be honest, there are several flaws that really do effect the enjoyment of the movie. To avoid any big spoilers, these will be listed in a vague way, to avoid revealing too much of the story! The whole Finn & Rose arch feels very unnecessary, a way to simply pad out the already bloated run time. Finn is also reduced to very much a side character,  which is a shame, considering how charismatic John Boyega is.  There are several plot points from TFA that just seem to disappear,  Rian Johnson, taking over from J J Abrams, seems to have struggled to weave the two movies together seamlessly. There are also decisions made by the some characters that really make no sense,  seemingly only done to create another plot narrative, such as Vice Admiral Holdo (Laura Dern), whose peculiar decision making serves no real purpose apart from creating tension.

Overall, I found TLJ a bit disappointing, The usual Star Wars shine is there, with its outlandish characters, charm and familiarity.  TFA may have been some more of the same, but it still provided the audience with enjoyment, and a tidy plot.  TLJ is unfortunately riddled with plot holes, character motivations and frankly some bizarre scenes (to be discussed in the spoiler review!).

 

Battle of the Sexes – An Ace For Fans

Starring Emma Stone & Steve Carell, Battle of the Sexes is the dramatization of the real life events in 1973 which lead to the creation of the WTA, the Women’s Tennis Association.

Battle of the Sexes takes a look back at the monumental clash between former men’s Number 1, Bobby Riggs (Carell), in the twilight on his career. Up against one of the top women’s players at the time, Billie Jean King (Stone) in an open challenge to the Women’s tour.  Back in the early 70s, the Women’s game was highly disregarded in the male dominated game, with far less pay and recognition than their male counterparts. So the consequences of this clash would go far beyond the court.

Though the subject of the movie may be Tennis, the film takes a greater look into the inner conflicts and demons that our two protagonists are facing. King is struggling to deal with her sexuality, and the pressures of being away on tour from her husband. Whereas Riggs is trying to balance the end of a career with his increasing gambling addiction, which is causing immence strain in his relationship with his wife.

Battle of the Sexes is a slow burner, as the first hour focuses mainly off the court, with both Stone & Carell excelling in their performances. Though the role is far more serious than what he usually does, Carell still brings his trademark flair to the role of Riggs, bringing sympathy to a character who revels playing the pantomine villain in this show.  

The struggles faced especially by King, against a system which simply does not treat her colleagues as a serious threat and the credibility they deserve provides the movie with an antagonist we can all get behind, the USLTA commsioner Jack Kramer (Bill Pullman). Sarah Silverman also shines bright as the resourceful & sassy manager of the breakaway LTA organisation.

Battle of the Sexes is a must watch for any fan of Tennis, as the influences of this event still reverberates today. It may feel like it does drag on at times, and the actual showdown isn’t as hyped up as it could have been, it feels like the drama on the court could have been built up far more greater. The 2 actors are not known for the physical roles, so it probably was expected to reduce the on court scenes in a minimum. However it’s the players personal battles off court, that soar above their battles on court. 

The Vault : Inception (2010)

Following on from the immense success of The Dark Knight, Christopher Nolan, who had already scored hits such as Memento & The Prestige, was creating huge buzz and excitement with whatever his next project would be. What we got was a superbly stylish, deeply layered (pun intended!) movie. Inception may have been very ambitious with its design, but it has provided fans with several unforgettable scenes and a simply iconic score.

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Dom Cobb (Di Caprio) is what they call in his business, an ‘Extractor’, along with his partner Arthur (Gordon-Levitt), they enter the dreams/unconscious of people to extract information, mainly for corporate espionage. After a botched mission, Cobb is offered a chance at redemption, and an opportunity to go back home, only if he carries out something known as ‘Inception’, the concept on planting an idea in someone’s mind. As skilled as Cobb & Arthur may be as Extractors, the idea of Inception could be even beyond their talents. But with the chance to see his children back home, he puts together a team, and heads out on his mission.

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Off the bat, the movie is a visual treat; the dream concept allows the movie to create amazing set pieces, such as the mesmerizing folding streets of Paris, to the dazzling exploding café scene. There’s also the stunning corridor confrontation, in which Arthur is forced to fend off foes while the halls start rotating. What’s more incredible is that the entire scene was filmed within a structure, with no CGI! Everything is filmed perfectly, to make it look absolutely on point. With the cast all suited and booted, and the dream world setting, it is one classy film.

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The cast is incredibly strong, you have Di Caprio as the star man, but the supporting cast are also a joy. Tom Hardy excels as Eames, his constant bickering with Arthur (Joseph Gordon-Levitt) and generally all round charm shines through. Ellen Page is the talented Ariadne, who has the most vital role in the operation. Her young character is pretty much how the audience feel at various points, pretty confused at times! You also have the likes of Ken Watanabe, Cillian Murphy and Marion Cotillard all contributing to a stellar cast.

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(Clockwise from TOP left) LEONARDO DiCAPRIO as Cobb, JOSEPH GORDON-LEVITT as Arthur, CILLIAN MURPHY as Robert Fischer, TOM BERENGER as Browning, ELLEN PAGE as Ariadne, TOM HARDY as Eames, and KEN WATANABE as Saito in Warner Bros. PicturesÕ and Legendary PicturesÕ sci-fi action film ÒINCEPTION,Ó a Warner Bros. Pictures release.

The plot is one that will take multiple viewings to really get any sense of what’s happening! To put it simply, there are layers, so many layers! In order to get an idea deep into someone’s unconscious, will not only require going into the dream of their target, but also several dreams within that. It can be a convoluted mess, and at times, you will probably not really grasp the finer details. But that’s what repeat viewings are for! The storyline may leave you puzzled at times, but the sheer spectacle and scale of the movie more than make up for it! It is an audacious project, and it has to be applauded for it. After multiple viewings, things will get clearer, and you’ll enjoy the movie even more!

Let’s not forget to mention the score, which is put together by legendary composer Hams Zimmer. Tracks such as the triumphant ‘Time’, and the pressing ‘Dream is Collapsing’ are synonymous with the film. The recurring lyrics from Non, je ne regrette rien will be stuck in your head after watching this, and then there’s the now iconic BOOONG! This now appears in pretty much most trailers nowadays! Combining such a quality score with the slick production, produces one impressive looking, and sounding 2.5 hours!

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Though as great as it all looks and sounds, Inception will not be for everyone. The film is very dialogue heavy, with various key plot details hidden within various speeches. It is also a very slow burner, with the operation not commencing well past the first hour. The finale is also quite perplexing, especially if you weren’t paying attention in the finer details. But don’t let that take away from what is a thrilling, cerebral, and  enjoyable film.

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